Week 7 The Ethnography of Speaking Schemas, Frames & Scripts Flashcards

1
Q

Communicative competence

A

rules of speaking

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2
Q

what is Ethnography of Communication

A

the analysis of communication within the wider context of the social and cultural practices and beliefs of the members of a particular culture or speech community

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3
Q

what did Chomsky and Hymes say about competence?

A

linguistic competence (Chomsky)- he believed that everyone had innate knowledge of language and that we build rules off of that - difference between competence and performance

Communicative competence (Hymes)- in addition, people need communicative competence. People need rules for speaking and behaviour

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4
Q

how may ethnographers investigate the rules of speaking?

A

Interactional frames and everyday scripts
• conventional ways of organizing talk (i.e. frames)
• e.g. lecture, debate, interview, conversation
• ritualistic (or scripted) ways of speaking
• e.g. greetings, service encounters
• ‘Have a nice day!’ ‘Did you find everything you were looking for today?’

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5
Q

what are the levels of talk that we might focus on?

A

Units of speech
• Speech situations
e.g. family meals, church services, university lectures, seminars, workshops
• Speech events (aka ‘genres’)
e.g. arguments, storytelling, gossip, jokes
• Speech acts
e.g. greetings, apologies, requests, compliments

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6
Q

what did Hymes create based on pinpointing the ‘rules of speaking’

A

S Situation: Time & space setting • physical circumstances, location, time of day, week, year

P Participants: Who, in what roles  speaker, addressee, audience, eavesdropper  age, ethnicity, social status, relationships to each other

E Ends: Goals, purposes • What is the intended function or outcome of the speech event? • What are the goals of the participants?.

A Act sequence: Form, content, order. What speech acts make up the speech event and in what order are they performed? (message form and content) 
Including features such as turn taking and overlapping

K Key: Tone or manner • Serious or joking, sincere or ironic, formal or informal etc.

I Instrumentalities: Channel/medium • Message form: verbal/non-verbal; spoken/written; notes, email, text; singing, gesture, signing etc.
• Nature of code; which language and which variety

N Norms: Interaction ‘rules’ • What the norms are for producing and interpreting speech within the cultural belief system
• Including common knowledge or relevant cultural presuppositions which allow inferences to be drawn

G Genre: ‘Type’ of communicative event Joke; story; lecture; gossip; seminar; sermon; news text; editorial; advertisement; problem-page; comic strip; novel

SPEAKING

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7
Q

give a case study for Ethnography of communication

A

Community pharmacy

  • customer looking for flu tablets
  • receptionist has mild pharmaceutical training
  • asks general questions about illness
  • gives opinion on what customer should take
  • tells them how to take it
  • customer just agrees
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8
Q

what did Goodwin and Duranti find about the dynamics of context

A

Neither physical nor social setting is fixed/immutable. These phenomena and their constraints are dynamically and socially constituted by activities (talk included) of the participants, which stand in a reflexive relationship to the context thus constituted

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9
Q

difference between schemas, scripts and frames

A

Schemas – essentially individual, cognitive phenomena.
Scripts = more dynamic types of schemas or schemata through narrative representations of knowledge.
Frames – as interactional phenomena are necessarily social and can be linked to speech events.

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10
Q

what is a schema

eg

A

data structures that we have in our minds.
A schema shared by everyone within a social group would be something like a prototypical version e.g. of ‘the university lecture’

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11
Q

what is a frame

eg

A

based around actions and utterances of the participants

‘Erving Goffman (1963) distinguished as ‘focused interaction’ those occasions when two or more people openly join together to sustain a single common focus of concern.
… a single focus of concern must likewise be openly entered into when people play games together, dance together…

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12
Q

what is a script

A

A script is a frame specialised to deal with event sequences; a script incorporates a standard sequence of events that describes a situation: our understanding as language hearers/readers is very much expectation-based

eg. A visit to the dentist has a script of specific events in sequence (which might start with giving one’s name to the receptionist and being asked to wait; finish with paying /or making a further appointment).

