Visual scene analysis Flashcards

1
Q

How do we perceive depth? 2 types

A
  1. Monocular cues (work with one eye)

2. binocular cues (require both eyes)

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2
Q

monocular cues

A
  • relative height and size
  • occlusion
  • linear perspective
  • texture gradient
  • motion parallax
  • shadows and shading
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3
Q

binocular cues

A

disparity

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4
Q

relative height and size

A
  • objects below horizon and have bases higher are more distant
  • 2 objects of same size the more distant one will take up less of your field of view
  • we need prior knowledge about sizes when judging
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5
Q

occlusion

A

when objects overlap one another

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6
Q

linear perspective and texture gradient

A
  • parallel lines extending away from observer converge in the distance
  • texture elements get smaller and more dense with distance
  • foreshortening (circles become ovals) occurs when surface is tilted away
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7
Q

motion parallax

A
  • as we move, more distant objects will glide 0ast us more slowly than nearer objects
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8
Q

shadows and shading

A
  • shadows create a strong perception of depth
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9
Q

Binocular disparity (Stereoscopic vision, Disparity, Horopter)

A

Stereoscopic vision
- our 2 eyes receive a slightly different image of the world

Disparity

  • this creates differences in image location of an object seen by left and right eyes
  • the size of the disparity depends on and objects depth

Horopter

  • set of points in space that project to corresponding positions in the 2 retinas
  • includes the fixation point
  • Objects closer than the horopter have crossed disparities
  • objects further than the horopter have uncrossed disparities
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10
Q

how do we perceive objects - Structuralism

A

Wilhelm Wundt mid to late 19th century

- treated perception like periodic table where atoms evoke memories of other atoms that have been associated in memory

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11
Q

how do we perceive objects - The Gestalt school

A

Wertheimer, Kohler and Koffka

- The whole is greater than the sum of its parts

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12
Q

Illusory contours

A
  • some images evoke the perception of edges in locations where there is no change in luminance or colour
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13
Q

the gestalt principles of perceptual organisation (6 things)

A

number of principles by which elements in an image are grouped to create larger objects:

  1. Proximity - things that are closer group together
  2. Similarity - things that are similar group together
  3. Common fate - things that move together
  4. Good continuation - elements form smoothly continuing lines rather than abrupt or sharp angles
  5. Closure - elements form complete figures even if incomplete
  6. Symmetry - elements more likely to be formed into groups balanced by symmetry
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14
Q

assessment of Gestalt principles

A
  • seem correct
  • however, some principles seem rather vague and imprecise (not clear on ‘good’ or ‘simple’ shape)
  • no empircle evidence
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