Week 4 Flashcards

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1
Q

Describe the key elements of a sensory system

A

First step in sensation involves accessory structures which collect and modify sensory stimuli.
Second step is transduction, converting incoming energy into nerve cell activity; accomplished by neural receptors.

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2
Q

What is sensory adaptation

A

Sensory adaptation takes place when the receptors receive unchanging stimulation, nerve cell activity is transferred through the thalamus and onto the cortex.

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3
Q

Explain transduction

A

Transduction is the process of converting incoming energy into nerve cell activity

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4
Q

Explain Encoding

A

Encoding is the translation of a stimulus’ physical properties into a pattern of neural activity.

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5
Q

Explain visible light

A

Visible light is electromagnetic radiation that has a wavelength from just under 400 nanometres to about 750 nanometres (a nanometre is one-billionth of a metre).

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6
Q

Explain light intensity

A

Refers to how much energy the light contains and determines the brightness of light.

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7
Q

Explain light wavelength

A

What colour you see depends mainly on light wavelength, different wavelengths produce sensations of different colours.

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8
Q

Explain the eye

A

Light enters through the cornea.
Light then passes through the pupil.
The iris adjusts the amount of light allowed into the eye by contracting to reduce the size of the pupil/
The lens is directly behind the pupil.
Both cornea and lens are curved so that can bend light rays.
Light rays are focused into an image on the retina

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9
Q

Describe photoreceptors

A

Photoreceptors are specialised cells in the retina that convert light energy into nerve cell activity.

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10
Q

Describe the two basic types of photoreceptors

A

Rods and Cones
Rods use photopigment rhodopsin, which is more light-sensitive than cones
Cones use one of three isospin photopigments each is sensitive to different light wavelengths.

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11
Q

Describe sound

A

Sound is a repetitive fluctuation in the pressure of a medium, such as air. Vibrations of an object produce the fluctuations in pressure that create sound. A wave is a repetitive, rhythmic variation in pressure that spreads out in all directions.

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12
Q

Describe amplitude

A

or intensity is the difference in air pressure from a wave’s baseline to its peak.

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13
Q

Describe wavelength

A

is the distance from one peak to the next.

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14
Q

Describe frequency

A

is the number of complete waveforms, or cycles, that pass by a given point in space every second. One cycle per second is 1 hertz (Hz)

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15
Q

Describe Auditory Accessory Structures

A

The pinna is the crumpled part of the ear visible on the outside of the head that funnels sound down through the ear canal.
At the end of the ear canal, the sound waves reach the middle ear, where they strike a tightly stretched membrane known as the eardrum or tympanic membrane.
The vibrations of the tympanic membrane are transferred through a chain of three tiny bones named for their shapes, the malleus (hammer), incus (anvil) and the stapes (stirrup).

These bones amplify the changes in pressure produced by the original sound waves by focusing the vibrations of the tympanic membrane onto the oval window, a smaller structure.

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16
Q

Describe Auditory Transduction

A

After sound passes through the oval window, it enters the inner ear reaching the cochlea. The cochlea is the structure in which transduction actually occurs.

The cochlea is wrapped into a coiled spiral. A fluid filled ‘tube’ runs the length of it.

The asilar membrane forms the floor of this long tube.

When a sound wave passes through the fluid in the tube, it moves the basilar membrane, and this movement deforms hair cells of the organ of Corti, a group of cells that rests on the membrane.

These hair cells make connections with fibres from the acoustic nerve (auditory nerve), a bundle of axons that go into the brain. When the hair cells bend, they stimulate neurons in the auditory nerve to fire in a pattern that sends the brain a coded message about the amplitude and frequency of the incoming sound waves, senses as loudness and pitch.

