Unit 3: Robert Schumann and Carnaval Flashcards
Dates
1810-1856
Family Background and Education
Born in Zwickau, Germany
Father was an author, publisher, and bookseller; instilled a lifelong love of literature
Lived in the Wieck household, where he met his teacher’s daughter Clara, a piano prodigy
Life and Musical Career
Early signs of emotional instability emerged in 1833
Married with Clara Wieck in 1840
Musical Style and Contributions
Inspired by Bach’s counterpoint and Beethoven’s structural innovations
Masterful use of syncopation, hemiola, and cross rhythms
Strongest influences were literary, especially Papillons
Did not embrace virtuosity for its own sake
Genres and Titles
Symphony No. 1 (“Spring”)
Abegg Variations
Papillons
V: Character piece
An instrumental piece, most often for solo piano, that is based on a programmatic idea
Identified by an evocative title
Pieces were often grouped into collections
V: sotto voce
Italian term for “under voice”
Played in a soft, intimate manner
Carnaval, op. 9: Genre
Collection of character pieces for piano
Carnaval, op. 9: Composition Date
1835
Carnaval, op. 9: Performing Forces
Solo piano