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Canadian Directors > Test 3 > Flashcards

Test 3 Flashcards

1
Q

When was Dead Ringers released

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2
Q

What were elliot and beverly like.jpg

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3
Q

what is bev and elliots conenction like

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4
Q

what dissrupts the twins life

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5
Q

what is the twins tradgic predicamnet

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6
Q

what does CRON think about chromosomes

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7
Q

CRON on freewill

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8
Q

cron on yin yang

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9
Q

the twins differences

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10
Q

what did Irons do for CRON

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11
Q

reception at the genies

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12
Q

what are CRONS canadian exceptions

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13
Q

bollywood details

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14
Q

co-production treaty details

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15
Q

when was the toronto New Wave

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16
Q

early ficiton features in Toronto in the 1980s

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17
Q

key Toronto New Wave directors

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18
Q

ages of New TO New Wave directors

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19
Q

1 - Event that gave way to TO New Wave

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20
Q

2 - Event that gave way to TO New Wave

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21
Q

2-2 - Event that gave way to TO New Wave

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22
Q

3 - Event that gave way to TO New Wave

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23
Q

signifigant New Wave boost - 1

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24
Q

signifigant New Wave boost - 2

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25
Q

big New Wave Films

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26
Q

Road Kill Details

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27
Q

roadkill story

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28
Q

roadkill awards

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29
Q

review of new wave by Geoff Pevere

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30
Q

CRON influence on New wave

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31
Q

death of OFDC

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32
Q

ontario chainsaw masacre

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33
Q

sweet hereafter details

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34
Q

other province with Telefilm equivalent

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35
Q

telefilms 2005 box office report

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36
Q

this years Screen awards

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37
Q

woman at Can screen awards thsi year

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38
Q

first Can pub screening of motion picture

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39
Q

Can first film exchange

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40
Q

what were subjects of first actualities

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41
Q

What did Freer purchase from whom

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42
Q

what were Freers main subjects

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43
Q

how were these similar to lumieres films

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44
Q

freers positive Can expereince

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45
Q

Cans first railway

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46
Q

how did firts filmmakers see Can

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47
Q

who produced first CAN pics

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48
Q

how was Canadian landscape viewed

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49
Q

how was Canadian landscape viewed

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50
Q

what did Freers tour yield

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51
Q

how did the whites effect the ideologu of the time

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52
Q

how weere different races viewed

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53
Q

relaity of chinese workers

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54
Q

how was the view of CAN race skewed

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55
Q

what is the OMPB

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56
Q

what effcet did the OMPB have

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57
Q

what was the Exhibits and Pliblicity bureau

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58
Q

which nations cretaed protevtion for motion pictres

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59
Q

what did Morris say about lack of studios

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60
Q

how did 1920s American inustry vertically integrate

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61
Q

more on publicity bureau

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62
Q

MPEDC formation

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63
Q

MPAA formation not canadain

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64
Q

1923 Canadaian government motion picture buereau

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65
Q

John Grierson invitaiton

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66
Q

grierson recommendation 1

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67
Q

grierson recommendation 2

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68
Q

grierson recommendation 3

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69
Q

1939 national film act

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70
Q

griersons thoughts on US dependancy

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71
Q

grierson stratefy for CAN films

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72
Q

grierson dislike of what films

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73
Q

griersons succesfull wartime films

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74
Q

grierson war film 2

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75
Q

canada carries ons eries

