Twelfth Night Themes Flashcards
Theme of Gender/Sexual Identity
- Viola’s identity
- possible homosexual relationships; Olivia’s attraction to Cesario (Viola)
- gender in relation to status (gender hierarchy).
Theme of Deception
Viola’s gender identity
- mocking of Malvolio (and deeper meanings of that)
- Malvolio’s self-deception believing he can have a relationship with Olivia
- Toby making Andrew believe he has a chance with Olivia
- Feste as Sir Topas
- counterpoints:
Feste speaks truthfully, but is never taken seriously and Viola’s honesty is misconstrued because of her disguise
Theme of Love
- all relationships
- love in relation to status (Olivia and Malvolio)
- love between men (Antonio/ Sebastian)
- does love cause more harm than good?
Dramatic Irony
- the comedic value of the play in relation to the main and subplot
- the audience knows the true identity of all
Theme of Social Class
- Malvolio = ambition to rise above his
position as a servant and into a higher class - Maria plays on these ambitions - others find it funny because Olivia would rarely go for a man below her in social class
- irony of Olivia falling in love with a page boy
- Maria increases social standing by marrying Sir Toby
Theme of Violence
- Viola and Sir Andrew’s duel
- Sebastian beats up Sir Andrew and Sir Toby
- mental violence against Malvolio (and perceived to be from Malvolio, supposedly gone mad/ possessed by Satan)
Theme of Transgression
- Viola pretending to be male
- Olivia falling for a page boy
- Malvolio wooing his mistress
- creation of transgressive comedy and link to play’s title
Theme of Feminism
Female characters have agency, but ultimately fall into conventional social roles (feminism anachronistic in Shakespeare’s time)
- (counterpoint) originally all-male casting
Theme of Loyalty and Devotion
Viola and Antonio embody this
- Orsino, Olivia and Sebastian are capricious, while Sir Toby is the antithesis (no loyalty to Sir Andrew)
Theme of Darkness
- Malvolio’s mental torture (literally left in the dark)
- Sir Toby’s exploitation of Sir Andrew
- callous treatment of Antonio
Theme of Costume/Disguise
- Viola’s Cesario identity
- Malvolio cross-gartered and yellow-stockinged;
- Sebastian originally hides his identity
- Olivia veiled and in mourning dress
- Elizabethan Sumptuary Laws proscribed certain clothing
- Feste as Sir Topas
Theme of Madness
- madness caused by love (Olivia);
- Malvolio portrayed as mad
- characters questioning their sanity over the Viola/Sebastian mix-up
Theme of Melancholy
- melancholy linked to unrequited (Orsino, Viola) or narcissistic (Malvolio) love
- melancholy linked to bereavement (Olivia, Viola)
- characters’ melancholy exaggerated to create humour