Week 10 - Textile Industry Flashcards

1
Q

1.
What percentage of all U.S. products shipped abroad on the eve of the Civil War was raw cotton?○
A. 45%○
B. 51%○
C. 61%○
D. 77%

A

C. 61%

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2
Q

.
According to the sources, which of these was NOT a crucial ingredient in the production of raw cotton?○
A. Labour○
B. Land○
C. Technology○
D. Credit

A

C. Technology

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3
Q

Which country was the flagship of global capitalism in 1861?○
A. France○
B. Great Britain○
C. The United States○
D. Russia

A

B. Great Britain

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4
Q

What event marked the beginning of the Civil War?○
A. Confederate troops firing upon Fort Sumter○
B. A Union blockade preventing cotton from leaving the South○
C. Southern states seceding from the Union○
D. The Emancipation Proclamation

A

A. Confederate troops firing upon Fort Sumter

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5
Q

.
What was the name given to the shortage of cotton that resulted from the Civil War?○
A. The Great Depression○
B. The Southern Strategy○
C. The Cotton Famine○
D. The Lancashire Slump

A

C. The Cotton Famine

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6
Q

6.
What, according to the Manchester Cotton Supply Association, was the biggest constraint upon the global production of cotton?○
A. Land○
B. Climate○
C. Labour○
D. Credit

A

C. Labour

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7
Q

.
Aside from the United States, which other countries saw increased cotton production during the Civil War?○
A. France and Russia○
B. Egypt, Brazil, and India○
C. Great Britain and the Zollverein○
D. China and Japan

A

B. Egypt, Brazil, and India

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8
Q

What did Southern planters understand was vital to maintaining their economic and political power?○
A. Industrial development○
B. Increased trade with Europe○
C. The abolition of slavery○
D. The continued territorial expansion of slavery

A

D. The continued territorial expansion of slavery

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9
Q

According to the sources, what did cotton capitalists believe was the most important factor in the successful reconstruction of cotton production?○
A. Access to new technologies○
B. Investment from European powers○
C. Unprecedented state activism○
D. The reintroduction of slavery

A

C. Unprecedented state activism○

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10
Q

How did the Civil War impact the global cotton industry?○
A. It led to increased demand for American cotton.○
B. It had little impact, as other countries easily filled the gap in supply.○
C. It caused a “cotton famine” in Europe, disrupting economies and industries.○
D. It forced European nations to abandon cotton production altogether.

A

C. It caused a “cotton famine” in Europe, disrupting economies and industries.○

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11
Q

What new systems for the mobilisation of labour were tested in cotton production after the Civil War?○
A. The reintroduction of slavery in new territories.○
B. Sharecropping, wage labour, and coolie workers.○
C. Increased automation in cotton farming and processing.○
D. Reliance on family farms with voluntary labour.

A

B. Sharecropping, wage labour, and coolie workers.

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12
Q

.
The sources suggest that global economic development in the 19th century was often linked to:○
A. Free trade and open markets.○
B. Technological innovation and industrialisation.○
C. Physical coercion and exploitation of labour, including slavery.○
D. Peaceful cooperation and international diplomacy.

A

C. Physical coercion and exploitation of labour, including slavery.

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13
Q

What was a major concern for European nations reliant on American cotton?○
A. The high cost of importing cotton from the U.S.○
B. Competition from other cotton-producing nations.○
C. The potential instability of the American political system, particularly due to slavery.○
D. The quality of American cotton being inferior to that of other countries.

A

C. The potential instability of the American political system, particularly due to slavery.

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14
Q

How did enslaved people contribute to the outcome of the Civil War?○
A. They largely remained passive and obedient to their masters.○
B. They actively supported the Confederacy, hoping to preserve their way of life.○
C. They engaged in an agrarian insurrection, disrupting production and aiding Union forces.○
D. They played no significant role in the conflict.

A

C. They engaged in an agrarian insurrection, disrupting production and aiding Union forces.

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15
Q

What innovation in the 1800s significantly sped up clothing production?○
A. Cotton Gin○
B. Spinning Jenny○
C. Sewing Machine○
D. Power Loom

A

C. Sewing Machine

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16
Q

.
What event in the early 20th century highlighted the negative aspects of fast fashion?○
A. The Great Depression○
B. The Triangle Shirtwaist Factory Fire○
C. World War II○
D. The introduction of synthetic fabrics

A

B. The Triangle Shirtwaist Factory Fire

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17
Q

5.
Which of the following is NOT considered a leading fast fashion retailer?○
A. Zara○
B. H&M○
C. TopShop○
D. Gucci

A

D. Gucci

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18
Q

Which fast-fashion retailer opened its first store as Hennes in Sweden in 1947?○
A. Zara○
B. H&M○
C. TopShop○
D. Primark

A

B. H&M

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19
Q

7.
Which publication first used the term “fast fashion” to describe Zara’s business model in 1990?○
A. Vogue○
B. Harper’s Bazaar○
C. New York Times○
D. Wall Street Journal

A

C. New York Times

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20
Q

Which American fast fashion retailer opened as a small shop in Los Angeles in 1984?○
A. Wet Seal○
B. Express○
C. American Eagle○
D. Forever 21

A

D. Forever 21

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21
Q

.
According to the sources, which factor contributed to the acceptance of low-cost fashion in the late 1990s and early 2000s?○
A. Economic recession○
B. It became chic to mix high and low fashion○
C. Increased awareness of sustainability○
D. The rise of social media

A

B. It became chic to mix high and low fashion

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22
Q

What term describes the ability of mass production to make fashion accessible to people of different backgrounds?○
A. Fast fashion revolution○
B. Sustainable fashion○
C. Democratisation of fashion○
D. Ethical fashion

A

C. Democratisation of fashion

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23
Q

.
What is identified as a major problem with the current fashion system?○
A. Lack of creativity in designs○
B. High prices of clothing○
C. Unjust labour practices and waste○
D. Slow production times

A

C. Unjust labour practices and waste

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24
Q

Which of the following statements about the evolution of fashion is best supported by the sources?○
A. Fast fashion is a recent phenomenon with limited historical roots.○
B. Technological advancements have always benefited workers in the fashion industry.○
C. The desire for affordable and trendy clothing has driven changes in fashion production for centuries.○
D. Ethical concerns have been central to the fashion industry since its inception.

