The Hunter(s) Flashcards

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1
Q

Summerise the book the hunter

A
  • a psycholgical thriller
  • set in tasminai gothic wilderness about locating the last thylacine
  • in a poltical social commentary on huamns relationship with teh enviroment
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2
Q

summerise the movie the hunter

A
  • a family drama about martin
  • on Tasmanian backdrop to hunt
  • whilst staying with a dysfunctional but lovable family
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3
Q

what are key themes of the book

A
  • the battle for dominace between humans or in nature
  • the natural man (perfect or obscene)
  • time/space (manipulated and lost, out of conrtrol)
  • fairtytales (fantastical elements of nature against practicality of man)
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4
Q

what are key themes intriduced in the movie

A
  • water (bath, drinking from, cold, controlled)
  • fire (warm, unctrolled, naturally moving, consuming)
  • miror (cinematics, evolution, introspective, duality)
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5
Q

what is julia leighs context

A
  • a female portaying masculinty
  • majored in philosphy
  • austlian
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6
Q

what is daniel nettheims conext

A
  • male
  • filmamker, needing money adn studio support
  • austlian
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7
Q

what was julia leighs auidnce and prupose for writing

A

writing to explore hyper masculinity & romantisation and power of wilderness

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8
Q

what was nettheims aduince and who was he trying to achive

A

the broadest possible audience

  • familys, sanitised
  • those invested in the environmental conflicts
  • those wanting action packed Willem Defoe film
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9
Q

how did the changes in audicnee effect the characters

A

REDUCTIVE.

  • took M’s intorspective & judgemental nature
    –>
  • to more expressive & collbative (exposition reuqired) & less steadfast in unlikable traits
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10
Q

how did the changes effect the plot

A

sanitised the most striking elements

  • making M more likable (defeating hypermasculine nature)
  • psychogical drama –> standard charcter drama
  • more extrenal
  • more accesable & poltical-soical commnetary reduced (men as whole –> loggers)
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11
Q

how did the changes effect the tone/atmosphere

A
  • bleak
  • slow burn
  • msyerrious
  • hypermascline with fairytales interspersed
    –>
  • more succinct (time & sanitisation)
  • faster paced
  • straightforward
  • morally correct with happy endnigs
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12
Q

what was added in film

A
  • a prologue to give background, bad guy & exposition
  • a love triangle & romantic tension
  • conflict with loggers & assassins
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13
Q

what was lost in transition

A

-naunce was lost, things were sanitised
- closeness/familiarity with M specifaclly, creating a far borader focus
- long sequences in nature were replaced with breif montages
- poltiocal social commentary

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14
Q

how were the main changes made

A
  • shifting the focus of the story
  • reducing extended periods with M in nature
  • giving each person a clear purpose & (cliche) character arc
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15
Q

what a book codes and conventions and how are they used

A
  • detailed decription of setting & people
  • close third person perspective (detached but tied to central character)
  • distortaion of time, unpredictable/uncontrolable - psycholgclly troubling
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16
Q

what are movie codes and conventions and how are they used

A
  • montages (visual & time effective)
  • colour pallets (evolution in tone and character development)
  • editing, funnelling attention in certain direction, introducing themes and character relation to each other
17
Q

what is the reader exeprience

A
  • contemplative
  • introspective
  • judgemental & disdainful
  • questioning reality of hunt
  • confused (unexplained sequences of nothing (rock, unicorn))
18
Q

what is the viewer experience

A
  • neat
  • brief escape from reality where men make good thoughtful deciosns
  • investment in family
  • exciting, heart racing, edge of your seat
19
Q

how would book reader responsd to the movie

A

nettheim has to tackle the fidility conumdrum

  • what are you removing for sake of brevity without losing core of the book
  • reader to viewer experience would be simplified version of critical psychological commentary
20
Q

what are the changes in the time

A
  • tarkin (north) vs upper florintine (south)
  • 1999 vs 2011
  • populatition of logging debate
21
Q

how does experience change in trasnition

A

book is contempative but can be bland
film hieghtens emotional expreince & investment

  • long sequences of detailed description & judegments
    –>
  • sound, colour & setting already adding to expeirnce to get to plot faster
22
Q

what are some specfic textual examples for the book

A
  • first entering of the house (speculating supernatural nature of door, refering to children as “perfroming a coup”)
  • ending (detachment form armstrongs & calcting how to ablity to kill fellow hunters)
  • mechaninacally performing scoial cue (chocolate as social getsure & enunciating clearly)
23
Q

what are some specific scenes to refer to form the movie

A
  • bathtub motif
  • mirrir/refekction motif, nalaamistics, detached
  • martin returning to boy
  • martin x wife convo about jarrah