Week 7 - Modernism and American Art Flashcards

1
Q

Between 1943-55 where did the centre of art production move from and to?

A

From France to America.

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2
Q

Who did Greenberg think was the start of Modernism?

A

Manet

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3
Q

How is Manets Music in the Tuilleries painted

A

Blobs of paint, sketchy in areas. Tree confuses perspective.

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4
Q

T. J CLark describes the Avant Gardes as…

A

People who reject ‘the norm’ and move away from the bourgeois.

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5
Q

What is Cubism?

A

A style of painting which breaks up volumes. Unrealistic image where formal elements are positioned in a certain way. Artists recognised the flatness of the canvas and worked with it. The eye travels across the canvas.

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6
Q

What is this image showing and why is it important?

A

Alfred H Barr, 1936 Front of catalogue ‘Cubism and Abstract Art’ Big exhibtion in MoMa in 1930s.

Various ‘Ism’ moving downwards

Various movments have slowly started to purify art into non-geometric and geometric abstract art. Start of American Art.

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7
Q

What do the red boxes in Barr’s diagram of Cubism and Abstract Art indicate?

A

Everything outside of the emerging western canon was put in red boxes are separate and can be disposable.

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8
Q

What is Modernism in the sense of Abstract Art?

A

A critical heritage.

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9
Q

What was Greenbery interested?

A

The effects of the paintings surface.

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10
Q

What does cubism and surrealism try to do?

A

Tries to destroy what is familar.

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11
Q

What is the title of the artwork and when was it created?

A

Automatic Drawing y Masson. 1924

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12
Q

What is Masson’s artwork ‘Automatic drawing’ about?

A

A line that depicts something else.

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13
Q

Who is the painting by? and what does it represent?

A

Miro the circus horse 1927. About other types of reality.

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14
Q

What is the title of image and who is it by?

A

Masson, Minotaire 1937.

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15
Q

What does Masson’s Minotaire use?

A
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16
Q

What is the name of this painting and who is it by?

A

Pollock the key. 1946

17
Q

When was there an influx of surrealist artists to america?

A
18
Q

When was Jackson Pollock’s ‘She Wolf’ painted? and what did it represent?

A

1943.primitisim.

19
Q

What does Pollock do in 1948?

A

Moves away from Shewolf to LA. Sense that something was changing. Starts to stretch canvas after painting it and relates to native american sand paintings.

20
Q

What conditions made America become a country of Rhetoric/Pride/Freedom/Democracy and Independence?

A

The Cold War 1946-89.

Marshall Plan

Trueman Doctrine 1947.

Art had to articulate new values.

21
Q

According to Grieselda Pollock what did the MoMa create?

A
22
Q

What kind of art did Rothko and Violet Newman create?

A

Colour field painting which offered a kind of experience.

23
Q

How Pollock describe MoMa’s display of Modenist artwork?

A

An incomplete, universalising. masculist eurocentric picture.

24
Q
A
25
Q

What is problematic for Carol Duncan in the way in which MoMa presents women?

A

Full of women nude or sexualised.

26
Q

How did Carol Duncan decribe walking around the MoMa?

A

Mythical male quest. Move round space like a labrythn. Viewer’s experience is masculine. Even women have to look at at paintings through mala gaze. Excludes female perspective.

27
Q

What does Pollock call for in terms of MoMa and its inclusion of women?

A
28
Q

How did Barr theorise art movements such as abstraction?

A

Placed emphasis on figure of the artist as figures in paintings started to vanish.

Concept of artist became very masculine. Females artists became an exception.

29
Q

How were Picasso’s Demoiselles D’Avignon and De Kooning’s art placed in the MoMa?

A

Picasso’s was seen as high point of cubism so given promiment position.

De Kooning, women figures needed to be overcome.Viewers had to go round them and to get to pure abstraction. (Quest)