TOXIC MASCULINITY Flashcards

1
Q

William on Toxic Masculinity

A

“Since earliest manhood the center of his life has been pleasure with woman,”

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2
Q

“There are things that happen between man and a woman in the dark”, which makes “everything else seem unimportant”

A

ALLUSION FOR SEX: Stella normalizes, and even to some degree, romanticizes this masculinity which is driven by sexuality - HEGEMONIC

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3
Q

“Peak of their manhood, as coarse and direct and powerful as primary colours”

A

SCENE 3: ANAPHORA, TRIPLET, SIMILE

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4
Q

“Competition, aggressiveness and finally domination are the rules.”

A

TRIPLET - leading characteristics of a 40s man

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5
Q

“I’d have that in my conscience for the rest of my life if I knew all that stuff and let my best friend get caught!”

A

Fake sympathy, hes even worse. Exclamative, proleptic irony

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6
Q

“Stanley […] speaks with his fork into the remaining chop which he eats with his fingers.”

A

STAGE DIRECTION, ANIMALISTIC IMAGERY
Presented as primative

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7
Q

“Stanley gives a loud whack on her thigh”

A

SCENE 3: ONOMATEOPOEIA
Objectification, FTA - demonstrate the power dynamic around his friends

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8
Q

“The jig was all up! “Pulling the wool over your eyes!”

A

IDIOM
Hypocritical when he is just as sexually immoral as she is
Proleptic irony - Blanche in sex work to “fill her empty heart” following Allan’s death

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9
Q

“Sister Blanche is no lily! Ha ha! Some Lily she is!”

A

EXCLAMATIVE, SARCASM, IRONIC
Hypocritical when he is just as sexually immoral as she is

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10
Q

“It’s going to be sweet when we can make noise in the night the way we used to and get the colored lights going”

A

EUPHEMISM FOR SEX, Colored lights forebode Blanche’s rape as Stanley calls that night a “red-letter night”

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11
Q

“You hens cut out that conversation in here.”

A

COMMAND, EPITHET

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12
Q

“Richly feathered male bird among hens”

A

STAGE DIRECTIONS

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13
Q

THE NIGHT CAFE IN THE KITCHEN, VAN GOGH “Lurid nocturnal brilliance”

A

PRIMARY COLOUR IMAGERY, CORRELATES TO STANLEY. PROLEPTIC IRONY

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14
Q

“Hey, canary bird! Toots! Get OUT of the BATHROOM!”

A

EXCLAMATIVE, EPITHET, FTA

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15
Q

“The rape is his final act in destroying her”

A

ELIZA KAZAN

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16
Q

“Defender of hearth and home against a hysterical intruder”

A

CRITIC RODGER BOXHILL NORMALISES

17
Q

“He was as good as a lamb when I came back.”

A

SIMILE, INFANTILISATION