Week 3: Narrative Form Flashcards

1
Q

What is Narrative?

A
  • The range and depth of story info the plot presents
  • A chain of events
  • In a cause-effect relationship
  • Occurring in time and space
  • Read in chronological order
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2
Q

How is narration achieved?

A
  • A narrator (character or non-character. Think Anthony Hopkins in The Grinch)
  • Film can also show and tell
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3
Q

Diegesis

A

The total world of the story action

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4
Q

Diegetic

A

Things that originate within the films world (In Arrival, the news reports are seen and heard by the characters)

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5
Q

Non-diegetic

A

Things that exist outside the world that the characters don’t have access to. (The score of a film)

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6
Q

Story

A

The set of all the events in a narrative, both the ones explicitly presented and those the viewer infers. Story info may be offered out of sequence in the film.

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7
Q

Plot

A

Everything visibly and audibly present in the film before us. Plot can be selective and rearranged.

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8
Q

Temporal Duration

A

Assign actual duration to the events we see
- Screen duration (runtime)
- Plot duration (duration of events displayed in film)
- Story duration (duration of all events, even the ones we infer but don’t see)

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9
Q

Temporal Order

A

We want to oder the events chronologically

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10
Q

Temporal Frequency

A

Know the actual frequency with which they occurred (In Arrival, Louise’s final encounter with Costello happens once but is repeated in the plot multiple times)

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11
Q

Range

A

Quantity. When movies show rather than tell, the different ways story information reaches us.

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12
Q

Unrestricted Narration

A

(Range) We aren’t restricted to the characters knowledge

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13
Q

Restricted Narration

A

(Range) We are restricted to the characters range of knowledge

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14
Q

Depth

A

Quality. How deeply we know the key characters’ perceptions, feelings, and thoughts.

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15
Q

Subjective Narration

A

(Depth) Scenes that invite us to understand and share in the characters emotion at a point in time. Doesn’t always require an optical POV, the films constantly invite us to work out what the character is thinking or feeling.

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16
Q

Objective Narration

A

(Depth) A moment not filtered through a character. We see what happens but not through someone in the feel. (Toto escaping from Elmira is shown to the audience but no to the character)

17
Q

Screen space

A

The visible space within the frame

18
Q

What is the first quarter of a film referred to as?

A

Setup

19
Q

What is it called when a film opens in the middle of things?

A

Opening in media res

20
Q

What is the portion of the plot that lays out the backstory and the initial situation called?

A

Exposition

21
Q

What is change of knowledge?

A

A character learns something in the course of the action, with the most crucial knowledge coming at the final turning point of the plot.

22
Q

What is a goal-oriented plot?

A

A character takes steps to achieve an object or condition

23
Q

What is a deadline?

A

A specific duration for the action created by the plot

24
Q

What do patterns of development encoruage the spectator to form?

A

Long-term expectations that can be delayed, cheated, or gratified

25
Q

What is omniscent narration?

A

Extremely knowledgeable narration when the viewer knows more and sees and hears more, than any of the characters can

26
Q

How do you analyze the range of narration?

A

Ask “who knows what when?”