Top Streetcar Quotes Flashcards

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1
Q

“They told me to take a streetcar named desire, and then transfer to one called Cemeteries and ride six blocks and get off at - Elysian Fields!” Metaphor of streetcar, fields, cemeteries.

A
  • Elysian Fields = Greek Afterlife.
  • Desire is intrinsically linked to death = the idea of fate and the inevitability of her “death.” Desire will kill us if we do not manage it rationally.
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2
Q

“incongruous to her setting” (Blanche).

A

the ‘other’/outsider, trying to keep up appearance of the Southern Belle (a carefully curated facade).

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3
Q

“[her white clothes, that suggests a moth]” (Blanche). Stage directions, colour imagery.

A

Fragility, alike to a moth’s wings. Purity.

The idea that she is drawn to light despite trying to avoid it - tragedy convention of inevitability/fate.

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4
Q

“feeling like a brand-new human being!” (Blanche) - simile.

A

Symbolic of baptism; rebirth and cleansing her sins. She confesses yet she never takes responsibility: this is why she repeats her mistakes.

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5
Q

“I need kindness now.” (Blanche).

A

The Doctor and Mitch both offer kindness that comes from benevolence rather than romance.

  • Irony: contrasts with “I’ve always depended on the kindness of strangers.”
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6
Q

“Poker shouldn’t be played in a house with women.” (Mitch).

A

The idea of betting/bluffing: certain rules of behaviour that should be followed.

Inevitability: Blanche, as a woman, cannot beat Stanley in the game of life due to brute strength.

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7
Q

“What you are talking about is brutal desire - just - Desire!” (Blanche).

A

Desire as obnoxious/awful = hypocritical as she arguably desires the most.

  • Foreshadows Blanche’s assault.
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8
Q

“He smashed all the lightbulbs with the heel of my slipper!” (Stella). Metaphor of lightbulbs, darkness and light.

A

Stanley has smashed the light inside of Stella as the “star”. Blanche cannot find a safe space within Stella - no longer her guiding light.

Also = has blinded Stella from how awful he really is (Stella may be truly blind to it, or the darkness may symbolise her ignorance in favour of having the ideal nuclear family).

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9
Q

“I’m not in anything I want to get out of.” Patronising tone.

A

Denial - has to believe this otherwise she will face ostracism from society with no social security.

Talks to Blanche as if she doesn’t understand = she’s the ‘whore’.

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10
Q

“Virgo is the Virgin” (Blanche) / “Capricorn - the goat!” (Stanley) - both allusions to astrology.

A
  • Goat connotes sexuality.
  • The idea that Stanley’s birthright is his sexuality: he is allowed to fuel it freely whilst Blanche is reproached for it.
  • ‘Virgin’ ideals imposed upon Blanche by society since birth: hence why she became the Southern Belle.
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11
Q

“Have got to be seductive - put on soft colours, the colours of butterfly wings, and glow!” - Blanche’s multiple costumes.

A

The symbol of the moth contrasting the butterfly = butterflies viewed as more attractive despite being the same species as the moth.

Blanche trying to be the prettier, more desirable kind of her own species, as well as trying to reduce herself to a butterfly rather than a moth out of fear of being attracted to the light = escapism, denial.

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12
Q

“My Rosankavalier!” (Blanche).

A

Blanche, the “epic fornicator”, is as sinful as her ancestors before her; hopes that marrying Mitch will help her ‘keep the lid’ on her wayward desires (Hodder Study Guide).

  • Is Blanche the seductress or a product of the society in which she lives, and the trauma she has experienced (which in itself is a product of societal expectations)?

Richard Strauss’s Opera: An aristocratic girl, Marschallin, marries a common boy. The impossibility of them being together is recognised, and she inevitably loses him.

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13
Q

“Sometimes - there’s God - so quickly!” (Blanche).

A

Biblical Allusion to God: the idea of a religious confession, suddenly relieved of all her sins; blessed by God.
- She has hope with Mitch; the potential for redemption.

Mitchell = Allusion to the angel Michael; god-like. Mitch represents sanctuary for Blanche as he opens the gate to marriage and a nuclear family: can finally become the ‘Madonna’ she’s always dreamed of.

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14
Q

“[Then the polka resumes in a major key]”

A

Major key often associated with happiness: Blanche feels relief over not having to marry a homosexual.

As well as this, Allan is relieved too as he is saved from both societal criticism and living a life that would have made him utterly miserable = a criticism of society: It is more acceptable to push a gay man to suicide than to be sexually liberated as a society..

