The Prelude Flashcards

1
Q

I heeded not their summons

A
  • Wordsworth relays how he rebelled – did not listen to the callings of his parents – so ‘happy’ a time that he did not want it to end
  • Also perhaps ignoring the ‘twilight’ as a sine of the day ending and a cue for him to return home
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2
Q

It was a time of rapture

A

• “Rapture” connotes feelings of immense ecsctacy and happiness, which he associates with the memory
• “Rapture” = intense pleasure or joy, but also employs Biblical connotations – Evangelical Christians believe The Rapture is an end of time event, where believers will be resurrected and ascend into Heaven to meet God — so for others, this was simply a “happy time”, but for WW it was an ecstasy of Biblical proportions – already separating himself from his fellow skaters, not simply physically, but emotionally
• Power of memories – how the feelings provoked shaped his character and mindset
The almost religious feelings inspired by nature that Wordsworth describes are typical of Romantic poetry, of which WW was the pillar

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3
Q

Like an untried horse

A
  • “Proud” and “exulting” suggest feelings of power and vibrancy – linked with the idea that youth comes with an unobtainable energy
  • A ‘horse’, like humans are energetic and magestic
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4
Q

Not a voice was idle

A

Layering of sound – “none were idle” = a din, a loud chaotic sound, sound is layered further with the echoes of the sounds of the people

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5
Q

Alien sound of melancholy, not unnoticed

A

• ‘Not unnoticed’ = litotes (double negative) emphasises important change in tone – indicates Wordsworth becoming aware of a more serious world outside his game – the loss of ignorance towards the “alien sound of melancholy” mirrors his loss of innocence and youth

The sounds of nature + the children are in harmony - they resonate together, something that adults cannot experience - to them it may be an ‘alien sound’

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6
Q

The orange sky of evening died away

A
  • Sense of finality – end of childhood/innocence
  • Sense of transitioning into adolescence – similarity with DOAN
  • Sense of negativity as childhood fades away
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7
Q

Context

A

• Considered the pillar of the Romantic poet; Romanticism = an artistic movement described as a ‘reaction to the birth of the modern world’
o The Sublime: characterised by astonishment and terror; sublime images cause human beings to have moments of epiphany
• The Prelude = an autobiographical poem, epic in length, published posthumously – explains why it was so intensely personal
o His early life is a ‘prelude’ to adult reflection
• Born and raised in Cockermouth, in Cumberland, on the edge of the Lake District in 1770 – its picturesque scenery inspiring his poetry
• Second oldest of five children, very close to his brothers and sister, Dorothy, until their mother and then their father died young and the family was split up – values his childhood
• Keen skater: Esthwaite, small lake, perhaps where young William learned to skate
• Sympathised with French revolutionaries, where the Proletariat overthrew the monarchy, until they began to put the upper classes to death (relevant? No)

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8
Q

Form and structure

A
  • Blank verse (unrhymed iambic pentameter) = an ordered, calm meter: however dramatic the psychological events Wordsworth is describing, he is reminiscing and writing about them from an adult distance – WW: “Poetry is emotion recollected in tranquility” (Blank verse is a measured, calm form)
  • Epic poem
  • First person, autobiographical account of a childhood experience – sounds personal and gives the reader an insight into his innermost thoughts
  • Narrative perspective – creates distance, giving the poem a sense of vibrancy – perspective of the participant of the event and not the mature Wordsworth recollecting the event
  • Regular rhythm achieved through caesura and enjambment, mirrors natural speech
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