Topic 10: Depth & Size Perception Flashcards

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1
Q

Cue Approach to Depth Perception

A

the approach to explaining depth perception that focuses on identifying information in the retinal image that is correlated with depth in the scene

some of the depth cues that have been identified are overlap, relative height, relative size, atmospheric perspective, convergence, and accommodation

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2
Q

Occlusion

A

depth cue in which one object hides or partially hides another object from view, causing the hidden object to be perceived as being farther away

a monocular depth cue

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3
Q

Oculomotor Cues

A

depth cue that depends on our ability to sense the position of our eyes and the tension in our eye muscles

accommodation and convergence are oculomotor cues

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4
Q

Monocular Cues

A

depth cue, such as overlap, relative size, relative height, familiar size, linear perspective, movement parallax, and accommodation, that can work when we use only one eye

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5
Q

Pictorial Cues

A

monocular depth cue, such as overlap, relative height, and relative size, that can be depicted in pictures

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6
Q

Relative Height

A

a monocular depth cue

objects that have bases below the horizon appear to be farther away when they are higher in the field of view

objects that have bases above the horizon appear to be farther away when they are lower in the field of view

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7
Q

Familiar Size

A

a depth cue in which judgment of distance is based on knowledge of the sizes of objects

Epstein’s coin experiment illustrated the operation of the cue of familiar size by showing that the relative size of coins influenced perception of the coin’s distances

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8
Q

Relative Size

A

a cue for depth perception

when two objects are of equal size, the one that is farther away will take up less of the field of view

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9
Q

Perspective Convergence

A

the perception that parallel lines in the distance converge as distance increases

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10
Q

Atmospheric Perspective

A

a depth cue

objects that are farther away look more blurred and bluer than objects that are closer because we look through more air and particles to see them

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11
Q

Texture Gradient

A

the visual pattern formed by a regularly textured surface that extends away from the observer

this pattern provides information for distance because the elements in a texture gradient appear smaller as distance from the observer increases

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12
Q

Motion Parallax

A

a depth cue

as an observer moves, nearby objects appear to move rapidly across the visual field whereas far objects appear to move more slowly

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13
Q

Deletion

A

a cue that provides information about the relative depth of two surfaces

deletion occurs when a farther object is covered by a nearer object due to sideways movement of an observer relative to the objects

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14
Q

Accretion

A

a cue that provides information about the relative depth of two surfaces

occurs when the farther object is uncovered by the nearer object due to sideways movement of an observer relative to the objects

a cue that provides information about the relative depth of two surfaces

deletion occurs when a farther object is covered by a nearer object due to sideways movement of an observer relative to the objects

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15
Q

Stereoscopic Vision

A

two-eyed depth perception involving mechanisms that take into account differences in the images formed on the left and right eyes

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16
Q

Stereoscopic Depth Perception

A

the perception of depth that is created by input from both eyes

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17
Q

Strabismus

A

misalignment of the eyes, such as crossed eyes or walleyes (outward looking eyes), in which the visual system suppresses vision in one of the eyes to avoid double vision, so the person sees the world with only one eye at a time

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18
Q

Binocular Disparity

A

occurs when the retinal images of an object fall on disparate points on the two retinas

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19
Q

Corresponding Retinal Points

A

the points on each retina that would overlap if one retina were slid on top of the other

receptors at corresponding point send their signals to the same location in the brain

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20
Q

Horopter

A

an imaginary surface that passes through the point of fixation

images caused by a visual stimulus on this surface fall on corresponding points on the two retinas

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21
Q

Noncorresponding Points

A

two points, one on each retina, that would not overlap if the retinas were slid onto each other

also called disparate points

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22
Q

Absolute Disparity

A

the visual angle between the images of an object on the two retinas

when images of an object fall on corresponding points, the angle of disparity is zero

when images fall on noncorresponding points, the angle of disparity indicates the degree of noncorrespondance

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23
Q

Angle of Disparity

A

the visual angle between the images of an object on the two retinas, when images of an object fall on corresponding points, the angle of disparity is zero

when images fall on noncorresponding points, the angle of disparity indicates the degree of noncorrespondence

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24
Q

Crossed Disparity

A

disparity that occurs when one object is being fixated, and is therefore on the horopter, and another object is located in front of the horopter, closer to the observer

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25
Q

Uncrossed Disparity

A

disparity that occurs when one object is being fixated, and is therefore on the horopter, and another object is located behind the horopter, farther from the observer

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26
Q

Relative Disparity

A

the difference between two objects’ absolute disparities

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27
Q

Stereopsis

A

the impression of depth that results from binocular disparity

the differences in the position of images of the same object on the retinas of the two eyes

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28
Q

Random-Dot Stereogram

A

a pair of stereoscopic images made up of random dots

when one section of this pattern is shifted slightly in one direction, the resulting disparity causes the shifted section to appear above or below the rest of the pattern when the patterns are viewed in a stereoscope