A

C. The desire for affordable and trendy clothing has driven changes in fashion production for centuries.

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25
Q

3.
What is the main argument presented by the sources regarding the history of fast fashion?○
A. Fast fashion is a positive force that has democratised fashion.○
B. Fast fashion is unsustainable and must be replaced with slow fashion.○
C. Fast fashion is a complex system with a long history, evolving over time through various social and economic factors.○
D. Fast fashion is primarily driven by consumer demand for trendy clothing.

A

C. Fast fashion is a complex system with a long history, evolving over time through various social and economic factors.

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26
Q

Before the 1800s, what was the primary source of materials for clothing production?○
A. Imported fabrics○
B. Factory-made textiles○
C. Raising sheep for wool○
D. Synthetic materials

A

C. Raising sheep for wool

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27
Q

.
What factors contributed to the rapid growth of clothing manufacturing in the 1800s?○
A. Introduction of new textile machines and factories○
B. Increased demand for luxury goods○
C. Government subsidies for the textile industry○
D. The invention of synthetic dyes

A

A. Introduction of new textile machines and factories

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28
Q

How did the Industrial Revolution impact the fashion industry?○
A. It led to a decline in demand for clothing.○
B. It introduced ready-made clothing and lowered prices.○
C. It shifted production exclusively to large factories.○
D. It made clothing more expensive and exclusive.

A

B. It introduced ready-made clothing and lowered prices.

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29
Q

What role did “sweaters” play in the 19th-century clothing industry?○
A. They were designers who created new fashion trends.○
B. They were factory workers who operated sewing machines.○
C. They were individuals who worked from home for low wages.○
D. They were retailers who sold clothing to the public.

A

C. They were individuals who worked from home for low wages.

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30
Q

What impact did World War II have on clothing production?○
A. It led to a decline in demand for clothing.○
B. It promoted individual tailoring and custom designs.○
C. It increased the standardization of clothing production.○
D. It encouraged the use of luxury fabrics and embellishments.

A

C. It increased the standardization of clothing production.○

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31
Q

6.
What was the significance of the Triangle Shirtwaist Factory fire in 1911?○
A. It led to the closure of all garment factories in New York City.○
B. It highlighted the dangerous working conditions in the garment industry.○
C. It resulted in significant wage increases for garment workers.○
D. It sparked the development of new fire safety regulations for factories.

A

B. It highlighted the dangerous working conditions in the garment industry.

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32
Q

How did youth culture in the 1960s influence the fashion industry?○
A. It led to a preference for formal and traditional clothing.○
B. It slowed down the pace of fashion trends.○
C. It increased the demand for cheaply made, trendy clothing.○
D. It promoted sustainable and ethical fashion practices.

A

C. It increased the demand for cheaply made, trendy clothing.

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33
Q

What strategy did fashion brands adopt to meet the growing demand for affordable clothing in the 1960s?○
A. Outsourcing labor to developing countries.○
B. Investing in automation and robotic manufacturing.○
C. Reducing the quality of fabrics and materials.○
D. Limiting the variety of styles and designs offered.

A

A. Outsourcing labor to developing countries.

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34
Q

Which factors make it challenging to identify the first true “fast fashion” retailer?○
A. Lack of historical records and documentation.○
B. Multiple companies with similar business models emerged around the same time.○
C. The term “fast fashion” was not used until the 21st century.○
D. Early retailers focused on selling basic rather than trendy clothing.

A

B. Multiple companies with similar business models emerged around the same time.

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35
Q

What was the primary business model shared by early fast fashion retailers like Zara, H&M, TopShop, and Primark?○
A. Offering high-quality, durable clothing at premium prices.○
B. Focusing on classic designs that transcended seasonal trends.○
C. Providing trendy clothing at affordable prices.○
D. Emphasizing sustainability and ethical production practices.

A

C. Providing trendy clothing at affordable prices.

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36
Q

What made American mall stores like Wet Seal, Express, and American Eagle unable to compete with global fast fashion giants?○
A. They lacked brand recognition and marketing strategies.○
B. They couldn’t produce new trends as quickly.○
C. They targeted a different demographic and age group.○
D. They refused to outsource labor to developing countries.

A

B. They couldn’t produce new trends as quickly.○

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37
Q

What social shift contributed to the acceptance of low-cost fashion in the late 1990s and early 2000s?○
A. A decline in the value placed on personal appearance.○
B. The embrace of mixing high and low fashion became fashionable.○
C. Increased awareness of environmental issues and sustainability.○
D. A rejection of consumerism and material possessions.

A

B. The embrace of mixing high and low fashion became fashionable.○

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38
Q

What does the article mean by the “democratization of fashion”?○
A. Giving voting rights to workers in the fashion industry.○
B. Promoting fair trade and ethical sourcing practices.○
C. Limiting the influence of luxury brands and designers.○
D. Making fashion accessible to people across different socioeconomic backgrounds.

A

D. Making fashion accessible to people across different socioeconomic backgrounds.

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39
Q

14.
What are identified as the major problems with the current fashion system?○
A. Lack of creativity and originality in designs.○
B. Limited access to affordable clothing options.○
C. Unjust labor practices and excessive waste.○
D. Slow production times and delays in delivering new trends.

A

C. Unjust labor practices and excessive waste.

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40
Q
  1. Which city is identified as the primary hub of the Indian fashion industry in the source? * A. Mumbai * B. New Delhi * C. Bangalore * D. Ahmedabad
A
  • B. New Delhi
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41
Q
  1. According to the source, what characteristic distinguishes the identity of the Indian fashion industry? * A. Avant-garde, futuristic designs. * B. Minimalist, understated styles. * C. Western-inspired cuts and tailoring. * D. Heavily embellished traditional styles.
A

D. Heavily embellished traditional styles.

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42
Q
  1. What is the primary focus of garments within the “wedding wear and traditional functional” segment of the Indian fashion industry? * A. Everyday casual wear. * B. Heavily decorated traditional clothing. * C. Western-style evening wear. * D. Sportswear-inspired designs.
A

B. Heavily decorated traditional clothing.

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43
Q

What factor contributed to the limited appeal of Western clothing styles to Indian consumers in the 1980s? * A. Unavailability of Western clothing in the Indian market. * B. High import tariffs on Western clothing brands. * C. Cultural norms and a preference for Indian styles, especially for formal occasions. * D. Lack of awareness of Western fashion trends among Indian consumers.

