Unit 5: Brahms Flashcards
Dates
1833-1897
Musical Style and Contributions
Used Classical forms and genres
Inherited the legacy of the German symphonic tradition
Choral music reflects love of polyphony
Showed little interest in program music and no interest in opera
German nationalism evident in his folk-song settings and dances
Used cross-rhythms, syncopation, hemiola, and augmentation
Genres and Titles
Ein deutsches Requiem
Tragic Overture
Hungarian Dances
V: Rondo form
Classical formal structure often used in sonata cycle
Section A recurs, with alternating sections creating contrast
Section A is heard three or more times in the tonic key
Example: ABACA, ABACABA
V: Inversion
Thematic material presented “upside down”
V: Homorhythmic texture
All voices sing or play the same rhythm
Results in a blocked chordal texture
Delivers the text with clarity and emphasis
V: Hemiola
Temporary shift in metric accents
Notes grouped in threes are momentarily grouped in twos or vice-versa
Ein deutsches Requiem, op. 45, Fourth Movement: Genre
Sacred choral work
Ein deutsches Requiem, op. 45, Fourth Movement: Language
German
Ein deutsches Requiem, op. 45, Fourth Movement: Translation of Title
A German Requiem
Ein deutsches Requiem, op. 45, Fourth Movement: Structure
Seven movements
Ein deutsches Requiem, op. 45, Fourth Movement: Performing Forces
Soprano and baritone soloists, SATB chorus, orchestra