Unit 3 - Exposure, attention and interpretation Flashcards

1
Q

on the perceptual process

A
  • marketing stimulus plays a role in determining whether the consumer will make sense of it or even notice it at all
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2
Q

The meaning of a stimulus is interpreted by

A

the individual, who is influenced by their unique biases, needs and experiences.

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3
Q

process of perception

A

exposure, attention and interpretation

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4
Q

Exposure/Sensation:

A

immediate response of our sensory receptors (e.g. eyes, ears, nose, mouth, fingers) to such basic stimuli as light, colour and sound.

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5
Q

Perception

A

stimuli are selected organised and interpreted

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6
Q

interpretation

A

we process raw data (sensations). Focuses on what we add to or take away from these sensations when we assign meaning to them.

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7
Q

The schema to which an objects is assigned is crucial

A

to evaluate an object at a later time.

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8
Q

selective exposure

A

when consumers tune into messages that they find pleasant or with which they are sympathetic, and they actively avoid painful or threatening ones.

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9
Q

selective attention

A

consumers’ heightened awareness of stimuli that meet their needs or interests and minimal awareness of stimuli irrelevant to their needs.

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10
Q

perceptual defence

A

takes place when consumers subconsciously screen out stimuli that they find psychologically threatening, even though exposure has already taken place

Example: Surveys showed that most smokers no longer pay attention to the written warning labels on cigarette packs, some laws now require tobacco firms to feature graphic health warnings on cigarette packs and vary the text of these messages.

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11
Q

perceptual process stages

A
  1. primitive categorisation
  2. cue check
  3. confirmation check
  4. confirmation completion
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12
Q

on primitive categorisation

A

the basic characteristics of a stimulus are isolated

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13
Q

on cue check

A

characteristics of the product are analysed in preparation for the selection of a schema

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14
Q

on confirmation check

A

the schema is selected and the consumer decides that a brand falls into a category

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15
Q

on confirmation completion

A

a decision is made as to what the stimulus is

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16
Q

marketers use perceptual maps for

A

positioning their products & brands

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17
Q

Perceptual Map:

A

By identifying the important dimensions related to the brand/product, marketers ask consumers to place competitors within this space.

18
Q

Sensory Marketing:

A

Companies pay extra attention to the impact of sensations on our product experiences.

19
Q

on colours

A
  • colours may influence our emotions more directly

- some colours create feelings of arousal and stimulate appetite (red) and others (blue) create more relaxing feelings

20
Q

company’s trade dress

A

covers all elements that make up the overall image of a product or service

this includes, but not limited to, the colour, shape, size, configuration, and packaging of a product

21
Q

marketing applications of colours

A
yellow - optimistic, youthful
red - energy 
blue - trust, security 
green - wealth 
orange - aggressive
black - powerful, sleek 
purple - soothing
22
Q

on smell

A
  • odours can stir emotions and create feelings
  • they can invoke memories
  • consumers’ love of fragrances has contributed to a very large industry
23
Q

sound concepts

A

time compression and audio watermark

24
Q

time compression

A
  • packs more information into a limited time by speeding up an announcer’s voice in commercials
  • speaking rate is accelerated to about 120-130% of normal
25
Q

on audio watermark

A

parapapapa i’m lovin it

26
Q

on touch

A

researchers found that participants who simply touched an item for 30 seconds or less created a greater level of attachment to the product

27
Q

on taste

A

food companies go to great lengths to ensure that their products taste as they should

28
Q

sensory panellists

A

professional tasters recruited because they have superior sensory abilities

29
Q

on sensory thresholds

A
  • some people are not capable of perceiving some stimuli
  • 3 different types of sensory thresholds:
  1. absolute threshold
  2. differential threshold
  3. subliminal perception
30
Q

The Absolute Threshold:

A

The lowest level at which an individual can experience a sensation

The point at which a person can detect a difference between “something” and “nothing” is that person’s absolute threshold for that stimulus

31
Q

Sensory adaptation:

A

We experience sensory adaptation, that is, becoming accommodated to a certain level of stimulation and becoming less able to notice particular stimulus.

32
Q

the differential threshold

A

minimal difference that can be detected between two similar stimuli

It is also called Just Noticeable Difference (JND)

33
Q

subliminal perception

A

people can be stimulated below their level of conscious awareness as well

they can perceive stimuli without being consciously aware that they are doing so

34
Q

Physical stimuli that affect consumers’ perceptions of products and evoke attention include

A

the product itself, its attributes, package design, brand name, advertisements, commercials (including copy claims, choice and sex of mode, positioning of model, size of ad, and typography), and placement of promotional messages within the advertising space.

35
Q

on personal expectations

A

In a marketing context, a person tends to perceive products and product attributes according to his or her own expectations.

36
Q

on stereotypes

A

biased notions that people carry in their minds about the meanings of various stimuli

37
Q

triggers of stereotyping

A
  1. physical appearance
  2. descriptive terms
  3. halo effect (Apple iPod Halo Effect)
38
Q

Consumer Imagery:

A

it refers to consumers’ perceptions of all the components of products, services, and brands, as well as how consumers evaluate the quality of marketers’ offerings.

39
Q

perceived value by customers

A

customers’ view of the value they receive for their money is relative

40
Q

Perceived Quality:

A

If consumers do not perceive offerings as superior products that satisfy their needs and provide value, they will not purchase them.

41
Q

Price-quality relationship:

A

A situation occurring when consumers rely on prices as indicators of product quality and view more expensive products as having higher quality and value.