test 5 Flashcards
20th Century
1900-present
WWI & WWII
affected composers and their music
melody
no longer top element, much more dissonant, disjunction
harmony
“no more” functional harmony , emancipation of dissonance, new scales
tonality
no tonal center; tonal center created in new ways
Debussy, Stravinsky, Schoenberg, Ives
early modernists composers
(Stravinsky)
Manipulation of rhythm
driving force in his music and his greatest contribution
premier riot, ballet, primitive fertility rates, rhythm
(Stravinsky)
The Rite of Spring
- jazz influence,
- for time composed in neoclassical style
- tried serialism near end of life
stravinsky
20th century traditionalism
composers went back to traditional musical elements (ex: Ravel, Bartok and Copland)
originated serialism (12-tone system)
Schoenberg
12-tone system (inversion, retrograde, retrograde inversion, transposition)
Schoenberg
expressionist and modernist composer
Schoenberg
Second Viennese School with Webern and Berg
Schoenberg
Pierrot Lunaire
Schoenberg
impressionism
a French artistic movement of the late 19th century
Wozzeck
Alban Berg
student of Schoenberg
Berg
leading expressionist composer (1862-1918)
Debussy
clouds from three nocturnes
Debussy
style crystallized in early 30’s due to influence of impressionism and symbolism
Debussy
trained at Paris conservatory
Debussy
first great 20th century modernist composer
Debussy
enduring contributions in piano music and orchestration
Debussy
elevated tone color (timbre) to be at least equal to melody, harmony and for
Debussy
influenced by Indonesian Gamela
Debussy
whole tone scale
divides octave into 6 whole steps
octatonic scale
8 pitches to an octave alternating whole and half steps
Piano concerto in G
Ravel, Jazz influence
composed Music for Strings, Percussion and Celesta
Bartok
Ethnomusicologist, Hungarian
Bartok
Co-directed the Budapest Academy of Music
Bartok
the outstanding Nationalist composer of the 20th c.
Bartok
“The Rock-strewn Hills Join in the People’s Outdoor Meeting”
Ives
believed music should speak to the common person
Copland
promoter of American music
Copland
eclectic
Copland
ballet, Appalachian Springs
Copland
Musical characteristics: diatonic, accessible, open sounding
Copland
influenced by Stravinsky
Copland
composer of 4’33”
John Cage
father of chance music
John Cage
innovative in rhythm and electronic music
Edgar Varese
poeme electronique
Edgar Varese
minimalist composer
Steve Reich
minimalist, Short Ride in a Fast Machine
John Adams
atonal
lacks a tonal center
neoclassicism
a return to musical features of the classical period (or earlier)
what did Copland, Bartok and Ravel have in common?
neoclassicism
expressionist
extreme, exaggerated emotion, hysteria, insanity
sprechstimme
half spoken, half sung
3 phases of electronic music
musique concrete
synthesizers
computer music
chance music (aleatoric music)
performer chance
composer chance
minimalism
music in which simple melodies, motives, and harmonies are repeated many times and change in small increments over long periods of time
no professional musicians among founders
influences on early American music history
melting pot
influences on early American music history
cultivated music
in America, genres and styles of music that were brought from Europe and subsequently nurtured here through formal training and education
vernacular music
music that was developed in America outside the European concert music tradition
jazz
improvisation, syncopation, rhythm section (bass, piano, drums)
prelude No. 1
George Gershwin
New York (Broadway) center
American musical
Leonard Bernstein’s West Side Story, loosely based on Romeo and Juliet
American Musical