Week 16 And 17 Flashcards
Fruit and Insects
Rachel Ruysch. 1711 C.E. Oil on wood
Virgin of Guadalupe (Virgen de Guadalupe)
Miguel González. c. 1698 C.E. Based on original Virgin of Guadalupe. Basilica of Guadalupe, Mexico City. 16th century C.E. Oil on canvas on wood, inlaid with mother-of-pearl.
Screen with the Siege of Belgrade and hunting scene
Circle of the González Family. c. 1697–1701 C.E. Tempera and resin on wood, shell inlay.
The Palace at Versailles
Versailles, France. Louis Le Vau and Jules Hardouin- Mansart (architects). Begun 1669 C.E. Masonry, stone, wood, iron, and gold leaf (architecture); marble and bronze (sculpture); gardens.
Woman Holding a Balance
Johannes Vermeer. c. 1664 C.E. Oil on canvas
Las Meninas
Diego Velázquez. c. 1656 C.E. Oil on canvas.
Angel with Arquebus
Master of Calamarca (La Paz School). c. 17th century C.E. Oil on canvas. Asiel Timor Dei
Ecstasy of Saint Teresa
Cornaro Chapel, Church of Santa Maria della Vittoria. Rome, Italy. Gian Lorenzo Bernini. c. 1647–1652 C.E. Marble (sculpture); stucco and gilt bronze (chapel).
San Carlo alle Quattro Fontane
Rome, Italy. Francesco Borromini (architect). 1638– 1646 C.E. Stone and stucco.
Self-Portrait with Saskia
Rembrandt van Rijn. 1636 C.E. Etching
Henri IV Receives the Portrait of Marie de’ Medici, from the Marie de’ Medici Cycle
Peter Paul Rubens. 1621–1625 C.E. Oil on canvas.
Calling of Saint Matthew
Caravaggio. c. 1597–1601 C.E. Oil on canvas.
Frontispiece of the Codex Mendoza
Viceroyalty of New Spain. c. 1541–1542 C.E. Ink and color on paper
Chavín de Huántar
Northern highlands, Peru. Chavín. 900–200 B.C.E. Stone (architectural complex); granite (Lanzón and sculpture); hammered gold alloy (jewelry).
Yaxchilán
Chiapas, Mexico. Maya. 725 C.E. Limestone (architectural complex).
Templo Mayor (Main Temple)
Tenochtitlan (modern Mexico City, Mexico). Mexica (Aztec). 1375–1520 C.E. Stone (temple); volcanic stone (The Coyolxauhqui Stone); jadeite (Olmec-style mask); basalt (Calendar Stone).
Ruler’s feather headdress (probably of Motecuhzoma II)
Mexica (Aztec). 1428–1520 C.E. Feathers (quetzal and cotinga) and gold.
City of Cusco, including Qorikancha (Inka main temple)
Santo Domingo (Spanish colonial convent), and Walls at Saqsa Waman (Sacsayhuaman). Central highlands, Peru. Inka. c. 1440 C.E; convent added 1550–1650 C.E. Andesite.
Maize cobs
Inka. c. 1440–1533 C.E. Sheet metal/repoussé, metal alloys.
City of Machu Picchu
Central highlands, Peru. Inka. c. 1450–1540 C.E. Granite (architectural complex).
All-T’oqapu tunic
Inka. 1450–1540 C.E. Camelid ber and cotton.
Chalice
Refers to the Bible
Warp and weft
Method of Andean textiles.
Intel
Text and image
Terrace
Element of high land architecture
Bloodletting
Ritual among Mayan elites, use blood to honor gods.
Enconchado
Mother of pearl
Tenochtitlán
Capital of Aztec
Inka
Master of state craft
Baroque
Complex idiom
Manila Galleons
Brought Chinese goods to Mexico
Piety
Faith
Spanish Baroque
Depicts about a secular matter
Tenebrism
High contrast of light and dark
Huizlepotchli
Aztec god
Lintel 25
Bloodletting ritual
Lake Texcoco
Where Aztec build Tenochtitlán
Quetzal
Bird use to make the ruler’s headdress
Sapa inka
Unique inka in Quechua
The intihuatana stone
Carved boulder, relationship to earth