Baroque Music Flashcards

1
Q

Ornamentation

A

Notes that decorate a melody. They are shown by small notes (grace notes) immediately before the main note or symbols above it. Examples include the mordant, trill, turn.

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2
Q

Diatonic

A

Notes belonging to the key of the piece

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3
Q

Monophonic

A

Refers to a musical texture comprising a single line which can be sung or played by several people

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4
Q

Homophonic

A

A texture comprising of a melody part and an accompaniment

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5
Q

Polyphonic

A

Literally ‘many sounds’ more than one melody sounding at the same time or entering at slightly different times so that melodic lines overlap

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6
Q

Sequence

A

The repetition of a musical phrase at a higher or lower pitch than the original

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7
Q

Pedal

A

A sustained note, usually in the bass part. It may clash with harmonic changes above it. Pedals are usually in the tonic or the dominant, so would be called either tonic or dominant pedal

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8
Q

Suspension

A

Prolonging a note to create a dissonance with the next chord

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9
Q

Affection

A

The prevailing mood in a baroque movement

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10
Q

Concerto grosso

A

A concerto for more than one soloist. The phrase literally means a large concerto. It is usually written in three movements in the order fast-slow-fast

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11
Q

Patronage

A

A system whereby composers earned money from a wealthy individual for writing music. The person who commissioned the music was known as a patron

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12
Q

Dialoguing

A

Instruments literally playing one after the other, swapping ideas

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13
Q

Antiphonal

A

Swapping between different musical groups

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14
Q

Concertino

A

The smaller group of soloists in a concerto grosso

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15
Q

Ripieno

A

The larger group - here a string orchestra

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16
Q

Basso continuo

A

Continuous bass parts are provided for harpsichord and stringed instruments such as bass voil and lute. Thepayers add chords and melody

17
Q

Figured bass

A

A type of musical shorthand for the keyboard player. T figures indicate the chord to be played above the bass note and whether this is in root position or first or second inversion.

18
Q

Fugue

A

A musical form comprising an exposition, middle section and final section. The music is contrapuntal

19
Q

Ternary form

A

A simple musical for, in three sections ABA

20
Q

Fugal exposition

A

The initial statements of the subject and answer

21
Q

Subject

A

The shirt main theme of the fugue

22
Q

Countersubject

A

The melody played after the subject or answer has been sounded. The melody is literally against the subject

23
Q

Stretto

A

Entries of the subject occur closer together than before, heightening the tension

24
Q

Contrapuntal

A

When two melodies are played against each other and interweave - almost the same as polyphonic written in counterpoint

25
Q

Counterpoint

A

Tune against tune

26
Q

Secondary dominant

A

Dominant of the dominant key

27
Q

Passing modulations

A

The new key only lasts for a few bars before moving on again

28
Q

Variant

A

A phrase whose shape resembles the original

29
Q

Passagework

A

A constantly moving passage, often un patterns of quick notes such as semiquavers. It often includes sequences.

30
Q

Cadential

A

This refers to a progression of chords forming a cadence.

31
Q

Solo concerto

A

A concerto for a single instrument accompanied by an orchestra