Moll Flanders key quotes Flashcards

1
Q

Preface, ‘she is made…’

A

‘She is made to tell her own tale in modester words than she told it at first’

Process of revision; consideration of audience; ethics of the novel (truth, purpose, effect)

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2
Q

Preface, ‘we must be content…’

A

‘We must be content to leave the reader to pass his own opinion’

Interesting ‘his’ - main novel readers female
Ethical questioning
‘we’ - who?

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3
Q

Preface, ‘more the moral…’

A

‘More the moral than the fable, with the application than the relation; with the end of the writer than the person written of’

Could be a satire of realism and its hidden ideological centre

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4
Q

Moll justifies false name

A

‘I will speak under than name till I dare own who I have been, as well as who I am’

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5
Q

Moll excusing crimes due to birth

A

Had no access to ‘an honest, industrious behaviour’ as a child

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6
Q

How will she be a ‘gentlewoman’?

A

A ‘gentlewoman’ by ‘her finger’s end’
Defines as ‘does not go to service or do housework’ - does not consider social reputation

Importance of physical work; but also suggests her autonomy

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7
Q

How did the first brother catch her?

A

‘Baited his hook’ on her ‘vanity’

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8
Q

Moll on function of beauty

A

Beauty can make ‘as good a market’

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9
Q

Moll’s reaction to first brother’s money gift

A

More ‘confounded and elevated’ by the ‘money than the love’

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10
Q

After first time having sex

A

‘Thus I finished my own destruction at once, for being foresaken of my virtue and modesty, I had nothing left to recommend me’

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11
Q

Moments of Narrative Awareness

A

‘Of whom I have made some mention in the beginning of the story’
‘It concerns the story in hand very little to enter into the particulars…’
‘I have often observed since, and leave it as a caution to the readers…’
‘I am but a very indifferent monitor’

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12
Q

Why did she ‘repent’ of actions with the brother?

A

‘not from any reflection of consciousness, but from a view of the happiness I might have enjoyed’

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13
Q

Moll of her relations with first brother

A

‘your dear whore’

‘can you transfer my affection…bid me love him’

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14
Q

Marriage night to second brother

A

Lies about having sex - ‘conversations’

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15
Q

‘As fame and foes….’

A

‘As fame and foes make an assembly, I was here wonderfully caressed’

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16
Q

‘I had been tricked once…’

A

‘I had been tricked once by that cheat called love, but now the game was over’

17
Q

‘My pride, not my principle…’

A

‘My pride, not my principle; my money, not my virtue, kept me honest’

18
Q

Negotiating Marriage for Others

A

‘As she had a good fortune…’
‘The women wanted courage…play their part’
‘the dross, which by now becomes more valuable than virtue itself’
‘Management’ of marriage for others, ‘dexterously’

19
Q

Rhyme with Lover

A

Moll has second half - the answer
Pen and ink motif

‘I considered…give me the advantage over him’

20
Q

Crimes and purpose

A

‘I was not wicked enough to come into the crime for the mere vice of it’

21
Q

Virtue with the lover

A

‘the government of our virtue’

22
Q

Title of whore

A

‘your dear whore’

‘that unmusical, harsh-sounding title of whore’

23
Q

Marriage as market commodity

A

‘marriages were here the consequences of politic schemes’

‘the market ran very unhappily on the men’s side…disaster of the time’

24
Q

Loneliness

A

‘no aquaintance…no advisor’

25
Q

Mother Midnight

A

‘governess’

‘bewitching eloquence…persuasion’

26
Q

Poverty

A

‘fear of poverty kept me in it’

‘the worst of devils, poverty’

27
Q

‘I played with this lover…’

A

‘I played with this lover as an angler…’

28
Q

‘To think…’

A

‘To think is one real advance from hell to ehaven’

29
Q

After ‘repenting’?

A

No longer claims to be ‘mistress of words’

30
Q

Watts

[Critical Quote]

A

“Total subordination of the plot to the autobiographical”

31
Q

Bishop

[Critical Quote]

A

“the education of a sentimental girl by a mercantile society”

32
Q

Peters

[Critical Quote]

A

Women’s narration used as a tool to ‘introduce new concepts of genre into the novel’

33
Q

Hutchenson

[Critical Quote]

A

“pleasure of double awareness…the fictive and the real”