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29
Q

Stereoscope

A

a device that presents pictures to the left and right eyes so that the binocular disparity a person would experience when viewing an actual scene is duplicated

the result is a convincing illusion of depth

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30
Q

Correspondence Problem

A

the problem faced by the visual system, which must determine which parts of the images in the left and right eyes correspond to one another

another way of stating the problem is: How does the visual system match up the images in the two eyes?

this matching of the images is involved in determining depth perception using the we of binocular disparity

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31
Q

Binocular Depth Cells

A

a neuron in the visual cortex that responds best to stimuli that fall on points separated by a specific degree of disparity on teh two retinas

also called a disparity-selective cell

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32
Q

Disparity Turning Curve

A

a plot of a neuron’s response versus the degree of disparity of a visual stimulus

the disparity to which a neuron responds best is an important property of disparity-selective cell, which are also called binocular depth cells

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33
Q

Frontal Eyes

A

eyes located in front of the head, so the views of the two eyes overlap

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34
Q

Lateral Eyes

A

eyes located on opposite sides of an animal’s head, a sin the pigeon and the rabbit, so the views of the two eyes do not overlap or overlap only slightly

35
Q

Echolocation

A

locating objects by sending out high-frequency pulses and sensing the echo created when these pulses are reflected from objects in the environment

echolocation is used by bats and dolphins

36
Q

Visual Angle

A

the angle of an object relative to an observer’s eyes

this angle can be determined by expanding two lines from the eye, one to one end of an object

because an object’s visual angle is always determined relative to an observer, it’s visual angle changes as the distance between the object and observer changes

37
Q

Size Constancy

A

occurs when the size of an object is perceived to remain the same even when it is viewed from different distances

38
Q

Size-Distance Scaling

A

a hypothesized mechanism that helps maintain size constancy by taking an object’s perceived distance into account

according to this mechanism, an object’s perceived size, S, is determined by multiplying the size of the retinal image, R, by the object’s perceived distance, D

39
Q

Emmert’s Law

A

a law stating that the size of an afterimage depends on teh distance of the surface against which the afterimage is viewed

the farther away the surface, the larger the afterimage appears

40
Q

Muller-Lyer Illusion

A

an illusion in which two lines of equal length appear to be of different lengths because of the addition of “fins” to the ends of the lines

41
Q

Misapplied Size Constancy Scaling

A

a principle, proposed by Richard Gregory, that when mechanisms that help maintain size constancy in the three-dimensional world are applied to two-dimensional pictures, and illusion of size sometimes results

42
Q

Conflicting Cues Theory

A

a theory of visual illusion proposed by R.H. Day, which states that our perception of line length depends on an integration of the actual line length and the overall figure length

43
Q

Ponzo Illusion

A

an illusion of size in which two objects of equal size that are positioned between two converging lines appear to be different in size

also called the railroad track illusion

44
Q

Ames Room

A

a distorted room, first built by Adelbert Ames, that creates an erroneous perception of the sizes of people in the room

the room is constructed so that two people at the far wall of the room appear to stand at the same distance from an observer

in actuality, one of the people is much farther away than the other

45
Q

Moon Illusion

A

an illusion in which the moon appears to be larger when it is on or near the horizon than when it is high in the sky

46
Q

Apparent Distance Theory

A

an explanation of the moon illusion that is based on teh idea that the horizon moon, which is viewed across the filled space of teh terrain, should appear farther away than the zenith moon, which is viewed through the empty space of the sky

this theory states that because the horizon and zenith moon have the same visual angle but are perceived to be at different distances, the farther appearing horizon moon should appear larger

47
Q

Angular Size Contrast Theory

A

an explanation of the moon illusion that states that the perceived size of the moon is determined by the sizes of the objects that surround it

according to this idea, the moon appears small when it is surrounded by large objects, such as the expanse of the sky when the moon is overhead

48
Q

Binocularly Fixate

A

directing two fovea’s to exactly the same spot

49
Q

What is absolute distance judgment?

A

“egocentric” localization (you <–> object)

50
Q

What is relative distance judgment?

A

requires object-relative localization (object <–> object)

51
Q

What is occlusion?

A

if object A covers part of object B, then A is seen as closer than B

52
Q

What is shading and shadows?

A

indicates which surfaces are facing the light source and which are not

53
Q

What is atmospheric perspective?

A

greater absolute distance makes objects appear fuzzier, bluer

Leonardo da Vinci suggested application in painting (“thus if one is to be five times as distant, make it fives time bluer”)

54
Q

What is relative size?

A

same size object farther away produces smaller visual angle

55
Q

What is familiar size?

A

knowledge of object’s actual size influences perception of its distance

56
Q

What is linear perspective?

A

apparent convergence of receding parallel lines at a vanishing point

57
Q

What is relative height?

A

below the horizon, higher objects appear farther away; above the horizon, lower objects appear farther

58
Q

What is texture gradient?

A

texture elements appear smaller and more densely arranged as they get farther away

higher-order depth cue: made up of linear perspective + relative size

59
Q

What are pictorial depth cues?

A

occlusion
shading & shadows
atmospheric perspective
relative size
familiar size
linear perspective
relative height
texture gradient

60
Q

What are motion-based depth cues?

