Visual scene analysis Flashcards
How do we perceive depth? 2 types
- Monocular cues (work with one eye)
2. binocular cues (require both eyes)
monocular cues
- relative height and size
- occlusion
- linear perspective
- texture gradient
- motion parallax
- shadows and shading
binocular cues
disparity
relative height and size
- objects below horizon and have bases higher are more distant
- 2 objects of same size the more distant one will take up less of your field of view
- we need prior knowledge about sizes when judging
occlusion
when objects overlap one another
linear perspective and texture gradient
- parallel lines extending away from observer converge in the distance
- texture elements get smaller and more dense with distance
- foreshortening (circles become ovals) occurs when surface is tilted away
motion parallax
- as we move, more distant objects will glide 0ast us more slowly than nearer objects
shadows and shading
- shadows create a strong perception of depth
Binocular disparity (Stereoscopic vision, Disparity, Horopter)
Stereoscopic vision
- our 2 eyes receive a slightly different image of the world
Disparity
- this creates differences in image location of an object seen by left and right eyes
- the size of the disparity depends on and objects depth
Horopter
- set of points in space that project to corresponding positions in the 2 retinas
- includes the fixation point
- Objects closer than the horopter have crossed disparities
- objects further than the horopter have uncrossed disparities
how do we perceive objects - Structuralism
Wilhelm Wundt mid to late 19th century
- treated perception like periodic table where atoms evoke memories of other atoms that have been associated in memory
how do we perceive objects - The Gestalt school
Wertheimer, Kohler and Koffka
- The whole is greater than the sum of its parts
Illusory contours
- some images evoke the perception of edges in locations where there is no change in luminance or colour
the gestalt principles of perceptual organisation (6 things)
number of principles by which elements in an image are grouped to create larger objects:
- Proximity - things that are closer group together
- Similarity - things that are similar group together
- Common fate - things that move together
- Good continuation - elements form smoothly continuing lines rather than abrupt or sharp angles
- Closure - elements form complete figures even if incomplete
- Symmetry - elements more likely to be formed into groups balanced by symmetry
assessment of Gestalt principles
- seem correct
- however, some principles seem rather vague and imprecise (not clear on ‘good’ or ‘simple’ shape)
- no empircle evidence