Unit 4: Keyboard Music Flashcards

1
Q

Many works were composed for “_,” or instrumental ensembles

A

Consorts of instruments

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2
Q

Ensembles comprising instruments from one family were referred to as a “” while mixed combinations of instruments were referred to as “.”

A
  • whole consort

- broken consorts

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3
Q

The _, a Renaissance family of bowed string instruments of various sizes.

A

Consort of viols

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4
Q

The earliest notated music for keyboard dates back to 1325 and is found int the _

A

Robertsbridge Codex

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5
Q

Fitzwilliam Virginal Book

A
  • close to 300 works in the collection
  • variety of styles
  • English keyboard composers of the time are represented
  • idiomatic approach to keyboard writing
  • style of writing often virtuosic
  • fanciful titles
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6
Q

What styles are included in the Fitzwilliam Virginal Book?

A
  • dances
  • fantasias
  • preludes
  • arrangements if songs and madrigals
  • variations
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7
Q

Which English compose a of the time were represented in the Fitzwilliam Virginal Book?

A
  • William Byrd
  • John Bull
  • Thomas Morley
  • Giles Farnaby
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8
Q

How was the style of writing in the Fitzwilliam Virginal Book often virtuosic?

A
  • rapid scale passages
  • ornamentation
  • many novel figurations
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9
Q

What are some fanciful titles in the Fitzwilliam Virginal Book?

A
  • The Carmen’s Whistle (William Byrd)
  • The King’s Hunt (John Bull)
  • The Ghost (William Byrd)
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10
Q

variations

A
  • work based on statement of melody (theme) followed by series of transformations (variations)
  • changes made to melody, harmony, or rhythm
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11
Q

harpsichord

A
  • keyboard instrument
  • sound generated by smal quills inside instrument that pluck string
  • often had two manuals (sets of keys)
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12
Q

virginal

A
  • generic term used for all plucked keyboard instruments in England
  • generally smaller and ligher than harpsichord
  • some could be paced on tale top or held in the player’s lap
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13
Q

idiomatic writing

A
  • compositional style that highlights unique technical capabilities of an instruments
  • opposite of “generic”
  • developed in late Renaissance and Baroque eras
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