A

C. Cultural norms and a preference for Indian styles, especially for formal occasions.

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44
Q
  1. What was a significant challenge faced by early fashion designers in India? * A. Competition from well-established international brands. * B. Convincing consumers of the value and justification of designer prices. * C. Sourcing high-quality fabrics and materials. * D. Finding skilled tailors and embroiderers.
A

B. Convincing consumers of the value and justification of designer prices.

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45
Q

What strategy did early Indian fashion designers employ to overcome the challenges they faced? * A. Focusing on creating affordable, mass-produced clothing. * B. Copying Western fashion trends and designs. * C. Designing ornate, heavily embellished Indian-style clothing, particularly for weddings and special occasions. * D. Collaborating with international designers to gain recognition.

A

C. Designing ornate, heavily embellished Indian-style clothing, particularly for weddings and special occasions.

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46
Q
  1. How did the use of traditional Indian textiles and crafts benefit early fashion designers? * A. It allowed them to offer lower prices compared to Western-style clothing. * B. It helped them to differentiate their creations from existing alternatives and justify higher prices. * C. It enabled them to mass-produce garments efficiently. * D. It facilitated their entry into the Western fashion market.
A

B. It helped them to differentiate their creations from existing alternatives and justify higher prices.

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47
Q
  1. What claim did Indian fashion designers often make to promote their use of traditional textiles and crafts? * A. It was a way to challenge Western fashion dominance. * B. It contributed to the preservation of Indian heritage and supported rural artisans. * C. It aligned with global trends of sustainability and ethical fashion. * D. It catered to the demand for eco-friendly clothing among Indian consumers.
A

B. It contributed to the preservation of Indian heritage and supported rural artisans.

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48
Q
  1. What impact did the success of early designers’ strategy have on the Indian fashion industry? * A. It led to a decline in the demand for traditional Indian clothing. * B. It facilitated the adoption of Western fashion trends in India. * C. It reinforced the association of Indian fashion with opulent, embellished traditional garments. * D. It enabled Indian designers to compete directly with international luxury brands.
A

C. It reinforced the association of Indian fashion with opulent, embellished traditional garments.

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49
Q
  1. According to the source, what is a potential challenge for Indian designers seeking to expand globally? * A. The high cost of manufacturing and exporting garments from India. * B. The lack of awareness of Indian fashion among international consumers. * C. Balancing their Indian identity with the need to appeal to a global market that values Western innovation in fashion. * D. The difficulty of sourcing traditional Indian textiles and crafts in sufficient quantities.
A

C. Balancing their Indian identity with the need to appeal to a global market that values Western innovation in fashion.

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50
Q
  1. What does the source suggest about the future of Indian fashion? * A. It predicts the decline of traditional Indian styles in favour of Western trends. * B. It advocates for a complete rejection of Western fashion influences. * C. It acknowledges the evolving landscape and the potential for Indian designers to integrate their heritage with modern sensibilities. * D. It anticipates the dominance of Indian fashion in the global market.
A

C. It acknowledges the evolving landscape and the potential for Indian designers to integrate their heritage with modern sensibilities.

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51
Q

Which of the following factors contributed to the slow development of the fashion industry in India after independence? * A. A centrally planned economy with an emphasis on austerity and limited consumerism. * B. A lack of skilled tailors and artisans. * C. A strong preference for Western clothing among Indian consumers. * D. Limited availability of raw materials for clothing production.

A

A. A centrally planned economy with an emphasis on austerity and limited consumerism.

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52
Q
  1. What was the initial purpose of the National Institute of Fashion Technology (NIFT) established in 1986? * A. To promote traditional Indian crafts and textiles globally. * B. To train individuals to meet the specifications of Western apparel firms for export purposes. * C. To establish India as a global fashion capital. * D. To offer vocational training in tailoring and garment construction.
A

B. To train individuals to meet the specifications of Western apparel firms for export purposes.

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53
Q

. How did the emergence of Multidesigner Outlets (MDOs) impact the Indian fashion industry? * A. They led to a decline in the popularity of traditional tailoring services. * B. They made designer clothing less accessible to the average consumer. * C. They provided a platform for designers to showcase their creations and reach a wider customer base. * D. They shifted the focus of the industry from traditional Indian garments to Western styles.

A

C. They provided a platform for designers to showcase their creations and reach a wider customer base.

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54
Q

What was the primary reason for the entry of Western fashion magazines like Elle into the Indian market in the 1990s? * A. Government initiatives to promote cultural exchange. * B. A surge in demand for Western fashion among Indian consumers. * C. The expansion of their advertisers into the Indian market. * D. Efforts to educate Indian designers about international fashion trends.

A

C. The expansion of their advertisers into the Indian market.

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55
Q

What is the Fashion Design Council of India (FDCI) modelled after? * A. The British Fashion Council * B. The Camera Nazionale della Moda Italiana * C. Both the Chambre Syndicale de la Haute Couture in Paris and the Council of Fashion Designers of America (CFDA) in New York * D. None of the above

A

C. Both the Chambre Syndicale de la Haute Couture in Paris and the Council of Fashion Designers of America (CFDA) in New York

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56
Q

According to the source, what is the unique selling point of Indian fashion designers? * A. Their innovative Western-style cuts and designs. * B. Their use of traditional Indian textiles and embellishments. * C. Their ability to create affordable, mass-produced clothing. * D. Their focus on sustainable and ethical fashion practices.

