Topic C: Second movements

Question 1

Stamitz op 3 no 2

Answer 1

-loose rounded binary form, in this case without any repeats (the B section starts on the third page with the D major version of the opening). Whilst later Classical and Romantic symphonists began to write slower and more impassioned Adagio-type second movements, this relaxed Andante in the subdominant key with a simple MDH texture is very typical of the earlier Classical period.

Question 2

Mozart 41

Answer 2

-A typical mature Classical Andante second movement in sonata form with an expressive and lyrical tune at the opening that gets decorated with complex embellishments and counter melodies. Typically for Classical works, the second movement has reduced instrumentation, leaving out the trumpets and timpani. It is also typical for this movement to be in the more relaxed subdominant key of F major.

Question 3

Haydn 94

Answer 3

-This Andante movement, again in the subdominant, is a set of variations, which is a common form for second movements. Haydn also uses humour in this symphony, attempting to make the audience jump with a suddenly loud chord after a quite opening.

Question 4

Beethoven 3

Answer 4

-This very slow and sombre funeral march is very different in tone to the Andante movements more typical of Haydn and Mozart second movements. It is in an expanded ternary form with considerable development along the way, with a brief B section in the major.

Question 5

Dvorak 9

Answer 5

-The second movement is slow and nostalgic and starts with an extraordinary chord progression the modulates to the Db major of the main idea. The subsequent theme for Cor Anglais is very soulful and reminiscent of spirituals.

Question 6

Mahler 2

Answer 6

• There are effectively two slow movements in this symphony, the second movement (an Andante) and a fourth movement
• Both movements provide some relief from the at times chaotic and turbulent movements that surround them.