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ENGLISH > THE GOTHIC TIMELINE > Flashcards

THE GOTHIC TIMELINE Flashcards

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Proverbs and Idioms flashcards
1
Q

TIME PERIOD:

1700s / 18th century (core Gothic)

A
  • philosophical shift away from scientific rationalism

- emphasis on reason, rather than feeling/emotion

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2
Q

NOVELISTS:

1700s/18th Century (core Gothic

A

Horace Walpole
Ann Radcliffe
Matthew Lewis

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3
Q

TYPICAL FEATURES:

1700s / 18th century (core Gothic)

A

Terror / supernatural / castles / forests / dread / irrational violence / women under threat / ghosts / patriarchal oppression

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4
Q

OTHER CONTEXTS:

1700s / 18th century (core gothic)

A

Wars (e.g England was at war with France in 1775 for nearly 10 years)

1789/1788 - French Revolution

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5
Q

TIME PERIOD:

Late 1700s-early 1800s (romantic-era Gothic)

A

cross-over texts: aspects of the Gothic used in “romantic” texts

  • a way of exploring accepted boundaries and social conventions
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6
Q

NOVELISTS:

Late 1700s-early 1800s (romantic-era Gothic)

A

Mary Shelley

James Hogg

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7
Q

TYPICAL FEATURES:

Late 1700s-early 1800s (romantic-era Gothic)

A

sublime / tyranny / position of women / horror / terror / justice / injustice / boundaries and limits / emotion over reason

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8
Q

OTHER CONTEXTS:

Late 1700s-early 1800s (romantic-era Gothic)

A

Late 1700s-1800s: industrial revolution

Mid 1700s onwards: scientific experiments such as Galvanism (exploring the origins of life)

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9
Q

TIME PERIOD:

1800s / 19th century Gothic

A
  • can be known as Victorian Gothic

- aspects of Gothic incorporated into domestic novel / detective fiction

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10
Q

NOVELISTS:

1800s / 19th century Gothic

A

Charlotte Brontë
Charles Dickens
Edgar Allen Poe

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11
Q

TYPICAL FEATURES:

1800s / 19th century Gothic

A

Opposites / otherness / anxiety / class / race and gender difference / origins / doubles / psychological complexity

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12
Q

OTHER CONTEXTS:

1800s / 19th century Gothic

A

1800s: middle class as a result of the Industrial Revolution

1859 - Charles Darwin publishes “The Origin of the Species”

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13
Q

TIME PERIOD:

1880s-early 1900s (fin de siècle Gothic)

A

end of century gothic - responding to emerging evolutionary, social and medical theories

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14
Q

NOVELISTS:

1880s-early 1900s (fin de siècle Gothic)

A

Oscar Wilde

Bram Stoker

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15
Q

TYPICAL FEATURES:

1880s-early 1900s (fin de siècle Gothic)

A

doubling / degeneration / doubt / fantasy / psychological landscapes / criminology

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16
Q

OTHER CONTEXTS:

1880s-early 1900s (fin de siècle Gothic)

A

1896: Max Nordau publishes “Degeneration”
1919: Freud publishes paper on “The Uncanny”, using examples from Gothic stories to illustrate

17
Q

TIME PERIOD:

1900s - present (American gothic)

A

Southern Gothic emerges - using Gothic to explore personal / social trauma arising from the legacy of slavery and civil war

18
Q

NOVELISTS:

1900s - present (American gothic)

A

Harper Lee
Stephen King
Edgar Allen Poe

19
Q

TYPICAL FEATURES:

1900s - present (American gothic)

A

Supernatural tension / grotesque / alienation / crime / violence / decay / taboo subjects / the past

20
Q

OTHER CONTEXTS:

1900s - present (American gothic)

A

1930s: Jim Crow laws, enforce segregation, along with lynching and KKK common in Southern states

1950s-60s: civil rights movement

21
Q

TIME PERIOD:

1900s - present (British gothic)

A

Often a response to social and cultural contexts

22
Q

NOVELISTS:

1900s - present (British gothic)

A

Daphne du Maurice
Angela Carter
Iain Banks
Susan Hill

23
Q

TYPICAL FEATURES:

1900s - present (British gothic)

A

dislocation / grotesque / gender / anxiety / transgression / instability

24
Q

OTHER CONTEXTS:

1900s - present (British gothic)

A

1914-18: WWI

1939-45: WWII

1960s onwards: rise of feminism

25
Q

what did the Gothic emerge from?

A
  • the Enlightenment, which sought to destablise rationality and the beliefs of religion through superstition and the supernatural, as a response to the uncertainties surrounding this transition.
26
Q

during 1970s….

- link to Sue Chaplin

A

women’s liberation movement fought to dismantle the notion that ‘femininity is essentially passive’

27
Q

1781 - Galvanism example

A
  • Lugi Galvani used electricity to cause a violent spasm to occur in the frog’s leg - giving the illusion that the frog had come back to life
28
Q

women burnt at the stake as they were thought to be witches - yet they simply did not act ‘normal’

A

1560-1630

ENGLISH (13 decks)

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