THEME 4 - Religion and Culture Flashcards
What was the purpose of culture according to Mao?
Mao believed culture served a clear purpose in politics. He wanted to impose new proletarian culture on China to protect the gains from the revolution. He though that artists should be ordinary people to reflect common peoples concerns.
What is meant by the term Proletarian?
Non-property owning working class who sell their labour to the bourgeoisie
What architectural projects were made to show progress in culture?
- Ten great buildings built
- Tiananmen square was remodelled to accommodate over 500,000 people
- This was to show communist power and set reminders of the political purpose of cultural change.
What were the ‘Ten Great Buildings’ and why would they be significant for the PRC?
Ten buildings that showed the “new” China. They were all constructed in 1958-59 ready for the 10th anniversary of 1949.
Places included; Beijing’s new railway station, State hotels, guesthouses and Worker’s stadium
Who did Mao regard as the greatest obstacle to the new culture?
To impose new culture, old attitudes needed to be destroyed and destroyed. Mao regarded intellectuals as the greatest obstacle to progress from Confucian culture.
What impact did the Land Reform of 1950 have on traditional values?
It created a huge blow to traditional values as it encouraged the new attitudes and values. The power of landowners had bee broken so peasants now had a potential for a brighter future.
What was the main aim of cultural policy before the Cultural Revolution?
Mao and the communist government wanted to undermine traditional peasant customs and discredit confucianism
How did the collectives (and communes) help the CCP alter culture?
The collectives and communes gave the party more control of peasants. Communes often had political meetings where new values were enforced by watching propaganda films.
What were the ‘Agit-prop touring groups’?
Short for Agitational Propaganda, Agit-Prop touring groups put on plays that showed the communist regime in a beneficial light to convince peasants of the new culture. The performances were often like pantomimes, encouraging audience participation
Why was June 1966 a turning point for culture in China?
Chen Boda wrote an editorial in the People’s Daily newspaper that urged Red Guards to hunt down the agit-prop touring groups as they were seen as too priviledged and a “four old”.
What did the Red Guards do to culture during the Cultural Revolution?
They hunted down the four olds. This included closing museums and libraries as well as burning books, destroying
and musical instruments and paintings.
Who was put in charge to establish the new proletarian culture?
Mao’s 4th wife, Jiang Qing, was put into place to be in charge of Cultural Policy.
What was Jiang’s role within the Cultural Revolution?
She ruthlessly carried out policies to “purify” Chinese Culture. She believed she had a good insight on the entertainment industry from her previous job as an actress.
Which works were permitted during the Cultural Revolution?
Jiang did not permit any pieces of art or literature that did not fit her criteria. Most cultural influences were banned.
Only works related to contemporary Chinese terms were permitted. This included updating old traditional tales to more modern ones. Creative artists were often unhappy with this lack of freedom, however, many were sent to a re-education camp.
How did Jiang Qing use the Cultural Revolution to better her political position?
She took advantage of her power to clear any personal vendettas against people she disliked from her job as an actress. This included other actresses and people who knew secrets of her life as an actress.
What were the outcomes of Jiang’s control of culture
Cultural freedom was completely stifled with how creative it was. Jiang decided to make her own 8 opera ballets which showed revolutionary ideology that were shown instead.