A

B. Their use of traditional Indian textiles and embellishments.

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57
Q
  1. What did Western designers such as Zandra Rhodes, John Galliano, and Alexander McQueen do that seemingly reinforced the appeal of the “Indian look” in the 1990s? * A. They collaborated with Indian designers on joint collections. * B. They incorporated Indian embroideries and garments into their creations. * C. They opened boutiques in major Indian cities. * D. They invested in the Indian textile and craft industry.
A

B. They incorporated Indian embroideries and garments into their creations

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58
Q
  1. What perception about Western designers did some Indian designers hold, as mentioned in the source? * A. Western designers had superior technical skills in garment construction. * B. Western designers were more creative and innovative in their designs. * C. Western designers did not fully appreciate or showcase Indian embroidery effectively. * D. Western designers were actively trying to exploit Indian crafts for their own profit.
A

C. Western designers did not fully appreciate or showcase Indian embroidery effectively.

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59
Q
  1. What potential challenge do Indian designers face when seeking global recognition, according to the source? * A. Balancing their Indian identity with the need to appeal to a global market that values Western innovation in fashion. * B. Overcoming negative perceptions about the quality of Indian manufacturing. * C. Dealing with the high costs of participating in international fashion events. * D. Finding skilled artisans who can meet the demands of international production.
A

A. Balancing their Indian identity with the need to appeal to a global market that values Western innovation in fashion.

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60
Q
  1. How has the growing demand for less overtly Indian and more modern styles within India impacted the industry? * It has led to a decline in the popularity of traditional Indian garments. * It has forced designers to abandon their Indian heritage in favour of Western trends. * It has created opportunities for younger designers to experiment with different styles while still being perceived as Indian. * It has resulted in a homogenisation of Indian fashion, blurring the lines between tradition and modernity.
A

It has created opportunities for younger designers to experiment with different styles while still being perceived as Indian.

61
Q
  1. What does the source suggest about the future of the Indian fashion industry? * A. It predicts the eventual dominance of Western fashion trends in India. * B. It acknowledges the potential for Indian designers to integrate their heritage with modern sensibilities. * C. It anticipates the decline of traditional Indian craftsmanship. * D. It advocates for a return to the pre-independence era of limited consumerism.
A

B. It acknowledges the potential for Indian designers to integrate their heritage with modern sensibilities. *

62
Q

.
What phrase does the speaker use to describe the cotton industry’s approach to cost reduction?○
A. “Race to the bottom”○
B. “Survival of the fittest”○
C. “Chases cheap”○
D. “Profit over people”

A

C. “Chases cheap”

63
Q

2.
Which of the following is NOT a region where cotton was historically grown and used for textiles?○
A. South America○
B. Indus River Valley○
C. Early Egypt○
D. Northern Europe

A


D. Northern Europe

64
Q

.
How did cotton initially make its way into Europe?○
A. Trade routes established by the Roman Empire○
B. Introduction by Arab traders during the Crusades○
C. Alexander the Great’s army brought it back from India○
D. Columbus discovered it in the Bahamas

A

C. Alexander the Great’s army brought it back from India○

65
Q

Why did the British introduce slavery to their Virginia colony in the context of cotton production?○
A. To punish rebellious indigenous populations○
B. To compete with the Spanish for control of the cotton trade○
C. To establish a large, inexpensive workforce for cotton cultivation and processing○
D. To meet the growing demand for cotton in the European market

A

C. To establish a large, inexpensive workforce for cotton cultivation and processing

66
Q

What was the primary bottleneck in cotton production before the Industrial Revolution?○
A. Limited availability of arable land for cotton cultivation○
B. Difficulty in transporting raw cotton to manufacturing centres○
C. Lack of skilled weavers to create cotton fabric○
D. The time-consuming process of manually removing seeds from the cotton bolls

A

D. The time-consuming process of manually removing seeds from the cotton bolls

67
Q

What technological innovation dramatically increased the speed of seed removal from cotton?○
A. The spinning jenny○
B. The water frame○
C. Eli Whitney’s cotton gin○
D. The power loom

A

C. Eli Whitney’s cotton gin

68
Q

.
Which city became known as the “cotton capital of the world” during the Industrial Revolution?○
A. London○
B. Birmingham○
C. Manchester○
D. Liverpool

A

C. Manchester○

69
Q

What was the primary source of labour in early English cotton factories?○
A. Skilled male artisans○
B. Rural farmers seeking additional income○
C. Women and children○
D. Immigrants from other European countries

A

C. Women and children

70
Q

Why were children often employed to clean cotton machinery while it was still operating?○
A. They were more nimble and could reach tight spaces○
B. Stopping the machines to clean them would interrupt production and reduce profits○
C. Children were considered less valuable and therefore expendable○
D. Factory owners believed children were more resistant to the harmful effects of cotton dust

A

B. Stopping the machines to clean them would interrupt production and reduce profits

71
Q

What was the initial age restriction for employment in English cotton factories, as set by the 1833 Factory Act?○
A. 6 years old○
B. 7 years old○
C. 9 years old○
D. 12 years old

A

C. 9 years old○

72
Q

11.
How did the United States acquire the technology to build its own cotton mills?○
A. Through legal trade agreements with England○
B. By hiring skilled English workers to emigrate to America○
C. Through a combination of observation and industrial espionage○
D. By developing their own independent innovations

A

C. Through a combination of observation and industrial espionage

73
Q

Why did Francis Cabot Lowell, an American industrialist, feel the need to treat his factory workers better than their English counterparts?○
A. He was a strong advocate for workers’ rights and social justice○
B. He believed that happier workers would be more productive○
C. American workers had more opportunities for alternative employment and could easily leave if dissatisfied○
D. He feared government intervention and regulation if working conditions were too harsh

A

C. American workers had more opportunities for alternative employment and could easily leave if dissatisfied

74
Q

.
What event led to a significant increase in the demand for slaves in the American South?○
A. The invention of the steam engine○
B. The expansion of the cotton frontier westward○
C. The increasing popularity of cotton clothing in Europe○
D. All of the above

A

D. All of the above1

75
Q

14.
According to the economic historian Sven Beckert, what was the central element of the most dynamic production complex in human history?○
A. Industrial technology○
B. Global trade networks○
C. Colonial expansion○
D. Slavery

A

D. Slavery

76
Q

What was the economic impact of the American Civil War on the global cotton market?○
A. It led to a surge in cotton prices due to supply disruptions○
B. It forced England to rely on alternative sources of cotton, such as India and Egypt○
C. It created economic hardship in both the American North and South○
D. All of the above

