Test 3 Flashcards
Kufic
- Rectangular script of the Koran
- Islam
- Arabic calligraphy
Quibla Wall
The southern wall of the great mosque that points in the direction towards mecca the Muslims faced while praying.
Metal Work
Yayoi period Japan development & skilled at bronze casting
Silk Road
Network of caravan routes across central asia linking china & the Mediterranean. Brought silks & other goods across the land
Mihrab
Semicircular niche usually set into the qibla wall that houses the Koran
Minarets
Towers used to call the faithful to worship.
Yayoi
Period following the Jomon period in Japan
- known for their metal work
- Invented bronze casting & loom weaving
Jomon
1st period of ancient Japan
- Known for their pottery; made before the pottery wheel was invented.
- Always in natural clay, pieces were never painted.
Stupa
- Buddhist architecture of India
- Structures that indicate the presence of Buddhism
- House of Worship for all
Shinto
Primary religion pre Buddhism
Kofun
- Period following the Yayoi Period in Japan
- Means “Old Tomb”
- Known for their keyhole shaped tombs & earthen ware figures
Great Wall of China
Qinshi Haungdi built this along the northern borders of china defending his land against the fierce nomadic people of the north.
Silla Crown
- Crown found in tomb, cut from sheet & embossed gold, held together with wire and rivets
- Uprights are trees or antlers symbolizing life & supernatural power.
Indus Valley
- Where earliest signs of life were found in Asia.
- Late Neolithic urban development of northern india & Pakistan
Tale of Genji
- Written by lady Murasak: (a lady in waiting at the court)
- Recounts the lives & loves of prince Genji & his descendants.
- Provides viewers with a view of what the Heian court was like
16-1

- “Funeral Banner, from tomb I”
- Tomb of the marguise of Dai
- Mawangdui, China
- Han Dynasty
- Painted Silk
- Coffin covers;
- top = heavenly realm.
- Middle = purgatory.
- Bottom = underworld;
- Raven = day,
- Moon = night.
- Deceased waits for their ascent into heaven.
16-5

- “Bi-Disk with Dragons”
- Luoyang, China
- Zhou Dynasty
- Nephrite
- found in tombs; symbolized the circle of heaven; status symbol of the owner in life & in death; high monetary value;
- dragons = imperial family & good fortune (flew between heaven & hell)
16-6

- “Army of the 1st emperor of Qin”
- Lintong, China
- Qin Dynasty
- Painted terra cotta
- 6000 soldiers & horses in the pits next to burial mounds, guarding the emperor; mostly individuals.
16-23

- “On a mountain Path in Spring”
- Song Period, China
- Album leaf, ink & colors on silk
- Painted by Ma Yuan; reduced the landscape to a few elements & confined them to one part of the page; figure gazes into the infinite distance
16-26

- “Silla Crown”
- Gyeongju, Korea
- Three Kingdom Period
- Gold & Jade
- Cut from sheets of embossed gold held together with wire & rivets; “trees” & “Antlers” symbolize life & supernatural power
17-2

- “Vessel”
- Nagano Prefecture, Japan
- Jomon Period
- Earthen ware
- Clay Coils; abstract form; natural flay, never painted; used for cooking, storage, ceremonial, burial
17- 4

- “Tomb of Emperor Nintoku”
- Japan
- Kofun Period
- Keyhole shaped tumulus; 3 surrounding moats; thousands of clay Haniwa stood on the center mound.
17 - 5

- “Haniwa Warrior”
- Japan
- Kofun Period
- Low-fired clay; unglazed
- “Clay circles” roundness in figures; whimsical (spiritual gods) protectors of the deceased in the tomb; not always human, can be animal, abstract, male female.
17-6

- “Main Hall of the Ise Jingu”
- Japan
- Kofun Period
- Shinto Shrine that honors the sun goddess; put together like linkin logs’ simple contruction always outsides in nature; the Kami (spirits) reside in the shrines
17-14

- “Gengi visits Murasaki”
- Minion chapter of “Tales of Genji”
- Heian Period; Japan
- Handscroll; ink & color on paper
- shown from an Ariel view; genji visiting his lover on her death bed; teaches the woman of the court how to read through tales of emotion
15-6

- “Lion capital of column erected by Ashoka at Sarnath, India”
- Set up by King Ashoka
- Sarnath, India
- Polished Sandstone
- Symbolize Buddhism; open mouths= spreading the word of Buddha; “the wheel of Buddist law”; the 4 lions back-to-back = the 4 cardinal directions.
15-7

- “Great Stupa” & “Elephants & yakshi”
- Sanchi, India
- Sandstone
- Signifies the presence of Buddhism in the area; a house of worship for all; filled w/reliquaries, images & sculptures of Buddha
- Yakshi: Very erotic, sensuous female that symbolizes the fertility of people, animals & the earth. High relief, shows fluid movement.
15-8

- “Diagram of the Great Stupa”
- Sanchi, India
- 3d Mandalas (Sacred diagrams of the universe)
- Dome represents the world mountain with yasti on top marking the axis of the universe; “toronas”
- (gateways) mark the cardinal points.
15-27

- “Shiva as Nataraja” (dancing Shiva)
- Tamil Nadu, India
- Bronze
- Shiva dominating ignorance; the dwarf he stands on = ignorance; dances in a ring of fire; although large, portable; treated like as a living being (walked, bathed & clothes).
10-2

- Aerial view of dome of the rock, Jerusalem
- Abd al-Malik built the dome of the Rock to mark the triumph of Islam in Jerusalem on the sacred sight.
- Form of octagon with towering dome
10-7

- “Malwiya Minaret”
- Great Mosque
- Samarra, Iraq
- Announce the Presence of Islam in the Tigris Valley
10-8

- “Mausoleum of the Samanids”
- Bukhara, Uzbekistan
- One of the oldest monumental tombs of the early Islamic period.
10-16

- “Sulay man, ewar in the form of a bird”
- Saint Petersburg, Hermitage
- Brass with silver and copper inlay
- Signed and dated by its maker
- Combinations natural feathers with abstract motif and Arabic calligraphy
10-17

- “Koran Page beginning of surah 18”
- Dunlin, Chester Beatty Library and oriental art gallery.
- Inked in gold on vellum
- Does not include depictions of humans or animals.
Hypostyle Mosque
A mosque with a roof supported with a multitude of columns