THT - W6 Flashcards

1
Q

The Myth of Pygmalion and Galatea

A
  • Ovid’s Metamorphosis - 16th Century Interpretation - 18th Century Interlude & the romantic artist - 20th Century
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Shakespear Death

A

1660

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Kings Succession (17h)

A

James - Charles 1st
Jacobean and Carolinian Theatre

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Theatre Closed, Only Private (Who, When)

A
  • Puritans
  • After Charles 1st
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

James - Charles 1st
Jacobean and Carolinian Theatre

A

Kings Succession (17h)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q
  • Puritans
  • After Charles 1st
A

Theatre Closed, Only Private (Who, When)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Theatre Closed After Charles 1st (why?)

A
  • Satire, Arrogant
  • Too Nasty
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Restoration Theatre (When, Why)

A
  • King Charles 2nd w/ Sunking
  • Values, Morality of French Court
  • Moli??re SEX
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q
  • King Charles 2nd w/ Sunking
  • Values, Morality of French Court
  • Moli??re SEX
A

Restoration Theatre (When, Why)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Restoration Theatre (What)

A
  • Women on Stage
  • Commercial Venues
  • Extremely immoral place (prostitution, drugs)

Aristotle: Stage Mirrors Life

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q
  • Women on Stage
  • Commercial Venues
  • Extremely immoral place (prostitution, drugs)

Aristotle: Stage Mirrors Life

A

Restoration Theatre (What)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Alpha Behn

A

1st Women Playwwright

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

1st Women Playwwright

A

Alpha Behn

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

18th Century - Bourgeois Theatre

A
  • Bigger Than Life (Melodrama, Opera)
  • Everything Amplified
  • Stock Characters - Ignore Deft
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q
  • Bigger Than Life (Melodrama, Opera)
  • Everything Amplified
  • Stock Characters - Ignore Deft
A

18th Century - Bourgeois Theatre

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

19th Century - Romantic Theatre

A
  • Melodrama
  • Farce
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q
  • Melodrama
  • Farce
A

19th Century - Romantic Theatre

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

End of 19th Century - Modern Theatre

A
  • Purpose of Theatre = to Teach
  • Zola (life as it is)
  • We are controlled by environment (no power on ourselves)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q
  • Purpose of Theatre = to Teach
  • Zola (life as it is)
  • We are controlled by environment (no power on ourselves)
A

End of 19th Century - Modern Theatre

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

18th Century (what THT?)

A

Bourgeois Theatre (time)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

Bourgeois Theatre (time)

A

18th Century (what THT?)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

19th Century (what THT?)

A

Romantic Theatre (time)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

Romantic Theatre (time)

A

19th Century (what THT?)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

End of 19th Century (what THT?)

A

Modern Theatre (time)

25
Modern Theatre (time)
End of 19th Century (what THT?)
26
The Well Made Play (ORIGIN)
French - 5 Acts
27
The Well Made Play (as by French)
5 Acts - A1- Exposition (Char., Context) - A234- Development (Action, Conflict) - A5- Resolition of Conflict (Play Conflict Resolved)
28
Play in 5 acts (name)
The well made play
29
Freytag's Pyramid
- Exposition Rising Action - Climax Falling - Downfall
30
- Exposition Rising Action - Climax Falling - Downfall
Freytag's Pyramid
31
Shaw doesn't end everything Plays with the form (Why?)
Shaw plays with the interpretation (How?)
32
Shaw plays with the interpretation (How?)
Shaw doesn't end everything Plays with the form (Why?)
33
A woman leaves her children behind (scandalism)
Hipson's Realism
34
Hipson's Realism
A woman leaves her children behind (scandalism)
35
Theatre is a place for\_\_\_\_\_\_\_\_\_\_. (Shaw)
- Discussion
36
Shaw Comedy (discussion plays?)
To get you to listen Make you think (Shaw?)
37
To get you to listen Make you think (Shaw?)
Shaw Comedy (discussion plays?)
38
Theatre of the Absurd
- No Moral - Comedy= Defense against Absurdity of life
39
- No Moral - Comedy= Defense against Absurdity of life
Theatre of the Absurd
40
Bernard Shaw
- Irish 1856 - London 1876 - Fabian Society - (un)pleasant plays - 1st Pygmalion 1913 - Nobel Prize Saint joan 1925
41
Shaw (political person)
Built socialism/communism
42
Shaw (dramatist)
Any Ideal is to be Questioned
43
England 1913 (Pygmalion time)
- Extreme Poverty and Disparity - Richess Country of the World
44
Eliza - Im a good girl (Pg)
Pure
45
Age of the new (Pg)
- Phonetics New Science - Recorder Tubes (Pg - symbol)
46
Galatea = Real
Simalcra Reflection of himself (female)
47
- Phonetics New Science - Recorder Tubes (Pg - symbol)
Age of the new (Pg)
48
Shaw's Golden Rule
No Golden Rule
49
Shaw, purpose of art is \_\_\_\_\_\_\_\_\_\_\_\_
to teach
50
Satyre
Holds up who we are to ridicule
51
Holds up who we are to ridicule
Satyre
52
Verbal Irony (e.g)
Thank god I'm an atheist (e.g. of \_\_\_\_\_\_\_)
53
Thank god I'm an atheist (e.g. of \_\_\_\_\_\_\_)
Verbal Irony (e.g)
54
The Myth of Pygmalion and Galatea
- Ovid’s Metamorphosis - 16th Century Interpretation - 18th Century Interlude & the romantic artist - 20th Century
55
Symbols (Pg)
Clothing, Slippers, Furniture-Stage-Desing, Bird Cage
56
Clothing - Symbol (Pg)
Burnt - Incineration
57
Slippers - Symbol (Pg)
- Cinderella Effect - Throwing= Emancipation - to make her free (but she's not - Woman)
58
Themes (Pg)
- Barriers (Social, Political, Gender) - Language/ Speech - Apparence/ Identity - Woman doesn't work
59
Eliza always stucked
- I'm fit for marriage