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15
Q

“a plaster statuette of Mae West” - a symbol of female liberation.

A

West stood for women’s’ rights and independence from men = Blanche is the antithesis of West.

A film star similar to Marilyn Monroe. The fact that the statue is “upside down” connotes how Blanche is rejecting the idea of independence from men, as it is not liberating for her. She thrives on male validation.

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16
Q

“She had an experience that - killed her illusions!” (Stella about Blanche).

A

Blanche built illusions for herself which had no ‘safety net’ protecting them.
- Fate: her and Allan’s relationship was an illusion in itself: artificial to Allan due to his homosexuality. = Blanche creates her own reality.

17
Q

“Say, it’s only a paper moon sailing over a cardboard sea.” Metaphor, motif. Hydrotherapy.

A

Blanche singing ‘A Paper Moon’, about make-belief; contrasts starkly with Stanley’s revelations and the unravelling of Blanche’s lies, wilfull deception and fantasies.

Blanche’s optimism, which will only be broken down as he loses faith in her.

  • A Paper Moon is an artificial illusion: only looks like the moon. Also softer, reflects light without having a source of its own: reflects her dependence on men and Stella.

“cardboard sea” - Stunted progression, will not get anywhere; artificial. Also foreshadowing - paper and the ocean mixed: paper will crumple and sink.

18
Q

“But people like you abused her, and forced her to change.”

A

Societal blame: her behaviour is not in her nature, but she had to adapt due to societal pressure.

She cannot adapt to New America as the Old South is so embedded into her identity.

19
Q

“Every Man is a King!”

A

In a poker game, 2 queens are worth more than one king.

They are capable of dominating him and making him feel threatened - class divide. He needs to remind them of their place in order to feel superior.

Stanley values the gap between men and woman.

20
Q

“You’re not clean enough to bring into the house with my mother.” The motif of bathing.

A

Blanche is no longer marriage material, so he believes he has a right to mistreat her.

21
Q

“I don’t want realism. I’ll tell you what I want. Magic!” - The crux of Blanche’s character.

A

Self-destructive as she completely ignores reality. She wants her illusions to be reality; to view the world in an unrealistic way.

The light forces Blanche to abandon her “magic” and to view the world for what it really is: cruel.

22
Q

“[He draws his foot up on the bed.]” Stage Directions.

A

Physically dominating and imposing, foreshadows the attempted assault.

Also foreshadows how he dirties her mind; soiling her purity and innocence.

Mitch as embracing traditional masculine archetypes, turning violent and rejecting his role as the nurturer. No longer a “dancing bear”.

23
Q

“[A prostitute has rolled a drunkard…]”

A

The most impoverished groups in society, reflecting Blanche and her fall from grace as a ‘whore.’ - Her tragic fall as the potential tragic hero of the play.

The different sides of Blanche: drunkard, prostitute and a thief.”

24
Q

“We’ve had this date with eachother from the beginning!”

A

Implying that it is as much of her fault as it is his.

  • Old South surrendering to New America’s takeover: antagonism = growing sexual tension.
    Stanley interpreted her fighting for dominance as a sexual invitation.
25
Q

“[slams the mirror face down with such violence that it cracks]”

A

She is rejecting the idea of self-reflection, instead immersing herself in her false character completely, so she becomes shocked when she doesn’t see that in the mirror.

26
Q

“Life has got to go on. No matter what happens, you’ve got to keep on going.”

A

An ironic role-reversal, juxtaposition: where Stella is now living in make-believe.

The idea that companionship is key to a woman’s survival. Stella is forced to ignore the rape in order to live a comfortable life.

27
Q

“I shall die of eating an unwashed grape one day out on the ocean.” Metaphorical.

A

Romanticism - romanticising her imminent death despite it being so close; shouldn’t she be treasuring life?

Ocean connotes power, freedom, etc. Blanche’s final liberation is dying pure and virginal (in her world of fantasy). A release; safe space: will send her into a more peaceful realm.

28
Q

“This game is seven-card stud.”

A

Stanley has ultimately won, New America has taken over.

The nature of the game can always change - symbol of deception.

29
Q

“[as though all human experience shows on her face]”

A

Blanche holds human truth within her due to experience, allowing her to have empathy and the ability to sympathise with others: the most important thing.

Emotionally intelligent: moreso than New America = a strength of the Old South.