Texture and Melody Flashcards

1
Q

Texture

A

The layers in a piece of music, and the way they interact and combine.

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2
Q

Monophonic Texture

A

A single line of melody, with no accompaniment at all.

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3
Q

Unison Texture

A

Where everyone sings/plays the same melody at the same time, with no accompaniment.

(Audio Example has a unison vocal line)

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4
Q

Octaves Texture

A

The pitch of the singers or instruments is one or more octaves apart (e.g. a flute and a cello playing a ‘C’ note together)

In the audio example boys and men are all singing the same melody, but an octave apart fom ach other.

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5
Q

Homophonic Texture

A

The different parts of the music move together at the same time (in chords), like an old fashioned hymn.

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6
Q

Melody and Accompaniment

A

Where there is a strong melody over a mainly homophonic accompaniment.

Also known as Melody Dominated Homophony.

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7
Q

Polyphonic Texture

A

The different parts of the music are interwoven and are equally important. The parts are rhythmically independent.

Audio example is from the Baroque masterpiece the Messiah by Handel (1741).

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8
Q

Imitative Texture

A

One musical part copies or repeats what another part has just done.

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9
Q

Canonic Texture

A

Each part is the same and overlaps, but they start at different times (at regular intervals). Like a round (Frere Jaques etc).

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10
Q

Antiphonal Texture

A

Two groups of musicians who take it in turns to play/sing, in a kind of musical conversation.

Audio example is ‘Young Man’s Blues’ recorded live by the Who (1970).

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11
Q

Contrapuntal Texture (Counterpoint)

A

Same as polyphonic.

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12
Q

Heterophonic Texture

A

Two or more slightly different versions of the same melody played at the same time.

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13
Q

Melody

A

The Tune!

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14
Q

Modal Melody

A

Uses notes from the ancient scales known as Modes.

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15
Q

Conjunct Melody

A

Where the melody moves smoothly in short steps.

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16
Q

Disjunct Melody

A

Where the melody contains large leaps between notes.

Audio example is from West Side Story by Bernstein and Sondheim.

17
Q

Melodic Sequence

A

Where a melodic phrase is immediately repeated but at a different pitch.

18
Q

Ascending Sequence

A

A sequence where the melody is repeated but higher.

19
Q

Descending Sequence

A

A sequence where the melody is repeated but lower.

20
Q

Triadic Melody

A

Melodies that use the notes from a triad. (e.g. using C, E and G in C major)

21
Q

Arpeggio

A

Playing the triadic notes between an octave quickly. (So in C major, C-E-G-C)

22
Q

Ornamentation

A

The decoration of the melody (e.g. trills). Used a lot in the Baroque period.

Audio example is by Scarlatti, from his piano sonata K159.

23
Q

Chromatic Melody

A

Using some notes (accidentals) that don’t belong to the scale.

Chromatic notes are in pink in the audio example.

24
Q

Inversion

A

Where the melody is turned upside down.

E.g. if the original goes up a major 3rd, the inversion will descend a major 3rd.

Audio example is from ‘the Lamb’ by John Tavener, and features the original melody and its inversion being sung simultanously (inversion is red)

25
Q

Improvisation

A

Composing (making up) music on the spot.

Used a lot in jazz (as in the audio example).

26
Q

Ostinato / Riff

A

A short repeated pattern; can be a rhythm or a melody.

27
Q

Phrasing / Articulation

A

Marks in the score that give information about how the melody should be played.

28
Q

Legato

A

(Phrasing / Articulation): Move between notes smoothly.

29
Q

Staccato

A

(Phrasing / Articulation): Play each note short and detached.

30
Q

Slur

A

(Phrasing / Articulation): Very smooth, with no gaps between notes.

31
Q

Accent

A

Emphasise the beginning of certain notes.

This famous audio example is from Stravinsky’s ‘The Rite of Spring’ (1913).

32
Q

Interval

A

The distance (in pitch) between two notes

(e.g. the interval between C and G is a perfect fifth)

33
Q

Slide

Glissando

Portamento

A

All these words describe sliding from one note to another, a performance technique used by both singers and instrumentalists.

Audio example is the opening to George Gershwin’s Rhapsody in Blue.

34
Q

Pitch Bend

A

When the pitch of a note is raised or lowered slightly.

eg, on a guitar

Audio example is by Jimi Hendrix.

35
Q

Passing Notes

A

Notes which are between the main notes of the melody.

“No-o crib for a bed”

36
Q

Layered Texture

A

Sections of music that are repeated over and over again are known as loops.

When lots of loops are played at the same time, this is a layered texture. Used a lot in Minimalism (20th Century)

Audio Example is from Electric Counterpoint by Steve Reich (1989)

37
Q

Retrograde

A

Playing a melody backwards.

The audio example is from ‘The Lamb’ by John Tavener and features a melody immediately followed by a retrograde version of the same pitches (in blue).