A

D. All of the above

77
Q

What system of labour emerged in the American South after the abolition of slavery?○
A. Wage labour○
B. Indentured servitude○
C. Sharecropping○
D. Tenant farming

A

C. Sharecropping○

78
Q

What was the significance of the Triangle Shirtwaist Factory fire in 1911?○
A. It demonstrated the effectiveness of early fire safety regulations○
B. It led to the immediate closure of all sweatshops in New York City○
C. It exposed the exploitative working conditions and lack of safety measures in the garment industry○
D. It sparked a nationwide movement for workers’ rights and unionisation

A

C. It exposed the exploitative working conditions and lack of safety measures in the garment industry

79
Q

What has been the response of the garment industry to increased regulation and enforcement of labour standards in developed countries?○
A. Embracing ethical production practices and fair trade principles○
B. Investing in automation and technology to reduce reliance on human labour○
C. Relocating production to developing countries with weaker labour laws and lower wages○
D. Lobbying governments to weaken or repeal existing labour regulations

A

C. Relocating production to developing countries with weaker labour laws and lower wages○

80
Q

.
What event in 2013 highlighted the ongoing issues of worker exploitation and unsafe conditions in the garment industry?○
A. The fire at the Tazreen Fashions factory in Bangladesh○
B. The collapse of the Rana Plaza building in Bangladesh○
C. The strike by garment workers in Cambodia○
D. The boycott of fast fashion brands by Western consumers

A

B. The collapse of the Rana Plaza building in Bangladesh

81
Q

.
What was the primary motivation behind the British ban on Indian textiles?○
A. To preserve traditional British textile designs○
B. To promote fair trade practices between Britain and India○
C. To protect the interests of the British industrial and manufacturing sectors○
D. To prevent the spread of Indian culture and influence in Britain

A

C. To protect the interests of the British industrial and manufacturing sectors○

82
Q

.
How did the British government try to make Indian textiles less competitive in the British market?○
A. By banning the import of all Indian textiles○
B. By spreading rumours about the low quality of Indian textiles○
C. By implementing tariffs, taxes, and import duties on Indian textiles○
D. By encouraging British consumers to boycott Indian goods

A

C. By implementing tariffs, taxes, and import duties on Indian textiles○

83
Q

What impact did the British ban have on traditional Indian craftsmanship?○
A. It led to a revival of handloom weaving and other traditional techniques○
B. It forced Indian artisans to adopt Western production methods○
C. It undermined indigenous craftsmanship and eroded India’s cultural identity○
D. It had little impact, as Indian artisans continued to produce textiles for the domestic market

A

C. It undermined indigenous craftsmanship and eroded India’s cultural identity○

84
Q

.
What was the broader political and social objective of the British ban on Indian textiles?○
A. To promote cultural exchange between Britain and India○
B. To improve the living standards of Indian citizens○
C. To assert British control over India’s economy and society○
D. To prepare India for eventual independence

A

C. To assert British control over India’s economy and society○

85
Q

The Times of India article is categorized under which of the following topics?○
A. News○
B. Lifestyle○
C. Fashion○
D. All of the above

A

D. All of the above7

86
Q

What is the date of the latest update for the Times of India article?○
A. August 12, 2023○
B. August 14, 2023○
C. October 9, 2024○
D. The article does not list an update date

A

B. August 14, 2023○

87
Q

.
What is the main focus of the paper by Stephanie O. Crofton and Luis G. Dopico?○
A. The impact of fast fashion on the environment.○
B. The history of the fashion industry in Spain.○
C. The business model of Inditex and the growth of fast fashion.○
D. The role of technology in the fashion industry.

A

C. The business model of Inditex and the growth of fast fashion.

88
Q

.
What distinguishes the “fast fashion” model from traditional fashion industry practices?○
A. Reliance on star designers to set seasonal trends.○
B. Continuous adaptation of designs based on real-time customer demand.○
C. Manufacturing clothes months in advance of the intended sales season.○
D. Heavy reliance on advertising to market products.

A

B. Continuous adaptation of designs based on real-time customer demand.

89
Q

Which company is cited as the leading practitioner of fast fashion?○
A. Gap.○
B. H&M.○
C. Inditex.○
D. Abercrombie & Fitch.

A

C. Inditex.

90
Q

.
How does Inditex gather information about customer preferences?○
A. Exclusively through market research and trend forecasting agencies.○
B. By monitoring fashion shows, magazines, and street styles, and through direct feedback from its stores.○
C. By relying solely on the intuition and experience of its designers.○
D. Through extensive social media analysis and online surveys.

A

B. By monitoring fashion shows, magazines, and street styles, and through direct feedback from its stores.

91
Q

.
What is the frequency with which Inditex stores send sales data and place orders with headquarters?○
A. Daily.○
B. Twice weekly.○
C. Weekly.○
D. Monthly.

A

B. Twice weekly.

92
Q

.
What is the key characteristic of Inditex’s production model that deviates from the industry norm?○
A. Outsourcing all manufacturing to low-wage countries.○
B. Vertical integration of multiple stages of production within the company.○
C. Exclusively relying on automated production lines.○
D. Focusing solely on producing basic, timeless designs.

A

B. Vertical integration of multiple stages of production within the company.

93
Q

What is Inditex’s approach to the production stages with varying levels of capital and value-added intensity?○
A. Outsourcing all stages of production regardless of their complexity.○
B. Focusing only on the most labor-intensive stages of production.○
C. Performing the more capital-intensive and value-added stages internally, while outsourcing the more labor-intensive stages.○
D. Avoiding any externalization of production processes.

A

C. Performing the more capital-intensive and value-added stages internally, while outsourcing the more labor-intensive stages.

94
Q

How does Inditex’s view of fashion products differ from the conventional perspective?○
A. Inditex considers fashion products as long-lasting, durable goods.○
B. Inditex treats fashion products as non-durables with a short shelf life.○
C. Inditex focuses on creating timeless designs that transcend seasonal trends.○
D. Inditex prioritizes using sustainable and eco-friendly materials.

