The Great Gatsby Flashcards

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1
Q

When was Gatsby written?

A
  • 1922
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2
Q

What was happening with the economy around the time Gatsby was written?

A
  • rapid economic growth

- wealth was becoming increasingly concentrated in the hands of a few at the top of society

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3
Q

What was happening with women at this time?

A
  • women found new freedom after being given the vote
  • resulted in changing behaviour/ fashion ie. flappers
  • however, poorer women still had to play traditional roles
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4
Q

What were the impacts of WW1?

A
  • devastating
  • spurred beginning of a shift in people’s attitudes towards the state, religion, morality, culture and society
  • arguably produced a ‘lost generation’ who were “shocked, disillusioned and embittered”
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5
Q

Had women overcome the patriarchy in this period?

A
  • no, America was still firmly patriarchal

- they were still subjected to double standards and stricter moral standards

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6
Q

How did mass consumer culture influence women’s position?

A
  • radios and cinemas exposed females to new role models and the ever-changing world of fashion and music
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7
Q

What role did the American Dream play in 1920s America?

A
  • it was a real driving force especially for working class and immigrant population
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8
Q

How did mass consumer culture impact society’s thoughts about love?

A
  • love stories became more plentiful and permeated popular entertainment
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9
Q

What are the conventions of classical tragedy?

A
  • charts fall of a noble man
  • good man makes a mistake
  • often this good man has a tragic flaw/ weakness (hamartia)
  • good man is punished by the Gods
  • a chorus comment on his life
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10
Q

How could you consider Gatsby a modern tragedy?

A
  • Gatsby falls victim to the Jazz Age
  • he is a hero as well as victim - he wants something more than the flawed life of consumerism but also a victim of this
  • religion is replaced by consumerism
  • the choric voice is taken on by Nick (and perhaps other characters who contribute to narrative) who comment on Gatsby’s life
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11
Q

What things could be thought of as Gatsby’s hamartia?

A
  • can’t comprehend not being able to live in the past
  • desires to be a social climber through his material wealth
  • love and Daisy
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12
Q

How can you see the influence of Keats’ ‘Ode to a Nightingale’?

A
  • Daisy references how romantic a nightingale she sees is but the moment ends when there is a ‘shrill’ telephone ring
  • ie. Fitzgerald borrows Romantic poetic imagery but juxtaposes it with 20th century technology
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13
Q

What are some traditionally identified features of a Byronic hero?

A
  • often harbours a torturing memory of an enormous, nameless guilt that drives him to doom
  • is aloof, and views himself as superior in passions and powers
  • pursues his own ends according to a self-generated moral code
  • he exerts an attraction on other characters that is all the more compelling because it involves their concern at his obliviousness to ordinary human concerns
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14
Q

What are some physical/ personality features of a Byronic hero?

A
  • attractive
  • wounded/ physically disabled
  • moody, mysterious, gloomy
  • passionate
  • remorseful but unrepentant
  • wandering
  • isolated
  • self-reliant
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15
Q

In what ways does Gatsby appear to be a Romantic hero?

A
  • imagination becomes self-realisation
  • he lives in the past and surrounds himself with a vision of recreating the past to the point that he can become delusional
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16
Q

At what point was modernism at its height?

A

1900 - 1930

17
Q

What is a modernism influence on the structure of the novel?

A
  • non-linear fragmented structure
18
Q

What are some key themes explored in Modernist literature that can be found in Gatsby?

A
  • disillusionment
  • breakdown of communication
  • alienation
  • frustration
  • loneliness
19
Q

What are examples of modernist techniques used in Gatsby and how?

A
  • juxtaposed characters, juxtaposed relationships etc.

- symbolism - key motif of the green light throughout

20
Q

In what way is Gatsby presented as a courtly lover?

A
  • Gatsby loves from afar
  • he is unrelentingly devoted to Daisy
  • Gatsby is enobled by love and becomes very chivalric, ie. Nick as the narrator elevates him to this position
  • he tries to impress Daisy with parties/ shirts, she is eventually cruel
  • sense of unsatified desire, just as he leaves out the climatic reunion, he leaves out sexual scenes, perhaps so the reader shares in Gatsby’s distress
21
Q

Who else could be considered a courtly lover?

A
  • Wilson
  • he is lovesick and unrequited
  • Myrtle is cruel and exploitative
22
Q

In Gatsby’s case, how might the war context have influenced him?

A
  • perhaps love sustained him
  • perhaps he returns to the base values of love
  • holds onto what is familiar
23
Q

In what way is TGG not a love story?

A
  • story about love, creates a realist observation about love but this is ultimately a social critique
24
Q

What makes Gatsby anachronistic?

A
  • he is presented as a courtly lover who expresses pure romantic commitment and is surrounded by people who have such loose notions of commitment
25
Q

What is Daisy when she marries Tom and wears the pearls?

A
  • a debutante (an upper-class young woman making her first appearance in fashionable society)
26
Q

As well as a courtly lover, what other medieval tradition is Gatsby a part of?

A
  • chivalric tradition
27
Q

Who makes Gatsby ‘great’?

A
  • arguably Nick, the text is perhaps more about Nick than Gatsby