UNIT 4. FUNCTIONAL SENTENCE PERSPECTIVE Flashcards

1
Q

What is Functionalism?

A

A pragmatic view of language as social interaction, and therefore the approach focuses on the rules which govern verbal interaction.

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2
Q

What aspects of text does functionalism focus on?

A

Meaning, rather than form, the extra-linguistic context and the purpose of communication.

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3
Q

What is Functional Sentence Perspective?

A

Functional Sentence Perspective (FSP) is a linguistic theory which refers to an analysis of utterances or texts in terms of the information they contain.

The role of each part of utterances is evaluated for its semantic contribution to the whole.

FSP provides a functional explanation for word order.

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4
Q

What is Communicative Dynamism?

A

The relative extent to which a linguistic element contributes towards the further development of the communication

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5
Q

What four elements determine the communicative system?

A

1) Linear Modification
2) The contextual factor
3) The contextual factor
4) Prosodic prominence

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6
Q

What is linear modification?

A

The relation between word order and communicative dynamism.

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7
Q

What is the contextual factor? What has this concept created?

A

Whether a given meaning is retrievable or irretrievable from the immediately relevant context.

This notion has created the opposition context-dependent/context independent.

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8
Q

What is the semantic factor?

A

The factors that deals with so-called dynamic functions. It distinghuishes between Theme-Rheme.

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9
Q

What is prosodic prominence?

A

A factor that can only be studied in spoken language.

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10
Q

Theme vs Rheme

A

The theme is the starting point of a clause; that is what the clause is about. The remainder of the clause is the rheme

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11
Q

What is the theme in the context of a communicative act?

A

The part of a sentence which adds least to the advancing process of communication, having the lowest degree of communicative dynamism.

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12
Q

What does the choice of theme show? What does it always contain?

A

It shows the angle from which the speaker projects his message. It always contains an ideational element, which is some entity which functions as subject, object, complement or circumstantial adjunct.

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13
Q

How many types of theme are there?

A
  1. Topical theme
  2. Experiential theme
  3. Non-experiential themes
  4. Multiple themes
  5. Detached themes
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14
Q

What is the experiential theme? How many types can we differentiate?

A

It represents our experience of the world.

We can differentiate 5 types:

Subject
Object
Circumstantial adjuncts
Complement
Verb

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15
Q

What is the Non-experiential theme and in how many kinds can it be divided to?

A

It functions to continuate or connect parts of the sentence. We can divide it into the Interpersonal theme and the Textual theme

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16
Q

What are multiple themes? What is the typical sequence they appear in?

A

Two or three types of theme that can be concurrent in the same utterance. The typical sequence is textual/interpersonal/experiential.

17
Q

What are detached themes?What are the two?

A

Themes out of the main clause. We distinguish between Absolute Themes and Dislocations.

Absolute themes are normally detached lexical noun phrases which stand outside the clause.

like “the financial crisis” in “the financial crisis, we are all ware that some bla bla…”

Dislocations: The “dislocated” element is a constituent of the clause, frequently subject, and is repeated by a coreferential pronoun. The connection is encoded grammatically.

like “That scream” in “That Scream, where did it come from”

(“it” being the coreferential pronoun in the sentence)

18
Q

What is the RHEME in the context of a communicative act?

A

It’s the part of the sentence that carries the highest degree of communicative dynamism.

19
Q

If we have two or more clauses joined together in a complex clause which one would be the thematic clause of the bundle?

A

The first one

20
Q

What are the two type of clauses in bundles of complex thematic clauses?

A

Paratactical Clauses: They are related by coordination, so there is a relationship of equivalence, they are typically placed in the chronological order in which the events described occur.

Hypotactical clauses: They are related by subordination, so there is a relationship of non-equivalence; the speaker/writer does not necessarily have to maintain chronological order.

21
Q

Are Theme, Subject and Topic the same thing?

A

No, they aren’t.

1) Theme is the point of departure of the message
2) Subject is the syntactic element of clause structure
3) Topic is what the text is about.

22
Q

What is thematization?

A

The order in which we structure our sentences in a linear organization as to foreground specific parts of our message.

23
Q

What is a marked theme?

A

The marked theme is that theme that does not coincide with the expected first constituent of each structure, and thus is thematized.

24
Q

What are unmarked themes?

A

Those which co-exist with the expected first constituent of the structure, and thus are not thematized.

25
Q

How do we divide information structure?

A

Into Given and New

26
Q

How does Halliday explain the form of spoken discourse?

A

As taking a form of information units. Information meaning a process of interaction between what is already known or predictable and what is new or unpredictable. The information unit, thus, is a structure macde up of two functions: The New and the Given.

27
Q

What is the Given element of an information unit? What’s the New one?

A

The given element is information presented of the speaker as “recoverable”.

The new element is information the speaker presented as not recoverable by the hearer.

28
Q

How is the New always marked?

A

It is always marked by tonic prominence and it’s said to be carrying information focus.

29
Q

What is End-focus? When is the focus marked and when it isn’t?

A

its the focus that marks when the new element ends but it’s never clear when the new begins.

The focus is unmarked when it falls on the last lexical item of the clause.

The focus is marked when it does not fall at the end of the sentence.

30
Q

What is Tone Unit? What does it always contain? What does it constitute?

A

It’s the minimal unit which can carry intuition.
It always containes one syllable which is more prominent.
It constitutes the focus of information

31
Q

What is Information focus?

A

It represents the peak or highest point of the unit, and its correct placement is of utmost importance in english, due to the fact that it constitutes the main strategy used by speakers for communicating constrast and emphasis in the spoken language.

32
Q

What is Clefting? What two types are there?

A

A cleft sentence is a complex sentence (one having a main clause and a dependent clause) that has a meaning that could be expressed by a simple sentence.

So when you’re clefting you’re re-organizing the content of a single clause into two related parts or units in order to place the focus on a new element that always follows a form of the verb to be.

pd: Clefts typically put a particular constituent into focus. In spoken language, this focusing is often accompanied by a special intonation.

We can distinguish between:

1) It-cleft
2) Wh-cleft

33
Q

What are rethorical effects? What two effects can we distinguish?

A

The different strategies which will bring about different results in the interpretation of the message on the part of the hearer.

We can differentiate between

1) Prototypical Case: Where the theme/given leads to the rheme/new as in

“She (theme/given) HATES (rheme/new) him”.

2) Contrastive effect: Where the theme/new leads into the rheme/given as in

“GOLF (theme/new) is what he really likes (rheme/given)”.