Topic 4 Flashcards

1
Q

is what will keep man relevant and irreplaceable in the age of technology.

A

IMAGINATION

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2
Q

Man is given an avenue to better understand the world in which he lives through engagement in

A

art and culture

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3
Q

First artists

A

cavemen- “representation”

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4
Q

also referred to as - craftsmen

A

ARTISAN

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5
Q

in the Medieval period (13th to 15 ^ (th) cent) towns had formalized groups of artisans who took on a particular specialization or trade: textiles and glass workers, carpenters, carvers, masons, armorers, and weaponmakers, etc.

A

ARTISAN

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6
Q

Master artisans hire ____. This was a way of transferring knowledge and skills.

A

apprentices

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6
Q

commit to a particular trade, developing immense skill and expertise in his craft. They form guilds and sometimes produce manuals.

A

ARTISAN

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7
Q

In the Philippines, artisans were employed by _____ to copy religious images to propagate the faith.

A

Friars

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8
Q

Each locality had a characterizing style or feature in the way depictions were made.
_______ ushered in pivotal changes:

A

Renaissance

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9
Q

is a member of a religious order who dedicates his life to poverty, chastity, obedience, and service, often in the broader community.

A

Friars

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10
Q

Aristonothos krater

A

aristonothos made

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10
Q

Renaissance ushered in pivotal changes:

A

The shift from craftsmen to independent artists.
The growing support for non-religious art.
The emphasis on thinking, personal choice, and individuality.

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11
Q

Sophilos Dino

A

Sophilos made

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12
Q

Pieta, Michelangelo

A

Michelangelo Buonarotti made this

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13
Q

negotiations with patrons took place

A

Studiolo

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14
Q

actual work took place

15
Q

became popular, as it not only supported the production of art, but also the discourse around it.

A

Art salons and academies

16
Q

were highlighted as integral aspects of art engagement.

A

Criticism and analysis

16
Q

Skilled worker who employs skill, talent and experience in creating functional objects such as weavers, carpenters, potters

16
Q

Focuses on UTILITY with aesthetics

17
Q

Performs creative art, products are visually pleasing, for the enjoyment/appreciation of the viewer with no apparent functional value

18
Q

Focuses on AESTHETICS and CREATIVITY

18
Q

are expected to have the ability to research, write and make layout decisions for the display and hang of materials for exhibition.

19
Q

The role of the curator is more in the interpretation and development of the artwork(s) of the collection(s) through establishing the significance, relationship and relevance of these materials

20
Q

Those who initially assess and survey the artwork that collectors are interested in. They oversee the sale on behalf of the collector.

21
Q

Arbiters of taste; a key player in making or breaking an artist’s career or shape the course of a museum’s collection.

A

COLLECTORS

22
Q

Those whose direct hand is in the distribution and circulation of the artworks through direct sales, galleries or auction houses.

A

ART DEALERS

23
Q

Artist in focus

A

Apo Whang Od

24
Q

is a renowned Filipina tattoo artist from Buscalan, Kalinga, in the northern Philippines. She is the last and oldest mambabatok, a traditional tattoo artist of the Kalinga people. Whang-Od uses ancient techniques, hand-tapping ink into the skin with tools made from natural materials like bamboo, pomelo thorns, and soot.

A

Maria Oggay