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13
Q

Schemas, Frames and Scripts

Going to a restaurant for an evening meal

A

Schema: eats, drinks, talk, a treat

Frame: ‘activity-type’ may be celebratory, duty/work related, friendship, intimate

Script: booking a table in advance, getting appropriately groomed and dressed, turning up on time, ordering food and drink, talking, eating and drinking, (working out how to share the bill) paying, leaving a tip, etc.

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14
Q

what are goals for talk

A

Tracy and Coupland 1990

• Task/instrumental/transactional goals:
- The overt ‘purpose’ of the interaction

• Relational goals:
- Connected with the relationship between the
participants

• Identity goals:
- Self-presentation, ‘face’ concerns

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15
Q

Task-oriented talk vs relational talk

A

Task orientated
• Interactions can be focused on communicating information. eg. going to bank or doctors
• Some communication may be entirely task- oriented
e.g. Where is the milk? > On the top shelf

Relational talk
• But they can also function to build or nurture relations between people
• Whilst other communication could be seen as more relational (or entirely relational)- eg. filling time up, small talk

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16
Q

discuss phatic communion

A

coined by Malinalski in 1972
- he lived with remote islanders in the pacific ocean
- they would use talk in different ways, for fishing, for eating etc
- task/ relational talk
- phatic communion =
“inquiries about health, comments on weather, affirmations of some supremely obvious state of things – all such are exchanged, not in order to inform, certainly not in order to express any thought.”
-“ to a natural man, another man’s silence is not a reassuring factor, but, on the contrary, something alarming and dangerous”

17
Q

what is Phatic communion

A

“a type of speech in which ties of union are created by a mere exchange of words”

Interpersonal, Social Function

18
Q

what did Tracy and Naughton say about phatic communion

A

‘Phatic communion is the closest relative to the lay concept of small talk. To quote Malinowski (1923: 318), the originator of the term, phatic communion “serves to establish bonds of personal union between people brought together by the mere need of companionship and does not serve any purpose of communicating ideas”.
Tracy and Naughton, 2000

19
Q

how does small talk save lives?

A

Samaritans, national rail and British transport police

- ‘if you see someone that might need help, trust your instinct and start a conversation. you could help save a life’

20
Q

how to locate small talk on the continuum

A

Holmes, 2000

Core —————–Work—————-Social———–Phatic business talk related talk talk communion
←——Small talk——-→

21
Q

Routine vs Ritual

A

(Kuiper, 1996)
Routine = more general (any repeated activity is
routine)
Ritual = ‘routines which have assumed socio-cultural significance’

22
Q

discuss greetings and partings

A

Firth, 1972
• ‘greeting is the recognition of an encounter with another person as socially acceptable.
• Parting, in a social sense, is the recognition that the encounter has been acceptable’ (Firth, 1972: 1)
• Firth (1972: 3) believed that such rituals were “formal procedures of a communicative but arbitrary kind, having the effect of controlling or regularising a situation”

23
Q

Three types of Conversational English Greetings

A
Firth
(1) Questions
•Formal
•Not requiring a literal answer
•Used by members of an older generation
‘How do you do?’
But what about: Alright? /What’s up?
(2) Interjections
•Less formal,
•More common in younger generation
•A straight recognition signal with no implied informational context, but tone may contain more illocutionary sense
“Hey” “Dude”

(3) Affirmations
•Fairly formal
•Gives rather than seeks information and modulates over time.
“Good morning/afternoon”
•A form of assurance, not necessarily a “truthful” statement.

24
Q

Greetings and Partings as Social Action

A

“greeting and parting behaviour may be termed ritual since it follows prepatterned routines …it is a system of signs that convey other than overt messages… and it has adaptive value in facilitating social relations’…
I see three major social themes, each connected with the concept of personality:
> Attention Producing
> Identification
> Reduction of Uncertainty”
(Firth, 1972)

25
Q

examples of Non-verbal Rituals

of Greeting and Parting

A

kissing, hugging, shaking hands

26
Q

formulaic language

A

verbal expressions that are fixed in form, often non-literal in meaning

27
Q

Examples of Formulaic Language (in greetings and partings)

A
How do you do?
• Goodmorning
• Have a seat
• How are you?
• I must go
• See you later
• Lovelytotalktoyou
• Bye bye