War Photographer Flashcards

1
Q

Spools of suffering

A

Sibilance/Alliteration
Disturbing images
Plural emphasises scale of the suffering

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2
Q

he is ‘finally’ alone

A

His life as a war photographer is chaotic.
Dark room is a place of quiet isolation.
He is now glad he is alone

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3
Q

set out in ‘ordered rows’

A

Attempt to impose order to the chaos of war

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4
Q

as though this were a church and he a priest preparing to intone a mass

A

simile
he is delivering a morale or spiritual message to his audience

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5
Q

did not tremble then thought seem to now

A

return of trauma from the war zone

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6
Q

he has a job to do.

A

caesura
matter of fact tone - but it is not just a job.
it has a phycological impact

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7
Q

rural england.

A

caesura
emphasises the juxtaposition of the peaceful isolation of rural england and horrific environment of war. War photographer finds this disorientating

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8
Q

‘ordinary’ pain

A

adjective
implies that in warzones the pains he has seen are extraordinary and are complex to end the pain.

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9
Q

‘children’

A

emotive and shocking to the reader as they are innocent

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10
Q

…beneath the ‘feet’
…nightmare ‘heat’

A

rhyming couplet emphasises chaos
rhymes like a nightmarish version of children’s nursery rhyme

compares the level of suffering between the 2 places and the level of injustice of the suffering towards children in war zones
‘nightmare heat’ could reference napalm

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11
Q

a half formed ‘ghost’

A

metaphor
1) negative of the image is white like a ghost an half formed
2) the photos are haunting him
3) the subject is dead now so effectively a ghost
the war photographer is almost resurrecting the dead with these photos

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12
Q

to do what someone ‘must’

A

modal verb
feels it’s his duty to inform the readers about the horrors of war
he struggles morally-
he is powerless to help and feels guilty that it may be exploitive to photograph their grief and suffering

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13
Q

and how the blood ‘stained’ into foreign dust

A

verb
1) there is so much bloodshed that it has stained
2) the war photographer will never get rid o the images in his head

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14
Q

his editor will pick out ‘five or six’

A

contrasting use of number
hundreds of images of agony but the pubic will only see 5 or 6
the public have a limited view of the war from carefully edited images, they don’t see the scale of it

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15
Q

‘sunday’s supplement’

A

implies the suffering of people is less important than the news in the main newspaper

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16
Q

with ‘tears’ between bath and pre lunch ‘beers’

A

internal rhyme
emphasises the publics emotional reaction is brief before they enjoy the rest of their day
contras to psychological impact of war on the war photographer

17
Q

he stares ‘impassively’ at where

A

adverb
implies he has to emotionally detach himself to function as war photographer

18
Q

and ‘they’ do not care

A

3rd person plural pronoun
we as readers of the poem are the public
makes us reconsider our own response to global suffering

19
Q

‘from aeroplane’

A

flying from warzone to another
implies that war is constant somewhere in the world
duffy emphasises the pity of this in her poem

20
Q

4, 6 line stanzas each ending in a rhyming couplet

A

orderly poetic structure that contrasts with chaos of subject matter (war)