17
Q

Describe Psychological Dimensions of Sound

A

Loudness is determined by the amplitude of the sound wave
Pitch, how ‘low’ or ‘high’ a tone sounds, depends on the frequency of sound waves.
Timbre is sound’s quality. It is caused by complex wave patterns that are added onto the lowest, or fundamental, frequency of a sound. This enables you to tell the difference between a note played on a flute and a note played on a clarinet.

18
Q

Describe taste perception

A

Taste perception (gustatory perception or sense of taste) is the chemical sense system in the mouth. The receptors for taste are in taste buds, which are grouped together as papillae in the mouth and throat.

19
Q

Describe Olfactory perception

A

Olfactory perception (or sense of smell) detects chemicals that are airborne, or volatile. Accessory structures include the nose, the mouth and the upper part of the throat. Odour molecules can reach receptors either through the nose or through an opening in the palate at the back of the mouth.

20
Q

Explain cutaneous senses

A

somatic senses or somatosensory systems) are located throughout the body, rather than in a localised, specific organ. These include the skin senses of touch, temperature, and pain as well as proprioception,

21
Q

Describe stimulus and receptors for touch

A

Skin, hairs receptors that transduce pressure into neural activity are in or just below the skin.

22
Q

Describe Proprioception

A

The proprioceptive senses provide information about the position of the body and what each part of the body is doing.

23
Q

Describe the Trichromatic Theory of Colour Vision

A

The trichromatic theory or Young-Helmholtz theory of colour vision states that there are three types of visual elements in the eye, each most sensitive to a different wavelength, and information from these three elements combines to produce the sensation of colour.

24
Q

Which cones respond most to light in the blue range?

A

Short-wavelength cones

25
Q

Which cones respond most to light in the green range?

A

Medium-wavelength cones

26
Q

Describe colour vision

A

Colour vision is the result of the pattern of activity of the different cones. The trichromatic theory was applied in the creation of colour television screens, which contain microscopic elements of red, green and blue.

27
Q

Describe the Opponent-Process Theory of Colour Vision

A

The opponent-process theory of colour vision holds that the colour-sensitive elements in the eye are grouped into three pairs, where each pair member opposes or inhibits, the other.

28
Q

What are the three pairs?

A

The three pairs are a red–green element, a blue–yellow element, and a black–white element. Each element signals one colour or the other, but never both. This theory explains afterimages.

29
Q

What are Complementary colours?

A

Complementary colours stimulate opposite ‘sides’ of the same opponent-process colour element. Two colours are complementary if grey results from mixing lights of the two colours.

30
Q

How does the brain locate sounds?

A

The brain analyses the location of sound-based partly on the difference in time the sound takes to reach each ear and on the sound intensity at each ear.

31
Q

Explain Coding Intensity and Frequency

A

The auditory system generally codes intensity by the speed of the firing of the given neuron. The more intense the sound, the more rapid the firing.

32
Q

Explain The Gate Control Theory of Pain

A

The gate control theory of pain says that there is a ‘gate’ in the spinal cord that either lets pain impulses travel to the brain or blocks their progress.

Input from other skin senses may ‘take over’ pathways that pain impulses would have used. This may explain why rubbing the area around a wound eases pain.

The brain can close the gate by sending signals down the spinal cord. The result is analgesia, an absence of pain sensation in the presence of a normally painful stimulus.

33
Q

What are natural analgesics?

A

At least three chemicals that are released by the body during stress play a role in the brain’s ability to block pain signals. They are the neurotransmitter serotonin, natural opiates called endorphins, and endocannabinoids

34
Q

Describe the emotional aspects of pain

A

All senses can have emotional components, most of which are learned responses. However, pain is more direct. Specific pathways carry an emotional component of the painful stimulus to areas of the hindbrain and reticular formation, as well as the cingulate cortex via the thalamus.

Cognition affects emotional responses to pain. Knowing about the nature of pain and when to expect it seems to make it less aversive even though the sensations are reported to be just as intense.

The use of pain-reducing strategies, such as focusing on distracting thoughts, also affects emotional responses to pain.