WEEK 11-13 Flashcards

1
Q

Vandalism, stems from where and what does it mean?

A

The Vandals sack Rome in 5thcentury; term “vandalisme”originates during French Revolution (1790s) to describe destruction of art by revolutionarie.

Definition: the unauthorised removal or defacement or destruction of political symbols.

Related to the inherent vulnerability of public art and artifacts.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
1
Q

Stigmatization of vandalism

A

often a negative connotation of terms like vandalism, defacement and destruction as they are often associated with violence and disrespect and uncivilized behaviour.

This reflects a hegemonic notion of social values and normative behaviour (dominant societal values are to protect houses and property) the way society sees vandalism is also shaped by ideas about the importance of property in maintaining order.

Hard to see vandalism as a transformative act for 4 reasons.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

4 obstacles for seeing vandalism with transformative capacity…

A
  1. social standing of vandals
  2. stigmatization of acts of vandalism
  3. view of heritage as source of pride
  4. aesthetic complaints
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Collective material testimony

A
  1. Public artifacts as speech on behalf of a collective.

communicates collective knowledge.

public artifacts can be collective material testimony.

EX: Memorial to the Murdered Jews of Europe in Berlin, presents itself as collective testimony to shared guilt.

However, when these artifacts are created or maintained without genuine input or consent from the collective they claim to represent, they become “untrustworthy” or “risky” because they don’t authentically reflect the views or values of the people. In this context, vandalism can challenge or alter these public artifacts, making them more truthful and reflective of the actual collective voice, thus contributing to more reliable testimony.

BASICALLY: Vandalism makes a testimony more reliable.

symbols legitimize and celebrate the existence

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Vandalism and the right to the city

A

Right to the City has 2 key elements:
appropriation (the ability to use and share urban spaces)
participation / co-creation (the collective involvement in shaping the city’s identity)

so according to this, vandalism is not destructive but vandalism is a way of RECLAIMING and contributing to the city’s creative process, expressing the right of idnviiduals to participate in and reshape the shared urban environment.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

A duty to vandalize

A

tainted symbols = those that alienate or degrades (EX: statue of Confederate General Robert E. Lee in the United States. )

Derogatory pedestalling: by celebrating an unjust oppressor or ideology, speakers rank their targets as inferior, convey hostility and insult and attack

A pro tanto duty to vandalize: moral obligation to deface these symbols bc their continued existence reflects societal complicity in accommodating their harmful messages.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Reconceptualizing Vandalism

A

POWER OVER CONTENT
- non-democratic, exclusionary process of colelctive authorisation ==> symbolic empowerment

-vandalism has the potential to be corrective ==> materially grounded symbolic empowerment !!!

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Conservative Vandalism

A

Conservative vandalism refers to acts of vandalism aimed at maintaining or restoring traditional values, cultural norms, or power structures, rather than challenging or subverting them. Unlike radical or transformative vandalism, which seeks to disrupt the status quo, conservative vandalism is often motivated by the desire to protect what is perceived as moral, historical, or cultural purity.

EX: Mary Seacole, first Black nurse contributing to UK but got vandalised which was racially motivated.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Erasure of Memory, Indigenous communities in Toronto

A

‘indian wgwam’
- Freeman argues it was the design and order they were presented in which erased indigenous memory from toronto history.
note that the erasure was SUBTLE not outright. need to consider how they were presented and potrayed.
the floats: made them only 1 of a ton of floats and potrayed by mohawks rather than mississaugans because they were on better terms with the mohawks.

As the parade went on, there was less sign of Indigenous communites integrated into the image of toronto.

need to focus on:
- design and order of the floats.
AND
- how they were presented and potrayed

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Problems with the Wigwam Float

A
  1. Represented by Mohawks
  2. 3rd float, 1 one 12 where they were only indig ppl on the float
  3. misrepresented identity of the trime, they were potrayed as undifferentiated

SO INDIANS served merely a symbolic purpose

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Benefits of memory erasure case study for indigenous peoples, 2 kinds of erasure?

A
  1. constructing a historical narrative that excludes indigenous peoples and not including pre-european case
  2. erasure of actual historical events and processes via mythical erasure practices
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Contested Memory: Bear River Massacre

A

changing accounts of the deadliest single day for indigenous communities in USA history.

FIRST memorial: traditional, tall stone peak
— erected by 3 groups: daughters of Utah pioneers, pioneer trail and landmark association, boyscouts of america

change in 1990..
- state of Idaho erected 10 foot billboard and plac
- demonstrate a revised history
- refer to events as a massacre (FIRST TIME REFERING TO IT AS THIS)
- Plac said it was a disaster but for who?