A

motion parallax
deletion
accretion

61
Q

What is motion parallax?

A

as observer moves perpendicular object (side-to-side), nearby objects appear to move past more rapidly than faraway objects

62
Q

What is deletion?

A

background object is occluded by foreground object moving in front of it

63
Q

What is accretion?

A

background object is uncovered by foreground object moving out of the way

64
Q

What is accommodation?

A

crystalline lens changes shape to focus on objects

feedback from ciliary muscles provides information on lens curvature, and therefore distance

65
Q

What is convergence?

A

rotation of eyes inward to cause image to fall on the fovea

smaller convergence angle = farther object; larger angle = closer

66
Q

What is the interaction of depth cues?

A

depth cues rarely used alone; most used in conjunction with others

accuracy in estimating distance is an additive relation between depth cues

also, perception of depth is stronger with more cues

67
Q

What is binocular (or retinal) disparity?

A

retinal images of an object fall on disparate points on each eye’s retina

68
Q

What is stereopsis?

A

perception of depth based on retinal disparity alone

69
Q

What is horopter?

A

imaginary surface passing through fixation point

is a distal stimulus lies on the horopter, then the proximal stimulus will fall on corresponding points on each retina (no disparity)

if a distal stimulus is not on the horopter, then the proximal stimulus produces disparity

the distance between points on each retina is called the degree (or angle) of disparity

the farther from the horopter, the greater disparity

70
Q

What are random-dot stereograms?

A

each eye sees the same pattern of random dots, with one exception

central region in each pattern is shifted over; this creates retinal disparity

shifted region is perceived as floating above the background

71
Q

What are single-image random-dot stereograms?

A

retinal disparity in “autostereograms” is produced in opposite way from random-dot stereograms

usually, two slightly different images are directed onto the same part of each retina

in SIRDSs, a single image is observed so that it falls on two different parts of each retina

72
Q

What are the steps of viewing an autostereogram?

A
  1. have a small angle of convergence (e.g., look at a wall or distant object)
  2. look at autostereogram, but don’t change convergence; you should see two overlapping images
  3. change accommodation to bring images into focus, keeping convergence constant
  4. change convergence until repeating parts of the pattern line up horizontally
73
Q

What is the correspondence problem?

A

how is it determined which dots (or visual features) in the left eye match with after dots (or visual features) in the right eye, to fuse the two images into one percept?

74
Q

What are the proposed solutions to the correspondence problem?

A

matches are made only between elements that are similar (e.g., a black dot in the left eye can only match a black dot in the right eye)

however, no widely accepted solution has been created yet

75
Q

What are the sensitive/critical periods in the development of depth perception?

A

in humans, binocular depth develops early: 3-5 months

collision info apparent as young as 2-3 weeks

pictorial depth cues used later: 6-7 months

depth information from shadows may not appear until ~3 years

76
Q

What was the Holway & Boring size perception experiment?

A

task: adjust size of comparison circle to match that of various sized test circles, placed at different distances

visual angle of all test circles is one degree (same retinal size or visual angle)

normal viewing: if test circle was large (and far), observers chose large comparisons, too

depth cues eliminated: observers looked at test circles with one eye through a peephole

all stimuli had the same visual angle, so the size of the comparison matched the visual angle of the test circle, not the size of the test circle

77
Q

What is size constancy?

A

as distance from a given object increases, retinal image becomes smaller, yet we do not perceive the object as getting smaller

distance taken into account when perceiving size: size-distance scaling

distance & depth cues (pictorial, accommodation, convergence, disparity) must be available, or errors will occur

illusions are often caused by misapplied size constancy (generally exist on paper; are rare in the real world)

78
Q

What is the Muller-Lyer Illusion?

A

illusion is weaker in children and in people living in dome-shaped huts

“carpentered world” hypothesis: (a) like inside corner of a room, (b) like outside edge of a building

depth cues indicate (a) is relatively far away, (b) is relatively close

due to size constancy, (a) appears longer, (b) appears shorter

79
Q

What is the moon illusion?

A

horizon moon seems to be much larger than zenith (overhead) moon

but moon’s retinal size, and actual distance are essentially constant

misjudgment of moon’s size is an illusion, resulting from a misperception of distance

if an object perceived to be (or actually) farther away has the same visual angle as an object perceived to be (or actually) nearer, the farther object will appear larger

80
Q

What is the apparent-distance theory?

A

objects on the horizon, viewed across the filled space of the terrain, should appear to be farther away

objects at the zenith, seen through the empty space of the sky, should appear to be closer

81
Q

What was Boring’s solution to the moon illusion?

A

eye elevation hypothesis: moving eyes upwards makes objects appear smaller

82
Q

What is Emmert’s Law?

A

perceived size of an object having a constant visual angle is proportional to the (perceived) distance of the object

83
Q

What was the solution to the moon illusion based on Claudius Ptolemy?

A

plants were objects that moved on sets of transparent heavenly spheres

“vault of the heavens” is flattened

the moon seems to travel along a flat sky

horizon appears farther away

result: zenith moon appears closer than horizon moon, due to size constancy its apparent size is thus smaller