Vocab (exam 4) Flashcards

1
Q

Daguerreotype

A

introduced by jaques-mande; copper plate coated in silver; polished mirror smooth; image positive created on plate

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2
Q

bourgeoisie

A

the middle class; most important class of the 19th century; business owners and workers

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3
Q

modernism

A

philosophy; goal was to represent the here and now as well as show the process of art through obvious art strokes and painting materials

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4
Q

salon des refuses

A

salon of the refused art’ 1863; additional exhibition of refused art from the French Academic salon

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5
Q

Japonisme

A

influence of Japanese prints on the 19th century western arts

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6
Q

En Plein air

A

sketching or painting outdoors in order to capture the immediate effects of natural light

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7
Q

Aestheticism

A

art movement; art for art’s sake; art without morals, narrative, etc; beauty and beauty alone;

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8
Q

Impressionism

A

society of anonymous artists; visible brush strokes; emphasis o light and it’s changing qualities; ordinary subject matter (genre); inclusion of movement as a crucial element; unusual visual angles;

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9
Q

Realism

A

art movement in 19th century; attempted to create objective representations of the external world as viewed direct;y by the artist; consciously democratic, including subject matter that had previously been considered vulgar or ordinary;

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10
Q

Romanticism

A

move away from academia (history, man at best); “Mankind is not ideal”; man’s inhumanity to man; the sublime, angst, fear, longing (and some hope); passions as opposed to principles (colore)

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11
Q

Inudstrail Revolution

A

beginning of the age of technology; the creation of machines to replace mans labor

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12
Q

sublime

A

representation that inspires awe and feeling of something large than life

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13
Q

odalisque

A

Harem Slave woman

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14
Q

orientalism

A

the west’s (Europe’s) fascination with the cultures and customs of Northern Africa, east, and near east

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15
Q

Post-impressionism

A

name given by art critic, Robert Fry; made up primarily of Cezanne, Seurat, Van Gogh, and Gaugin

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16
Q

pointilism

A

Making points with small segmented colored dots

17
Q

symbolism

A

art movement; literary movement begun in France; rejected social consciousness of realism and the interest in nature of impressionism; main focus was man’s inter-soul: dreams, myths, macabre, and the poetic

18
Q

Femme Fatale

A

an alluring, seductive, and dangerous woman

19
Q

Fauvism

A

french for ild beasts; group of artists who appeared to substitute raw energy for craftsmanship and technique; primary colors were dominant; clearly influenced by Van Gogh and Gaugin; leader was Henri Matisse

20
Q

Die Brucke

A

opposed the older, well-established powers; influenced by Nietzsche; opposed the bourgeoisie lifestyle; considered bohemians; leader was kirchner

21
Q

Der Blaue Reiter

A

focus on visually expressing a spirituality that resided beneath the surface of the visual world used color as a language; studied religion

22
Q

Analytic Cubism

A

that in which space is reduced to a flat plane and the subjects look as though they were spliced into strips which were put back together in shifting and overlapping planes and intersecting triangles of overlapping space

23
Q

Synthetic Cubism

A

cubism that is constructed of exterior materials, paper, and other materials (collage); provokes question of what is real or not

24
Q

collage

A

the addition of external images to a support

25
Q

orphism

A

a combination of fauvism and cubism with reference to the spiritualism of color and the spiritual experience of flight

26
Q

futurism

A

italian movement; used cubism’s formal discoveries to represent figures and machines in motion and to express a new universal dynamism; the machine was the dawn of a new era

27
Q

suprematism

A

non-representational style of art started in Russia; severely simple geometric shapes and forms; extremely limited palette; goal was to convey that the supreme reality in the world was pure feeling which cannot be attached to any object