A

B. Inditex treats fashion products as non-durables with a short shelf life.

95
Q

What is the approximate duration of Inditex’s design-to-retail cycle?○
A. Five to six months.○
B. Five weeks.○
C. Two weeks.○
D. Twelve weeks.

A

B. Five weeks.

96
Q

What is the primary benefit of Inditex’s short design-to-retail cycle?○
A. It enables the company to bring new styles to stores quickly and update them constantly.○
B. It significantly reduces production costs by minimizing waste.○
C. It allows the company to focus on producing large quantities of a few key designs.○
D. It eliminates the need for physical stores, enabling the company to operate solely online.

A

A. It enables the company to bring new styles to stores quickly and update them constantly.

97
Q

.
How often does Inditex ship products to its stores?○
A. Twice a week.○
B. Weekly.○
C. Every twelve weeks.○
D. Monthly.

A

A. Twice a week.

98
Q

How does Inditex’s approach to pricing differ from the standard cost-plus method used in the industry?○
A. Inditex sets prices based on production costs and desired profit margins.○
B. Inditex first determines the prices customers are willing to pay for competitors’ products and then sets its prices accordingly.○
C. Inditex relies on dynamic pricing strategies, adjusting prices based on real-time demand.○
D. Inditex uses a subscription-based model, offering customers unlimited access to its products for a monthly fee.

A

B. Inditex first determines the prices customers are willing to pay for competitors’ products and then sets its prices accordingly.

99
Q

What is Inditex’s stance on advertising?○
A. Inditex invests heavily in traditional advertising channels like television and print media.○
B. Inditex focuses on online advertising through social media and search engine marketing.○
C. Inditex spends minimally on advertising, relying instead on factors like low prices, strategic store locations, and word-of-mouth.○
D. Inditex partners with celebrities and influencers to promote its products.

A

C. Inditex spends minimally on advertising, relying instead on factors like low prices, strategic store locations, and word-of-mouth.

100
Q

Despite its communication-intensive business model, how does Inditex manage its information technology (IT) spending?○
A. Inditex invests heavily in complex IT systems to manage its supply chain and operations.○
B. Inditex keeps its IT spending low, relying on basic technologies and informal communication channels.○
C. Inditex outsources all its IT needs to third-party providers.○
D. Inditex focuses on developing its proprietary software solutions.

A

B. Inditex keeps its IT spending low, relying on basic technologies and informal communication channels.

101
Q

When did Amancio Ortega Gaona launch his first Zara store?○
A. 1963.○
B. 1975.○
C. 1983.○
D. 1985.

A

B. 1975.

102
Q

What factors contributed to the success of Inditex despite operating in Galicia, a region without a strong fashion tradition?○
A. Government subsidies and tax breaks specifically for the textile industry.○
B. A readily available pool of highly skilled fashion designers.○
C. Inditex’s ability to adapt to changing market conditions and consumer demand, including moving upmarket to cater to wealthier customers.○
D. An abundance of cheap labor and raw materials in the region.

A

C. Inditex’s ability to adapt to changing market conditions and consumer demand, including moving upmarket to cater to wealthier customers.

103
Q

.
How did Inditex finance its growth in its early years?○
A. Through venture capital funding and private investments.○
B. By taking on significant amounts of debt.○
C. Primarily through internal funds generated from profits and by paying low dividends.○
D. Through government grants and subsidies.

A

C. Primarily through internal funds generated from profits and by paying low dividends.

104
Q

.
What challenges does Inditex face as it expands internationally?○
A. Maintaining its centralized sourcing model while catering to diverse global markets.○
B. Adapting its fast fashion model to countries with different cultural norms and fashion preferences.○
C. Finding suitable retail locations in prime shopping districts worldwide.○
D. All of the above.

A

D. All of the above.

105
Q

What is Inditex’s current approach to sourcing from China?○
A. Inditex has completely shifted its production to China to take advantage of lower labor costs.○
B. Inditex has avoided sourcing from China due to concerns about quality and ethical issues.○
C. While increasing sourcing from China and opening stores there, Inditex still maintains a significant portion of its production in Spain and nearby countries.○
D. Inditex has entered into a joint venture with a Chinese textile manufacturer to produce its products.

A

C. While increasing sourcing from China and opening stores there, Inditex still maintains a significant portion of its production in Spain and nearby countries.

106
Q

20.
What is Inditex’s strategy for managing its multiple brands?○
A. All brands are centrally managed with a uniform product offering and store design.○
B. Each brand is managed largely independently, targeting specific demographic groups with distinct offerings and store aesthetics.○
C. Inditex regularly rotates its brand portfolio, introducing new brands and phasing out underperforming ones.○
D. Inditex uses its brands to experiment with different fashion trends and business models.

A

B. Each brand is managed largely independently, targeting specific demographic groups with distinct offerings and store aesthetics.

107
Q

What was the primary reason behind Inditex’s initial public offering (IPO) in 2001?○
A. To raise capital for expansion into new markets.○
B. To allow existing owners to sell some of their shares and begin a transfer of control.○
C. To enhance the company’s public image and brand recognition.○
D. To gain access to new funding sources through debt financing.

A

B. To allow existing owners to sell some of their shares and begin a transfer of control.

108
Q

.
How has Inditex’s dividend policy evolved since its IPO?○
A. Inditex has maintained its low-dividend policy, prioritizing reinvesting profits into the business.○
B. Inditex has shifted to a higher dividend payout ratio, recognizing investor expectations for returns.○
C. Inditex has implemented a stock buyback program to return value to shareholders.○
D. Inditex has eliminated dividend payments altogether, focusing solely on share price appreciation.

A

B. Inditex has shifted to a higher dividend payout ratio, recognizing investor expectations for returns.

109
Q

What is the current outlook for Inditex and the fast fashion model?○
A. Inditex’s growth is expected to decline sharply due to increasing competition from online retailers.○
B. The fast fashion model is becoming unsustainable due to growing concerns about its environmental and ethical impact.○
C. While Inditex’s growth may eventually slow down, the company is expected to continue expanding, and the fast fashion model is influencing other companies in the industry.○
D. Inditex is predicted to be overtaken by other fast fashion companies like H&M and Forever 21.

