Theatre Flashcards

1
Q

Functions of theatre x3

A

Entertainment
Politics
Religion

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Entertainment x3

A

Rudeness of Comedy
Farce
skill of the tragedy

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Rudeness x1

A

Wasps+ Clouds - ‘Zeus…through a sieve’ + swears

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Farce x3

A

Wasps:
‘…the prosecutor, the dog’…’Bow-wow’

Knights - string of insults ‘ill stuff you like a sausage skin’

Clouds (on sophists) ‘pale-face bare-footed quacks’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Purpose of comedy (for entertainment - against other themes) x3

A

Not religious as very few religious themes

Political themes simply what was current and relevant

No real intended harm - Cleon still thrived, Socrates convicted much later for political reasons, courts still functioned the same way

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Tragedy entertainment x2

A

Competition based on skill of writers

Also only have very little time to digest the tragedies, so subliminal messages probably not picked up by many

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Tragedy human commentary

A

Starting speech gives idea of no free will

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Tragic critique of religion x4

A

holding gods to a higher moral standard than men (servant)

Sheer cruelty of Aphrodite(compared to Artemis)
opening speech - Phaedra will be ‘groaning and driven mad’

BUT ‘my enemies shall pay me their full debt’

Also those who suffer most are Theseus and Phaedra, not Hippolytus - hidden critique of the traditional view

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Political thematic categories x5

A

Politics of the festival
New Thinking
Critique of prominent Athenians
Demagogy
Courts

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Festival process x3

A

party (komos) with lots of wine and singing

Audience behaviour - Hissed, clapped, shouted out, threw food

3 tragedies, 1 satyr play - hour long

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Political purpose of festival x2

A

Showing Athens as cultural and power centre

Tribute from Delian league displayed to all

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Political purpose - riches - festival x2

A

Choregia - a tax of the wealthy to help hire a chorus

Sponsors who undertook to finance the plays - show their wealth

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Tragedy as political - sophistry x2

A

Nurse as sophist

Deceptive ‘what you say is plausible but vile…so eloquent for evil’

‘this is what brings destruction on our fine cities…fair speech, too fair by far’ (fair/fine - kallos - persuasive but not good)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Tragedy political - women’s rights x2

A

Hippolytus tirade
‘they could live at home like free men - without women’ - potential inversion of the power dynamic?

‘how cruel a curse it is to be born a woman’

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Religious Festivals x3

A

Dionysia
Dionysus patron of theatre
Generals leading prayers
Parade with phalloi - as a symbol of rebirth

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Religious tragedy x3 worship and strength

A

Gods key theme in Hippolytus, emphasising subsurvience to them

‘abhor pride and avoid exclusiveness’ to the gods…we ‘should ovserve the honours due to gods’

Power of gods: ‘neither fire-blast nor star-stroke Is more fearful than aphrodite’s dart’

17
Q

Tragedy - critique of gods? x2

A

Gods pity but no emotion ‘my eyes are forbidden to shed tears’

Gods go before death ‘how easily you leave our long companionship’

18
Q

Critique of Demagogy (extreme power, rhetoric, control)
x3

A

‘you shall be the paramount chief, chief too of the market, the harbours and the Pnyx’

‘always try to win over the people with little touches of rhetoric’

‘jurymen! Brethren of the order of three obols, whom I feed by my loud denunciations, true or false!’

19
Q

Courts x4 - emotion/faults

A

Premise of the play - old man addicted to the courts so the son has to fake a trial in his home

Instant judgment - ‘Oh the villain he is! What a thievish creature he looks, too!’

Emotion: after the pups are shown Philocleon is ‘in tears

Bdelycleon misleads Philocleon ‘ he leads Philocleon to the urns by a roundabout route, so that they come first to the acquittal urn. P: There, in she goes [because it is the first one]’

20
Q

Figures: Cleon Corrupt x1

A

Corrupt
Hidden commentary on Cleon’s extortion ‘he sailed right round the mortar, and he’s eaten the rind off all the cities’ (Cleon embezzlement from Sicily in the 427 expedition)

21
Q

Socrates and Sophists x4
2+1+R

A

Clouds - socrates: Zeus? Who’s Zeus? What rubbish you talk! There is no Zeus! - clouds

‘no it’s a celestial vortex…’so zeus is dead and Vortex has taken his place’

Strepsiades uses sophistic argumentation to see off creditors

(Reliability - Socrates not too criticised as acc Plato symposium, still amicable relations with Aristophanes)