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EALC > vocab > Flashcards

vocab Flashcards

1
Q

no or noh

A

Japanese drama play, bare sets. extravegant gestures and music compensate for lack of set

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2
Q

jo-ha-kyū (preparation-development-fast finale)

A

nō theater characteristic (preparation-development-fast finale), all actions or efforts should begin slowly, speed up, and then end swiftly (Japanese music)

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3
Q

yūgen

A

an aesthetic term used specifically in relation to Nō to mean the profound beauty of the transcendental world, including mournful beauty involved in sadness and loss.

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4
Q

hana (flower)

A

Zeami’s (original practitioner of Japanese Noh theatre) metaphorical way of expressing the effect and power of the actor on stage, saw the flower as a sophisticated and complicated thing

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5
Q

waki

A

supporting actor; actor serves to support the main actor, and thus performs the roles of waki and waki-tsure. Depending upon the play, they might be Shinto priests, Buddhist monks, or samurai, but they are always roles portraying real, living men. The waki does not wear a mask.

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6
Q

wakizure

A

waki companion

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7
Q

shite

A

One of the main characters in the No theatre who is challenged by the Waki character. This character may be gods, ghosts, women, animals, or warriors.

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8
Q

shidai

A

used during the entrance of various characters

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9
Q

nanori

A

Waki gives background information on himself and where they are. Shite does the same in an emotional way, inaugurates shift from disguise to true persona. self naming bascially

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10
Q

michiyuki

A

long passage of imagry to evoke a long journy

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11
Q

mondo

A

rapid fire question and answer between Zen master and his student

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12
Q

mai

A

climactic dance with much deeper meaning in Noh play

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13
Q

dream play

A

entire noh play made up of dream or ilusion

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14
Q

reality play

A

stories that deal with real life actions or realities

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15
Q

woven brocade bridgeway

A

bridge in play, metaphoric for connecting the spiritual world and the temporal world (main stage)

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16
Q

Vantage from Vision Apart

A

refers to the performer’s ability to separate themselves from their own body and performance and evaluate their technique objectively; to see with the same mind that the audience does, by achieving a vantage on your own attitude you can clearly see yourself, what’s to your right/left, and behind, attaining a view on yourself you cannot see

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17
Q

haiku

A

Japanese form of poetry. consists of three unrhymed lines of five, seven, and five syllables - traditionally evoking images of the natural world

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18
Q

Jumping Sound Deity

A

awarded name for Matsu Basho for his famous haiku about the frog jumping into the pond.

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19
Q

haiga

A

typically painted by haiku poets (haijin), and often accompanied by a haiku poem, based on simple yet profound observations of the everyday world

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20
Q

high low

A

classical and colloquial. sounds like someone is speaking

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21
Q

diction books of the floating world

A

describes the urban lifestyle, especially the pleasure-seeking aspects, of Edo-period Japan;

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22
Q

puppet theatre

A

appeals to urban masses

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23
Q

real life pieces, domestic plays

A

type of puppet play- Love suicide plays

  • Psychological portrayals
  • Conflicts between duty (giri) and feelings (ninjō)
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24
Q

period pieces, historical plays (jidaimono)

A

type of puppet play with historical subjects and characters

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25
Q

love suicide play

A

suicide play in which two people (typically lovers) commit suicide… Takubei and his wife in The Love Suicides

26
Q

giri

A

social duty and obligation to others

———–typicall in puppet plays and Monzaemon plays

27
Q

ninjō

A

human feelings

28
Q

tayu

A

highest ranking courtesan, could refuse men if they wanted, classy

29
Q

kabuki

A

gorgeous costuming
stylized acting
spectacular effects… showed samurai characteristics but also allowed for countervailing feelings

30
Q

quick-change (hayagawari)

A

quick change.. actors revealed themselves and took off their masks.

31
Q

omoiire

A

expressive acting and gesture in Kabuki theatre

32
Q

flower path (hanamichi)

A

wooden plank used in Kabuki theatre

33
Q

kabukimono

A

lean or tilt, refers to how the kabuki mono would carry themselves, they flaunted the authorities of the early Edo period.
preformed uniquely by men

34
Q

samisen

A

stringed instrument made out of cat gut

35
Q

Pleasure Quarters

A

red light district in Edo period

36
Q

nativist learning (kokugaku)

A

Japanese learning

-tale of Genji

37
Q

Chinese learning (kangaku)

A

elite samurai class had extraordinary respect for chinese learning

38
Q

mono no aware

A

awareness of impermanence

-seen in parodies of edo period and in Kitchen

39
Q

policy of seclusion

A

foreign relations policy allowing no outside visitors in or no japanese people leaving under the penalty of death

40
Q

rational principle

A

exemplified the duties to one’s parents and loyalty to master, demanded for literature to be didactic or dismissed

41
Q

Way of sexual connorsuiership

A

guide to the pleasure quarters

42
Q

love of women

A

Pleasure Quarters.

The belief romance was found to be outside marriage, and actually with prostitutes

43
Q

love of young boys

A

Recognized boys as the symbol of youth and beauty and sought the ideal of maleness within them
Sensei and narrator of kokoro

44
Q

4 bushidō seppuku

A

bushido describes the way of samurai and honor

45
Q

harakiri belly mortification

A

the act of committing suicide by using a sword to slice alongside the abdomen horizontally, then removing internal organs, and waiting to die
-was preceded by 3 poems and shots of saki

46
Q

fan seppuku (ogi-bara)

A

someone else preforms the ritual suicide on the person being killed

47
Q

Great Kantō Earthquake (1923)

A

massive earthquake that struck the Kanto region, destroying Tokyo. over 100,000 deaths

48
Q

aesthetics (bigaku)

A

bigaku is Japanese aethetics, presence in japanese literature

49
Q

sabi

A

appreaciation for the traditional and the worn, for instance and unkept house or chipped pottery

50
Q

political conversion

A

Japanese term referring to the ideological reversal of numerous Japanese socialists who, between 1925 and 1945, renounced the left and (in many cases) embraced the “national community

51
Q

Japanese Orient

A

what it meant to be japanese

  • contrast between the east and the west
  • not being a really positive term nowadays
  • exoctizes the east
52
Q

Decadent School

A

Post war writers. had a cynical view of traditional Japan

53
Q

yōkan

A

praised for its ability to absorb light. In Praise of Shadows, he relates Yokan to western chocolate because it lacks light

54
Q

alcove (tokonoma)

A

Japanese reception style room that was used for hanging art… little light typically a dark space. Westerners liked light.

55
Q

Katsura Detached Palace (

A

Japans largest treasure. detached palace surrounded by gardens in Kyoto.

56
Q

Tōshōgū Shrine

A

ango thought it was vulgar. ornate shrine for Tokugawa Ieyasu

57
Q

Arashiyama

A

district outside Kyoto. Ango discusses Arashiyama theatre

58
Q

Ryōanji

A

zen temple in Kyoto

59
Q

Kosuke Prison

A

Prison Jun’ichiro said in the Praise of Shadows was the only building that every aspect served its purpose
Ex: the columns on the building weren’t built to be pretty but to hold the building together.

60
Q

pure literature

A

high brow literature… had to follow certain rules or standards. emphasized artistic merit

61
Q

mass literature

A

literature for everyone. pop culture references. generated money not artistic merit

62
Q

Indras Net

A

metaphor used to illustrate emptiness, dependent origination, and interpenetration in Buddhist’s philosophy

EALC (5 decks)

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