A

C. While Inditex’s growth may eventually slow down, the company is expected to continue expanding, and the fast fashion model is influencing other companies in the industry.

110
Q

Which of the following is a primary reason for the textile industry’s significant ecological footprint?○
A. The use of renewable energy sources in textile production.○
B. The short lifespan of fast fashion garments.○
C. High energy and water consumption in textile manufacturing processes.○
D. The decline in demand for synthetic fibres like polyester.

A

C. High energy and water consumption in textile manufacturing processes.

111
Q

What is the main driver behind the majority of global fibre production?○
A. Industrial textiles.○
B. Clothing.○
C. Automotive textiles.○
D. Geo-textiles.

A

B. Clothing.

112
Q

Which countries are identified as major textile production hubs that rely heavily on coal for energy?○
A. The United States, Germany, and Japan.○
B. France, Italy, and Spain.○
C. China, India, and Bangladesh.○
D. Brazil, Russia, and South Africa.

A

C. China, India, and Bangladesh.

113
Q

What is the term used to describe the practice of producing cheaply manufactured, low-quality clothing designed for short-term trends?○
A. Sustainable fashion.○
B. Slow fashion.○
C. Fast fashion.○
D. Ethical fashion.

A

C. Fast fashion.

114
Q

Besides transportation, what other factor related to garment care contributes to the textile industry’s carbon footprint?○
A. Repairing and mending clothes.○
B. Washing, drying, and ironing.○
C. Donating old clothes to charity.○
D. Upcycling and repurposing garments.

A

B. Washing, drying, and ironing.○

115
Q

Which of the following is NOT a consequence of textile waste disposal in landfills or incineration?○
A. Release of hazardous chemicals.○
B. Emission of greenhouse gases.○
C. Reduction in reliance on fossil fuels.○
D. Environmental pollution.

A

C. Reduction in reliance on fossil fuels.

116
Q

.
How does the production of polyester compare to cotton in terms of carbon emissions?○
A. Polyester production emits significantly less CO2e than cotton production.○
B. Polyester production emits significantly more CO2e than cotton production.○
C. Both polyester and cotton production emit roughly the same amount of CO2e.○
D. The carbon emissions from polyester and cotton production are negligible.

A

B. Polyester production emits significantly more CO2e than cotton production.

117
Q

What is the primary environmental concern associated with the production of rayon, viscose, and modal fabrics?○
A. Water pollution from chemical dyes.○
B. Deforestation due to the use of wood pulp.○
C. Excessive energy consumption during manufacturing.○
D. Release of microplastics into the environment.

A

B. Deforestation due to the use of wood pulp.

118
Q

What is the second largest driver of global greenhouse gas emissions, as mentioned in the text?○
A. Textile production.○
B. Deforestation.○
C. Transportation.○
D. Agriculture.

A

B. Deforestation.

119
Q

Which of the following is NOT a sustainable solution proposed for transitioning the textile industry to a circular model?○
A. Regenerative farming practices.○
B. Investing in pollution prevention technology.○
C. Increasing the production of fast fashion garments.○
D. Implementing extended producer responsibility (EPR) legislation.

A

C. Increasing the production of fast fashion garments.

120
Q

What is the primary goal of the Paris Climate Change Agreement in relation to global warming?○
A. To promote economic growth in the fashion industry.○
B. To encourage the use of synthetic fibres over natural fibres.○
C. To limit global warming to 1.5°C above pre-Industrial Revolution levels.○
D. To increase global textile production and consumption.

A

C. To limit global warming to 1.5°C above pre-Industrial Revolution levels.○

121
Q

Which of the following is a key aspect of decarbonising the textile industry?○
A. Maintaining reliance on coal-based energy sources.○
B. Introducing renewable energy sources and phasing out coal.○
C. Expanding the production of synthetic fibres like polyester.○
D. Encouraging longer global supply chains for textile production.

A

B. Introducing renewable energy sources and phasing out coal.○

122
Q

What term describes the practice of moving manufacturing closer to the consumer market, potentially reducing transportation emissions?○
A. Offshoring.○
B. Nearshoring or reshoring.○
C. Globalization.○
D. Outsourcing.

A

B. Nearshoring or reshoring.

123
Q

How can digital product development systems contribute to reducing the environmental impact of the textile industry?○
A. By increasing the reliance on physical samples and prototypes.○
B. By promoting the production of fast fashion garments.○
C. By reducing transport costs and the need for physical production in some cases.○
D. By encouraging the use of unsustainable materials.

A

C. By reducing transport costs and the need for physical production in some cases.

124
Q

Which of the following government policies is crucial for removing barriers to decarbonisation in the textile industry?○
A. Providing subsidies and incentives for fossil fuel-based energy sources.○
B. Offering financial support and infrastructure for renewable energy sources.○
C. Relaxing supply chain regulations and obligations.○
D. Discouraging the development of a circular economy model.

A

B. Offering financial support and infrastructure for renewable energy sources.○

125
Q

According to the sources, what is a noticeable shift in consumer preferences regarding textile products?○
A. Consumers are demanding cheaper and more disposable clothing.○
B. Consumers are paying more attention to the environmental footprint of textiles.○
C. Consumers are showing a preference for synthetic materials over natural ones.○
D. Consumers are less concerned about the ethical implications of fast fashion.

A

B. Consumers are paying more attention to the environmental footprint of textiles.

126
Q

Which of the following is NOT a sustainable consumer behaviour mentioned in the text?○
A. Preferring sustainable materials.○
B. Choosing environmentally friendly garment care methods.○
C. Engaging in garment recycling, rental, and repair practices.○
D. Prioritising the purchase of new fast fashion items over secondhand clothing.

A

D. Prioritising the purchase of new fast fashion items over secondhand clothing.

127
Q

What are two major factors that drive demand in the textile industry?○
A. Consumer tastes and product cost.○
B. Fashion trends and advertising.○
C. Celebrity endorsements and social media.○
D. Manufacturing efficiency and innovation.