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76
Q

how were NFB pics shared

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77
Q

NFB exhibits

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78
Q

canada carries on propaganda

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79
Q

peopels of candaa details

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80
Q

pepels of canada untocuhed lie

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81
Q

pepesl of canda first nations represnatation

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82
Q

peopesl of canada nations lie 2

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83
Q

peopesl of canda about races

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84
Q

peopels of candad railway lie

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85
Q

peopels of candad representation of races lie

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86
Q

more peopels of candada exclusions

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87
Q

popels of canda final sequence

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88
Q

re melodrama

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89
Q

CPR white immigrant melodramas

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90
Q

head of CPR

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91
Q

1910 re instructing an audience

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92
Q

amussument vs learning

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93
Q

amussument vs learning

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94
Q

more on learning vs entertainment

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95
Q

whitening canada with dryalnders

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96
Q

drylanders relwase date

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97
Q

what si drylanders about

A
98
Q

purpose of drylanders

A
99
Q

deeper menaing of drylanders

A
100
Q

greers drylander hardship

A
101
Q

dans success in drylanbders

A
102
Q

Elizas drylander hope

A
103
Q

drylanders allegory

A
104
Q

drylanders producers

A
105
Q

irony of NFB

A
106
Q

NFB for schools

A
107
Q

NFB as false teachers guuide

A
108
Q

problem with NFB perspective

A
109
Q

NFB claims for drylanders

A
110
Q

NFB lies

A
111
Q

earliest fictional CAN short

A
112
Q

details about Evangeline

A
113
Q

evenageline details

A
114
Q

neil shipman

A
115
Q

back to gods country details

A
116
Q

back to gods country release date

A
117
Q

details re nanook of the north

A
118
Q

sub modes of documentary

A
119
Q

psudo docs

A
120
Q

mockumentaries

A
121
Q

docufictions

A
122
Q

cinema verte

A
123
Q

stories we tell release date

A
124
Q

stories we tell set up

A
125
Q

more stories we tell set up

A
126
Q

CAn cop op prject

A
127
Q

can coop goals

A
128
Q

how long can co op

A
129
Q

concerns re US hedemony

A
130
Q

members of massey commision

A
131
Q

massey report clnlusions

A
132
Q

cans failure to dvelop features

A
133
Q

no help form Massey

A
134
Q

creation of cultural library

A
135
Q

can arts formation

A
136
Q

massey for fench NFB

A
137
Q

NFB works towards US issues

A
138
Q

cinema direct and verite helps french filmmakers

A
139
Q

fench filmmakers reluctance with NFB

A
140
Q

five young french filmmakers reprimanded

A
141
Q

notable fench pics from 60s

A
142
Q

NFB produces dryalnders

A
143
Q

NFB tv

A
144
Q

NFB asserts control

A
145
Q

mon oncle antione relase date

A
146
Q

quebec labour unrest

A
147
Q

jutra re quebeebc labour

A
148
Q

benoit allegory

A
149
Q

what does church represent to Jutra

A
150
Q

benoits awakening

A
151
Q

NFB decentralizes

A
152
Q

regionalization

A
153
Q

NFB 1965 offices

A
154
Q

NFB decentralizaiton philosphy

A
155
Q

fench offics of NFB

A
156
Q

studio D formation

A
157
Q

NFB on studio D

A
158
Q

NFB objectives

A
159
Q

stduio D closure

A
160
Q

CFDC formation

A
161
Q

CAN poor distribution

A
162
Q

best foreign language CAN pic

A
163
Q

second foreign language pic

A
164
Q

Can oscar

A
165
Q

,more foriegn language NOMs

A
166
Q

nomitaed films at oscars

A
167
Q

water details

A
168
Q

incendies details

A
169
Q

monsiuer lazhar details

A
170
Q

war withc details

A
171
Q

the room and brooklyn details

A
172
Q

american dont want CAn films

A
173
Q

royal commision details

A
174
Q

Can billingual

A
175
Q

trudeau billigual policy

A
176
Q

charter of rights nd freedoms and fench

A
177
Q

cnadaian multiculturalism act

A
178
Q

multiculturalism two languages

A
179
Q

cretian designates multiculturalism day

A
180
Q

deepa Mehta

A
181
Q

deepha details

A
182
Q

deepha nationality

A
183
Q

Deephas Sam and Me

A
184
Q

deephas trilogy

A
185
Q

deephas interests

A
186
Q

East indian cinema

A
187
Q

Deephas work

A
188
Q

deephas influnces

A
189
Q

deepha new kind of immigrant

A
190
Q

views of Deepha

A
191
Q

first nations immigrant differences

A
192
Q

first nations historical depictions

A
193
Q

the seearchers release date

A
194
Q

kind first nation film depictions

A
195
Q

Reserve system

A
196
Q

Gradual Civilization acts

A
197
Q

detaisl of first naions problems

A
198
Q

failure of first nations protectin

A
199
Q

NFB ideologicla representation

A
200
Q

filsm that stereotype natives

A
201
Q

film attempts to undo white out

A
202
Q

Blakc Robe details

A
203
Q

black robe awards

A
204
Q

black robe story

A
205
Q

indians resposne to black robe

A
206
Q

Dumont on Balck Robe

A
207
Q

Paradis on Black Robe

A
208
Q

viciousness of Black RObe

A
209
Q

chruchhill on BLakc Robe

A
210
Q

chill on Balck robe more

A
211
Q

churchchill on black robe more

A
212
Q

churchhill on failure of black robe

A
213
Q

succes of balck robe

A
214
Q

indians on Balck Robe in Breseforrds oppinion

A
215
Q

ending of black robe

A
216
Q

neaucage on indians in films

A
217
Q

stduio one details

A
218
Q

aboriginal filmmaking details

A
219
Q

indian funding problems

A
220
Q

NFB indian picts concerns

A
221
Q

you are on indian land details

A
222
Q

jay treay of 1794

A
223
Q

sotney on Jay trety pic

A
224
Q

films you are o indian land led to

A
225
Q

dispelling of myths

A
226
Q

indina films

A
227
Q

most succesful indian film

A
228
Q

anurat details

A
229
Q

atanjurat release date

A
230
Q

inernational co productions

A
231
Q

canda has most of these

A
232
Q

challnege for co productions

A
233
Q

pinewood studio details

A
234
Q

troontos production rankings

A
235
Q

quanityt of toronto films

A
236
Q

how much toronto money

A
237
Q

other film CAN cities

A
238
Q

CAN film gross

A
239
Q

where does 3 bill come from

A
240
Q
A

Canadian Directors (2 decks)

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