Marker set, 2006
- significant change
- tribe gained legal ownership of this sight
- not a marker, more of a series of info
- transforms from plaqs to signs
- collection of lieux de memoire i sunusual in marking indigenous memory

CONTESTED MEMORY!
COMMEMORATIVE VILIGANCE
- commemoration ceremonies

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

REIMAGINING MEMORY (Hochelage Village)

A

dont know if this ever happened - jacque cartier says it did - claims first sight of indigneous peoples.

indigenous conveniently dissapear in this argument though. not about them, became a political tool .
- indigenous memory as a tool for contemporary politics with something that is contested

Hochelaga rock - sat unnoticed, forgotten but then became important as it was moved somewhere more visible.

rock turned into a dialogic monument.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Civil War Symbolism

A

SYMBOL MYTH COMPLEX
civil rights memorials can reinforce national myths of progress, equality, and justice by commemorating struggles for civil rights as pivotal moments in fulfilling a nation’s ideals

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Lost Cause

A

Historical narrative that erases slavery. These people were confederate sympathizers.
Suggests that the things that were lost:
- tradition
- religiosity
- Southern independence (they represented honour and chivalry)

A relevent lieux de memoire for this was Birth of a Nation.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Birth of a Nation

A

significance: demonstrates that films and books can be a lieux de memoire, defined as spaces as to where memory is anchored in representing a collective identity from the past and connecting / upholding it with current identities.

It depicts southerns that are positioned as victims in loosing their independence and glorifies southern autocracy.

Make the KKK the saviours in the end.

Important to note the time period - this was when AA men were gaining the right to vote.

16
Q

Contested names of civil war

A
  1. Civil War
    - represents union (federal governemnt) and the confederacy (southern states)
    - This term is often used in the north
    - The term implies it was a war within a single nation.
  2. War for the preservation of the Union
    - Symbolically similar to civil war, north framing principally to frame the union of the north. but erases idea of slavery
  3. The War between the states
    - common among southern states this name
    - Suggests states were separate and distinct. War between 2 or more separate nations
    - preferred in the south
  4. War of northern agression
    - originated only in the 1950s
    - term came about in response to civil rights movement
17
Q

How Southerners viewed themselves

A

South defined with chivalry, traditionalism, religious as opposed to the secular north. The confederate leaders and solders were protectors of Southern code of conduct

18
Q

Historical Revision and the Civil War

A

process of REINTERPRETING PAST EVENTS, figures or periods based on new evidence, perspectives, or methodologies.

aims to CHALLENGE EXISTING NARRATIVES. Questioning the biases or omissions from earlier interpetations and seeks to present a more accurate, nuanced or inclusive account of history…

EX: would defo challenge the lost cause narrative which reshaped the understanding of the war.

19
Q

PUBLIC V. PRIVATE Civil Rights Memorials

A
  1. PRIVATE, Maya Lin, Civil Rights Memorial in Alabama. Privately commissioned, privately owned on private property.
  2. QUASI-PUBLIC, Memphis Hotel, where MLK was shot. A better example of public memroialisation
  3. PUBLIC, MLK Jr Memorial, washington, super symbolic space. located in the national mall strip, similar distance to the VVM, close to other major monuments. this was the first monument commemorating a Black Person.
    - Placement (!!!) is symbolic: acroos the lake from the jefferson memorial who was a slave owner – so this memorial diminishes his reputation.

PRIVATE - limited public participation. Often commissioned by marginalized groups or those dedicated to HR.

Importance of TRANSITION: The transition to public memorials represents a redistribution of mnemonic power, as these narratives move from being the responsibility of specific groups to being recognized and institutionalized as part of the collective memory.

20
Q

Symbolic Accretion

A

Symbolic accretion refers to the layering of new commemorative elements onto existing memorials to reinterpret or reframe their meaning over time. It allows societies to address the problematic aspects of older monuments while reflecting evolving values and perspectives, rather than entirely erasing the past.

ROGER B. TANEY (mans who loved slavery and was like achief justice) and had a statue and to deal with it, the local gov installed plaques to contextualize statue and statue was eventually removed

21
Q

Monuments that remained

A

Place Jacques Cartier (1823)
Tall vertical, legit looking down at the rest of the square
Erected in 1809 - commemorate battle of nolfoger
Moment when strategic british victory happened
Column is a smaller replica of the column in london
Memorial consists of state on top of 15 m column standing north and facing the city

Nelson Column
Features great military leader
Column not built via public funds / initiatives, built via efforts of private groups
English elite were mtl’s OG mnemonic warriors
Catholic institutions supported this building as well
Monument has attracted francophone criticism bc its a major symbol of british dominance
Why is it still there given the last 60/70 years?