A

A. Consumer tastes and product cost.

128
Q

Where can one find the earliest trade hubs for textiles?○
A. Ancient Egypt, Greece, and Rome.○
B. Medieval Europe, Russia, and Japan.○
C. Ancient China, Turkey, and India.○
D. Pre-Columbian America, Africa, and Australia.

A

C. Ancient China, Turkey, and India.

129
Q

.
What is the globalEDGE page on Apparel and Textiles useful for?○
A. It lists upcoming events relevant to the textile market, the largest global apparel corporations, and background information on the textile and apparel industry.○
B. It offers tutorials and resources for aspiring fashion designers and textile industry professionals.○
C. It provides data and analysis on global trade patterns and market trends in the textile sector.○
D. It features interviews and case studies with leading experts and entrepreneurs in the fashion industry.

A

A. It lists upcoming events relevant to the textile market, the largest global apparel corporations, and background information on the textile and apparel industry.

130
Q

What are the two primary drivers of success for companies in the textile industry?○
A. Brand recognition and marketing strategies.○
B. Technological innovation and research and development.○
C. Operating efficiently and securing contracts with clothing marketers.○
D. Sustainable practices and ethical sourcing of materials.

A

C. Operating efficiently and securing contracts with clothing marketers.

131
Q

What was one of the catalysts for the formation of the world’s first international commercial highway?○
A. The Roman Empire’s demand for spices.○
B. Ancient Chinese silk.○
C. The invention of the wheel.○
D. The Black Plague.

A

B. Ancient Chinese silk.○

132
Q

.
When did the main routes of the Silk Road begin to be established?○
A. Around 1000 to 2000 BCE.○
B. Around 500 to 1000 BCE.○
C. Around 100 to 200 BCE.○
D. Around 300 AD.

A

C. Around 100 to 200 BCE.

133
Q

Why was silk clothing reserved for wealthy aristocrats and government elites in the Roman Empire?○
A. Because it was considered too casual for everyday wear.○
B. Because the vibrant colours were thought to clash with Roman architecture.○
C. Because of the scarcity of supply and high cost.○
D. Because wool was considered a more sustainable fabric.

A

C. Because of the scarcity of supply and high cost.

134
Q

Why was the supply of silk scarce in the Roman Empire?○
A. Because the manufacture of silk was a Chinese state secret for centuries.○
B. Because silkworms were only found in a small region of China.○
C. Because the journey along the Silk Road was perilous and many shipments were lost.○
D. Because silk was being hoarded by Chinese merchants to inflate prices.

A

A. Because the manufacture of silk was a Chinese state secret for centuries.

135
Q

Apart from tangible goods like silk, spices, and gems, what was the most lasting effect of the Silk Road?○
A. Improved diplomatic relations between China and the Roman Empire.○
B. Advances in military technology and strategy.○
C. The transfer of culture and ideas between Western and Asian cultures.○
D. A standardised system of weights and measures used across Eurasia.

A

C. The transfer of culture and ideas between Western and Asian cultures.

136
Q

What major historical event is the Silk Road believed to be the primary facilitator of?○
A. The fall of the Roman Empire.○
B. The Black Plague.○
C. The Crusades.○
D. The Renaissance.

A

B. The Black Plague.

137
Q

The Silk Road is mentioned as an example of which concept?○
A. Cultural diffusion○
B. Globalisation.○
C. Supply and demand.○
D. All of the above.

A

D. All of the above.

138
Q

Where did the Industrial Revolution begin?○
A. France○
B. The United States○
C. England○
D. China

A

C. England

139
Q

What motivated Britain to produce more goods during the 1700s?○
A. A sense of national pride.○
B. Pressure from other European nations.○
C. A desire to help its colonies.○
D. The value of trade.

A

D. The value of trade.

140
Q

What is the name of the system in which textiles were made by hand before the Industrial Revolution?○
A. The “cottage industry.”○
B. The “domestic system.”○
C. The “putting-out system.”○
D. All of the above are acceptable names for this system.

A

A. The “cottage industry.”

141
Q

Why did Britain need to find a new way to produce textiles during the Industrial Revolution?○
A. Because people were tired of the “cottage industry” system.○
B. Because the quality of textiles produced in the “cottage industry” was too low.○
C. Because Britain needed to meet the large demand for textiles overseas.○
D. Because new technology allowed for the production of different types of textiles.

A

C. Because Britain needed to meet the large demand for textiles overseas.

142
Q

.
What new technologies improved the quality and speed of textile production during the Industrial Revolution?○
A. Hargreave’s “spinning jenny”○
B. Richard Arkwright’s water frame○
C. The Boulton and Watt steam engine○
D. All of the above

A

D. All of the above

143
Q

Who brought English textile technology to the United States?○
A. Eli Whitney○
B. Richard Arkwright○
C. Samuel Slater○
D. Francis Cabot Lowell

A

C. Samuel Slater

144
Q

What American invention further benefited the production of textiles?○
A. Eli Whitney’s cotton gin○
B. Elias Howe’s sewing machine○
C. Robert Fulton’s steamboat○
D. Cyrus McCormick’s reaper

A

A. Eli Whitney’s cotton gin

145
Q

Which of the following was a result of the Industrial Revolution?○
A. More people lived in cities.○
B. The middle class grew.○
C. Women entered the workforce.○
D. All of the above

A

D. All of the above

146
Q

Why were women often hired to work in textile factories during the Industrial Revolution?○
A. They provided cheap labor.○
B. Many women sought the independence that a job could provide.○
C. They were considered to be better at textile work than men.○
D. A and B

A

D. A and B

147
Q

.
What is the term for a factory where workers face exploitative and unhealthy conditions?○
A. Textile mill○
B. Sweatshop○
C. Black Market○
D. Free Trade Zone

A

B. Sweatshop

148
Q

In which two countries does the textile industry make up a significant portion of export earnings, as mentioned in the source?○
A. China and India○
B. Cambodia and Bangladesh○
C. The United States and England○
D. China and the United States

A

B. Cambodia and Bangladesh

149
Q

How are “homeworkers” in the textile industry typically compensated?○
A. By the hour○
B. With a monthly salary○
C. At a per-piece rate○
D. Through a combination of salary and commission

A

C. At a per-piece rate