The Bloody Chamber Critics Flashcards
(14 cards)
for the sado masochist
the womb becomes a tomb, a bloody chamber
lokke
the heroines of these stories
are struggling out of straitjackets of history and ideology and biological essentialism
simpson
gothic fiction at its core
is about transgression of all sorts
Heiland
only men can
imagine and create the women they desire
duncker
the daughter is
conscious of her annihilation in a patriarchal society but doesn’t have the autonomy to overcome it
DaSilva
carter reveals both the difficult
and absolute necessity for a feminist redefinition of sexual pleasure and desire
Lokke
the critical relationship
between men and women in Carter’s fictions is always economic. the act of sex is always a question of performance
duncker
put new wine
in old bottles, especially if the pressure of the new wines makes the old bottles explode
Carter
to be the object
of desire is to live in the passive case, and to live in the passive case is to die in the passive case, that is to be killed
Carter
carter’s gothic represents identity
in flux; the instability of metamorphosis is always possible. there are no boundaries between the animal and the human; there is a slippery continuum
Duncker
all men are
beasts to women
duncker
the social fiction of my
femininity was created, by means outside my control, and palmed off on me as the real thing
carter
the wolves are all male
and the males are almost all wolves
ebert
human society is punitive
suspicious and credulous, its puritanical patriarchy shot through with a hypocritical sexualisation
bidisha