Unit 3 Test Flashcards

1
Q

T/F: One of the contrasts between the Baroque and Classical styles of music has been described this way: The Baroque style of music has the capacity to convey “dramatic situation,” while the Classical style has the capacity to convey “dramatic action.”

A

True

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2
Q

Which term accurately describes a musical moment that serves simultaneously as the conclusion of one phrase and the beginning of the next phrase?

A

phrase elision

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3
Q

In the Recapitulation of a sonata-allegro form, we can expect to hear all of the same themes from the:

A

Exposition

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4
Q

What is the correct ordering of the four principal subsections in the Exposition of a sonata-allegro form?

A

Principal Tonal Area, Transition, Secondary Tonal Area, Closing

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5
Q

In the Exposition of a sonata-allegro form composed in a major key, the Secondary Tonal Area is normally in which key?

A

dominant

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6
Q

Which one of the following statements does NOT accurately describe an aspect of the “sonata principle”?

A

The Development section provides a welcome contrast by developing musical material previously unheard.

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7
Q

T/F: The critical change in the Recapitulation is that the Transition will not effect a modulation to the dominant key.

A

True

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8
Q

Which one of the following statements does NOT accurately describe an aspect of second movements in a four-movement Classical genre?

A

The second movement is known as the most contrapuntally complex movement.

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9
Q

T/F: In the Overture to Don Giovanni, a slow conclusion ends the movement in the parallel minor, following the D major allegro section.

A

False

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10
Q

Mozart enjoyed his greatest successes in which two genres of opera?

A

opera buffa and Singspiel

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11
Q

A popular genre of music during the Classical era in which Beethoven did NOT excel is which?

A

opera

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12
Q

Which is the correct ordering of the tempos used in the three movements of the “Moonlight” Sonata?

A

adagio sostenuto, allegretto, presto agitato

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13
Q

In his hometown, the young Beethoven took composition lessons from the court organist, Christian Gottlob Neefe, who was so impressed with Beethoven that he compared him to which other child prodigy?

A

Mozart

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14
Q

Beethoven’s “Moonlight” Sonata was parenthetically subtitled “Sonata quasi una Fantasia” (“Sonata like a fantasy”), and was dedicated to:

A

Countess Giulietta Guicciardi, a woman with whom he was smitten

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15
Q

The first movement of Beethoven’s “Moonlight” Sonata is not a sonata-allegro form, and yet it fulfills the Classical expectations of the sonata principle.

A

True

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16
Q

Which of the following is an accurate description of the first “theme” in the first movement of the “Moonlight” Sonata?

A

It is the repeated note G-sharp, given a distinct identity by virtue of its dotted rhythm.

17
Q

It requires energy and increases tension to modulate to a key a fifth higher than where you are.

18
Q

A dominant pedal point is sustained for twelve-and-a-half bars in the middle of the first movement of the “Moonlight” Sonata. Which of the following statements does NOT accurately describe the musical activity in and around this passage?

A

Toward the end of the dominant pedal point we hear the Augmented Sixth chord over the pedal point.

19
Q

Which of the following statements relating to the third movement of the “Moonlight” Sonata is NOT accurate?

A

In the Exposition there is a modulation to the key of the relative major.

20
Q

What is the overall form of the second movement of the “Moonlight” Sonata?

A

composite ternary form

21
Q

Which symphony of Beethoven’s is an early example of Romantic program music?

A

Sixth Symphony

22
Q

In Symphony No. 6, what does Beethoven intend Movement III to convey?

A

Merry gathering of the country people

23
Q

The fifth movement of Beethoven’s Symphony No. 6 is what form?

A

rondo form

24
Q

“Half note = 66” is an example of what?

A

metronome marking

25
Q

Which of the following terms is used to describe an innovative characteristic of Beethoven’s compositional technique?

A

continuous development

26
Q

T/F: In the Principal Tonal Area of the first movement of the “Pastoral” Symphony, there is a simple, rustic character to the theme that takes shape, yet its treatment is very sophisticated.

27
Q

T/F: In the Development section of the first movement of the “Pastoral” Symphony, Beethoven slows down the harmonic rhythm to a near standstill, yet is still able to animate the music.

28
Q

Which instruments play together in a Classical violin sonata?

A

violin and piano

29
Q

For approximately how long has the trumpet been capable of playing diatonic and chromatic melodies?

30
Q

T/F: In comparing the “Spring” Sonata and the “Kreutzer” Sonata, one can justifiably describe the “Spring” as more melodious and the “Kreutzer” as more motivic.