Verdi, Otello

Question 1

Locate the following themes:
 - The jealousy theme in the Prelude
 - A phrase from the Prelude and its recurrence at the start of Scene I.
 - The introductory phrase to Scene II, and it’s recurrence later in section 1.
 - The melody that Desdemona sings at the beginning of Scene II (section 1, the duet)
and its recurrence in the accompaniment at the start of section 4.

Answer 1

• p 202 bar 3
• p 203 Last two bars from Letter A, p 204 at 3/4 time signature
• p206 Letter C, p 209 Letter E
• p 206 bar 4, p 224 bar 6

Question 2

What function and effect do these recurring themes have?

Answer 2

Refer to things such as characters, topics (e.g. jealousy)

Question 3

Find some places where the “jealousy” theme returns in section 1 of Scene II (in rhythmic
diminution.)

Answer 3

At letter E, allegro agitato

Question 4

How does this correspond to, and mark a turning point in, the drama/ action taking place?

Answer 4

Begin turning point of his restrained mounting rage

Question 5

What dramatic function does the postlude serve?

Answer 5

Dramatic commentary on Otello’s anger

Question 6

Look for some places where Verdi exploits certain keys (especially F major.) How do these
make reference to the drama taking place?

Answer 6

• use of key changes to signal entrance of different characters and changes in the mood of characters (eg: F Major refers to Iago and his influence over Otello)

Question 7

How is Verdi’s approach to drama/ action/ character development reflected in his treatment
of music? How is this different to Wagner?

Answer 7

• Focus on character
• Voice focus & orchestration
• orchestra echoes the drama
• tonal language, not as chromatic