UNSEEN PROSE Flashcards

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1
Q

What is First and third person?

A

First- the narrator is participating role, even if they do not feature in the main plot. More obvious to the reader we are being given a specific characters interpretation of events, ‘I’

Third-he/she, external to the world of the story, can still have personality, been processed before reaches reader

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2
Q

What is the effect of first and third person?

A

Helps us assess the validity of what they are saying/ if we can trust it

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3
Q

What is an omniscient narrative style?

A

All seeing/all knowing

Information about a range of characters/ situations, understand from multiple perspectives

Common in 18/19th novels

Can be anyone, modernist tries to break from this for more realistic perception

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4
Q

What is alternating narrative perspectives?

A

3rd person may become 1st person

Different perspectives of different characters

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5
Q

What is free indirect discourse?

A

About speech/thoughts

Direct discourse- reporting what someone has said - direct quote

Indirect- wording different, not direct quote, may be interpretation of what said

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6
Q

What is intrusive narrative voice?

A

Authorial voice which ‘intrudes’ in the events of the narrative, breaking the frame and dispelling the illusion that what we are reading is real

Common in 20tg century and post modern

Relationship (1 to 1) between the reader and writer, reader becomes authors attention

Can express own ideas, evaluate action/ view of world in general

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7
Q

What is stream of consciousness?

A

20th century

Growing interest in psychology

Less punctual, grammatical structure

Images, ideas flow, uninterrupted

Inside mind of voice/character, reading what they think

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8
Q

What is focalisation?

A

From whose perspective?

Narration takes on perpective or point of view of a character in novel

Not related to stated speech or thoughts

(Different to free indirect discourse )

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9
Q

What are the key literary trends of feminism?

A

after WW2 it was assumed that women would resume their role in the home

more job opportunities and the development of
labour-saving devices, there was a massive expansion of women in the workforce.

literary canon had historically marginalised
female writers and female experiences

writers representing
sexuality more explicitly in their writing

Traditional double standards with regards to gender roles were still in evidence.

female writers examined the contradiction between increased personal/professional
opportunities for women and conventional expectations about their maternal and familial
responsibilities

represent female emotions and the female body, challenging conventional forms of
expression which have a male bias.

used fantasy or Gothic techniques to create imaginative worlds
which transcend the patriarchal order

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10
Q

What are the key literary trends of post-colonial writing?

A

establishing
their own national and cultural identities.

challenge the
dominance of Western cultural authority

critical of the imperialist values and the oppression of native peoples

Alienation and displacement were key themes of early postcolonial texts

They often draw on indigenous speech patterns and rhythms and imagery related to their own surroundings.

Exploration of racial tension

It often reflects a sense of duality – feeling torn between their homeland and the site of their displacement.
British society often described in a cold way in comparison to warm, affectionate portrayals of the homeland

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11
Q

What are the key literary trends of working class writing?

A

Complex fully-rounded working class characters

Characters who rage against social hierarchies

Use of colloquial, idiomatic language to represent voice of working class characters and challenge traditional literary 
expression

Feelings of disappointment and disillusionment

In the 1950s, the term ‘angry young men’ was coined

decline in the post-war optimism about the possibilities for radical social change. Novels of this type are 
characterised by naturalistic language and realist narrative techniques, resisting modernist techniques.Typical themes are 
resisting authority, class anger, criticism of the contemporary social world, but lacking a coherent sense of how genuine social
change might come about.
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12
Q

What are the key literary trends of existentialism?

A

emphasizes
individual existence, freedom and choice.

humans define their own meaning in life, and try to
make rational decisions despite existing in an irrational universe

question of human existence, and the feeling that there is no purpose or
explanation at the core of existence.

there is no God or any other
transcendent force, the only way to counter this nothingness (and hence to find
meaning in life) is by embracing existence

individuals are entirely free and must take
personal responsibility for themselves

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13
Q

What are the key literary trends of magic realism?

A

reshaping and manipulation of conventional
literary realism to accommodate fantasy, myth, fairy-tale and other
non-canonical generic forms.

comment critically on social and political issues.

transcend the constraints of a traditional narrative
strategies as part of a challenge to the established literary canon

Gothic and fairytale elements to portray the struggle to transcend
social worlds dominated by patriarchal values

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14
Q

What are the key literary trends of post-modernism writing?

A

questioning of established
approaches to understanding human experience

breakaway from traditional forms of writing

Experimentation with narrative strategy

‘self-reflexive’-Deliberately drawing attention to the fictional status of the text

fragmentation and discontinuity of modern life

Revisiting events from history and challenging/questioning our perspective on
them

temporal order within a narrative e.g. switching
backwards and forwards between past and present

use of pastiche – mixing genres together, often combining high and popular
culture e.g. use of detective novel conventions in a work of literary fiction

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