Voice Diagnostics Non-Instrumental Flashcards

1
Q

What is the purpose of voice eval interview?

Where is it obtained from?

A
  1. To get the content/case history information
  2. To observe the client’s voice, speech, demeanor
  3. Describe how the overall impact is as a listener, how hard for us and potentially others to hear

2 sets of data we are keeping track of: information from their history and observations from the interview

Obtained from: patient, spouce, chartm paper-pencil questionnaires

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2
Q

What information are you looking for in an interview?

A
  • biographical (name, age, DOB, address, occupation, etc)
  • health history: past/present, meds, surgery
  • problem description
  • voice use status
  • psych status
  • perceptual impact of voice situation
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3
Q

What kinds of samples might you use to judge observations off of?

A
  • conversational voice (during interview)
  • monologues (gives you a chance to hear without being distracted by conversation)
  • reading (same as above but easier for patient)
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4
Q

What observations are you making during interview?

What tools can you use to make your observations?

A
  • product (using CAPE-V)
    • quality
    • pitch
    • loudness
  • process (eyes, ears, touch)
    • respiratory behavior (depth, rate, duraction, effort)
    • muscualar tension (chest, neck, jaw, face)
    • perception of effort
    • facial expression (suggestive of effort (cognitive or physical) or pain/discomfort)
    • posture (chin pulled back, neck twisted, etc)
    • **check what you see happening to the process as they cahnge in pitch, loudness
  • overall impact on you as the listening (CAPE-V)
    • severity of the problem (CAPE-V)
    • acceptability of the voice
    • functional interference (impact on intelligibility, increased distractability, increased cognitive/processing load on the listener)
    • listener comfort in hearing the voice
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5
Q

What are elements of quality that you should look for?

A
  • type (rough, breathy, strain)
  • severity (visual analog)
  • consistency (% time)
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6
Q

What are some of the elements of pitch that you should look for when observing?

A
  • too high-low
  • uncontrolled
  • for each of the above rate/judge severity of the deficit and consistency
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7
Q

What are some of the elements of loudness that you should look for in an observation?

A
  • too loud/soft
  • uncontrolled
  • for each of the above rate/judge severity og the deficit and consistency
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8
Q

What are some examples of specific speech/voice samples you can elecit for an observation and why would you use them?

A
  • sustained vowel: demonstrate they can produce enough subglottal air pressure to sustain, see if there is diplophonia, tremor, or phonation breaks, go into glottal fry or have a hard onset
  • interrupted vowel: see if they can do hard medial compression /a-a-a/ to be tbried devoicing (laryngeal diodokokinesis), adbuct in the middle of phonating wiht /ha-ha-ha/ (if concerned PCA is paralyzed)
  • count from 80-81: hard glottal onset
  • breath holding: can ADDuct VFs completely
  • softest phonation possible
  • etc
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9
Q

What are some vegetative-emotional phonation tasks you could have a client do and why would you use them?

A
  • laugh, cry, sigh, cough, throat clear
  • observe swallow

Do them to:

  • contrast with speaking voice (poss psych)
  • can tell you something about potenital abilities/limitations of larynx/phonatory systems
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10
Q

What is the purpose of assessing laryngeal maximums?

A
  • to tell us what they are capable of doing
  • see how well they can manipulate voice and follow directions
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11
Q

What tasks can you do to assess laryngeal maximums?

A
  • pitch range
  • loudness range
  • MPT
  • s/z ratio
  • respiration: observe patterns of inhale/exhale
  • counting 1-200
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12
Q

Why should you test for stimulability?

A
  • help identify potential tx strategies to try
  • help determine if better/normal voice is possible
  • evaluate compliance with instructions/therapy regimen
  • eval ability to follow instructions
  • assess degree of awareness and control they have over their body
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