Theorists Flashcards

1
Q

What is the main idea of Structuralism according to Claude Lévi-Strauss?

A

Texts can best be understood through an examination of their underlying structure

Structuralism focuses on understanding meaning through binary oppositions.

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2
Q

What role do binary oppositions play in Structuralism?

A

Meaning is dependent upon (and produced through) pairs of oppositions

Binary oppositions help in analyzing texts and their meanings.

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3
Q

How can the resolution of binary oppositions in Structuralism be significant?

A

It can have particular ideological significance

The way oppositions are resolved may reflect cultural or political ideologies.

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4
Q

In Postmodernism, what has happened to the boundaries between the ‘real’ world and the world of media?

A

They have collapsed

This concept suggests a blending of reality and media representation.

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5
Q

What does Jean Baudrillard mean by ‘hyperreality’?

A

Media images have come to seem more ‘real’ than the reality they supposedly represent

Hyperreality indicates a state where the distinction between reality and simulation is blurred.

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6
Q

What is the focus of Feminist theory according to Liesbet van Zoonen?

A

Gender is constructed through discourse, varying according to cultural and historical context

This theory emphasizes the social construction of gender roles.

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7
Q

What is a core element of western patriarchal culture according to Feminist theory?

A

The display of women’s bodies as objects to be looked at

This objectification is critiqued in feminist media studies.

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8
Q

How do the visual and narrative codes differ for male and female bodies in mainstream culture?

A

The codes used to construct the male body as spectacle differ from those used to objectify the female body

This difference reflects gender biases in media representation.

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9
Q

Fill in the blank: The idea that in a postmodern age of simulacra we are immersed in a world of images which no longer refer to anything ‘real’ is known as _______.

A

[simulacra]

Simulacra refers to copies or representations that do not have an original.

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10
Q

What components are involved in the study of media language?

A
  • Advertising and marketing
  • Music video
  • Newspapers
  • Television
  • Magazines
  • Online

These components illustrate various forms of media through which language and representation are analyzed.

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11
Q

What is the core idea of feminist theory according to bell hooks?

A

Feminism is a struggle to end sexist/patriarchal oppression and the ideology of domination.

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12
Q

How does bell hooks define feminism in terms of political commitment?

A

Feminism is a political commitment rather than a lifestyle.

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13
Q

What are some components related to representation in advertising and marketing?

A

Advertising and marketing, music videos.

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14
Q

What is Judith Butler’s theory of gender performativity?

A

Identity is performatively constructed by the expressions that are said to be its results.

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15
Q

How is identity manufactured according to Judith Butler?

A

Identity is manufactured through a set of acts.

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16
Q

What are some components related to gender performativity in media?

A

Television (The Bridge, Humans, The Jinx), online (PointlessBlog, Zoella).

17
Q

What is Paul Gilroy’s theory regarding ethnicity and postcolonial theory?

A

Colonial discourses continue to inform contemporary attitudes to race and ethnicity in the postcolonial era.

18
Q

What concept does Paul Gilroy associate with civilizationism?

A

Civilisationism constructs racial hierarchies and sets up binary oppositions based on notions of otherness.

19
Q

What are some components related to ethnicity in representation?

A

Advertising and marketing, music videos.

20
Q

What is the underlying struggle in recent UK regulation policy?

A

The struggle is between the need to protect citizens from harmful material and the need to further consumer interests by ensuring choice, value for money, and market competition.

21
Q

What risks do global media corporations pose to traditional media regulation?

A

The increasing power of global media corporations and the rise of convergent media technologies have placed traditional approaches to media regulation at risk.

22
Q

How do cultural industry companies minimize risk and maximize audiences?

A

They do this through vertical and horizontal integration and by formatting their cultural products using stars, genres, and serials.

23
Q

What is the operational scope of the largest cultural industry companies?

A

The largest companies or conglomerates operate across a number of different cultural industries.

24
Q

How has the radical potential of the internet been contained?

A

It has been contained by its partial incorporation into a large, profit-oriented set of cultural industries.

25
Q

What role do fans play in textual meanings?

A

Fans are active participants in the construction and circulation of textual meanings.

26
Q

What is textual poaching?

A

Textual poaching is when fans appropriate texts and read them in ways that are not fully authorized by media producers.

27
Q

How do fans construct their identities?

A

Fans construct their social and cultural identities by borrowing and inflecting mass culture images and are part of a participatory culture with a vital social dimension.

28
Q

What are specific examples of media components?

A

Component 1: Film, Newspapers, Video games. Component 2: Television, Online.

29
Q

What are additional examples of media components?

A

Component 1: Radio, Video games. Component 2: Television (Life On Mars or Humans or The Jinx), Online (PointlessBlog or Zoella).

30
Q

What effect have the Internet and digital technologies had on media relations?

A

They have had a profound effect on the relations between media and individuals.

31
Q

How has the conceptualization of audience members changed?

A

Audience members are no longer seen as passive consumers of mass media content.

32
Q

What role do media consumers play in the age of the Internet?

A

Media consumers have become producers who ‘speak back’ to the media.

33
Q

What do media consumers create and share?

A

They create and share content in various ways.