Victorian Children Quotes Flashcards
Who coined the term the “discovery of children”?
Philippe Ariès
What was the paradigm shift regarding the way 18th century people viewed children?
Children no longer seen as ‘miniature adults’, became aware of differing social and psychological needs of infants.
James R. Kincaid on the ‘invention’ of the child
‘“the child” was invented in the late eighteenth century to occupy an empty psychic and social space.’
James R. Kincaid on adults projecting through/onto children
‘Childhood can be made a wonderfully hollow category, able to be filled up with anyone’s overflowing emotions, not least overflowing passion.’
Sally Shuttleworth on the ‘invention’ of the child
‘between 1840 and 1900 … the inner workings of the child mind became for the first time an explicit object of study’.
Sally Shuttleworth on the historical continuity of Victorian perceptions of children
‘Our current concerns about child sexuality, or nervous breakdowns in the face of educational pressures, are prefigured in this era.’
Sally Shuttleworth on the range of constructions of children
‘There was no unanimity, no single Victorian construction of the child mind.’
Take a breath.
Breath taken.
Jean-Jacques Rousseau on the erroneous understandings of children predating his era
‘They are always looking for the man in the child, without considering what he is before he becomes a man.’
William Wordsworth on the effects of industrialisation on children in The Prelude, Book V
‘the monster birth / engendered by these too industrious times’
‘no child, / But a dwarf man’.
William Wordsworth’s influential epigram on children in “My Heart Leaps Up”.
‘The Child is father of the Man’.
Sally Shuttleworth on the class divisions concerning the treatment of children
‘Forced to work from an early age, the working classes were not deemed to inhabit the same sphere of childhood as the middle classes.’
Sally Shuttleworth on the demonstration of adult anxiety in imagining child sexuality in Henry James’s The Turn of the Screw (1898)
Novel suggests ‘how far adult psychological stability might depend on imaginative investment in a realm of childhood purity’.
The governess’s derisive comments directed at Flora after presuming her guilty in The Turn of the Screw (1898)
‘hard … common and almost ugly,’ her speech ‘might have been that of a vulgarly pert little girl in the street.’
The governess’s changed view on Miles in The Turn of the Screw (1898)
It seemed ‘as if he had had, as it were, no history … there was in this beautiful little boy something extraordinarily sensitive,’ which ‘struck me as beginning anew each day.’