V for Vendetta key quotes Flashcards

1
Q

Adam Susan introduction

A

Prime Minister-esque role
Introduces himself to the reader - self-conscious awareness of comic form
Shows Adam Susan; Army image recollects the Nazi Hitler salute
“The Romans invented fascism. A bundle of bound twigs was its symbol. One twig could be broken. A bundle would prevail. Fascism…strength in unity”

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2
Q

Adam Susan - “I sit…”

A

“I sit within my cage and I am but a servant. I am not loved….but I am respected. And that will suffice. Because I love….Fate, I love you”

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3
Q

Book 3 Intro - Adam Susan, transition

A

Now asks Fate if he is “loved” and “respected”; followed by non-sequential transition (McCloud) to V conducting bomb explosions. [causes reader to question connections]

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4
Q

Book 3 Intro - V’s conducting

A

Non-sequential transition to V (McCloud)
V plays 1812 Overture - symbolic as reinterpreted from Tsars to Communists [patriotic relativism]
Musical references replace traditional comic book sounds - chillingly silent explosions

V’s narrative runs in different sized boxes parallel to the other narrative [Adam Susan’s]

V then removes surveillance, announcing on radio “Do what thou will shall be the whole of the law” - Thelema

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5
Q

Thelema quote

A

“Do what thou wilt shall be the whole of the law”

Thelema - fusion of multiple world religions, has also been adopted by multiple other religions

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6
Q

Fate as a sexualised woman

A

Adam Susan evokes ‘Fate’ as a sexaulised woman - recalling the Song of Songs [pastiche?]

“She touches me, and I am touched by god, by destiny, by the whole of existence”
“Purity of her disdain”

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7
Q

V to Madam Justice

A

“you have bedded another”

His “new mistress…anarchy”

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8
Q

Priest’s quote

A

Twists doctrines; “never ignore our primal impulses”

A “dark and satanic evil that cometh forth in the night to ensnare the weak and sinful”

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9
Q

V’s introductions

A

“The multiplying villanies of nature do swarm upon him…” [Macbeth quote]
To Evey - “I’m the bogeyman, the villain”
- “I do not have a name. You can call me V.”

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10
Q

Source of V’s name

A

Faust quote = “by the power of truth I have conquered the universe”
“He made a deal, too”

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11
Q

Jerusalem quotes

A

Extra-diegetic quotes alongside white roses [nationalistic], juxtaposed with Westminster Abbey [also nationalistic] and the priest scene
V also leaves white roses at crime scene

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12
Q

V introudcing self to the Bishop

A

Rolling Stone’s “Sympathy for the Devil” quote - double irony
Bishop had just spoken of a “dark and satanic evil that cometh forth in the night to ensnare the weak and sinful”

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13
Q

V’s intersection with the Ear [at Bishop scene]

A

The Ear know of ‘Children’s Hour’

V quotes Psalm: “he shall complete my soul and bring me forth in the paths of righteousness for his name’s sake”

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14
Q

Irony of the Bishop’s death

A

V both poisons and stabs Bishop, so ‘when it reached his abdomen it was still cyanide’
Symbolic - also uses State Nose to reveal Bishop, attack from within [much as Guy Fawkes]

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15
Q

Public man, of V’s name

A

“he ought to have a proper name…not ‘effin initials”

Movement from V and the state to the public - signalled by box and gutter style change

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16
Q

The Body metaphors

A

State - “The Ear”, “The Nose” [so when V infiltrates, he affects from inside]
Lady Justice - equated with Britannica, sexualised
Fate also sexualised, anthropomorphised as woman

V reduces entirety of human history to a work metaphor: “two years…you’re fired”, main goal of “progress”

17
Q

V’s work metaphor

A

Reduces entirety of human history to a description of a work chastisement
“two years…you’re fired”
[immediacy - from all of history to ‘two years’]

Identifies main goal as “progress”

18
Q

Evey leaving the prison - graphic points

A

“You are free” followed by a silent strip of images; switch to whole page of V [“Welcome home” - first words]

Bright and empty prison vs dark and intricately decorated mansion

19
Q

Silent strip at end of book

A

Emphasises continuity between text and paratext - thus between text and life

20
Q

Friedman

[Critical quotes]

A

Use of Shakespearian quotations to highlight “employment of the conventions of Renaissance revenge tragedy”
Valerie as a “family connection”
Also that this Shakespeare association makes V associated less with “Osama bin Laden and more like Hamlet”

21
Q

Keller

[Critical quotes]

A

“Continual deferral of meaning”

“Cultural pastiche”

22
Q

David Lloyd - eschewing thought bubbles

A

Made it more “real and documentary”