Test 1 Flashcards

1
Q

Henge

A

A circular arrangement of megalithic stone usually surrounded by a ditch.

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2
Q

Narrative art

A

The picture was divided into three bands or registers with all figures placed on a common ground line. It tells a story, the largest figure is always most important

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3
Q

Acropolis

A

Greek, “high city.” In ancient Greece, usually the site of the city’s most important temple(s).

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4
Q

Jericho

A

Had natural water supply, and fortification and defense based structure.

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5
Q

Relief

A

In sculpture, figures projecting from a background of which they are part. The degree of relief is designated high, low (bas), or sunken.

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6
Q

Post & Lintel

A

A system of construction in which two posts support a lintel.

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7
Q

Pyramid

A

Most popular during old kingdom, were tombs as well.

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8
Q

Archaic

A

The artistic style of 600–480 bce in Greece, characterized in part by the use of the composite view for painted and relief figures and of Egyptian stances for statues.

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9
Q

Amarna

A

Break from traditional Egyptian worship of all gods in favor of Aton the sun god.

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10
Q

Corbeled Arch

A

An arch formed by the piling of stone blocks in horizontal courses, cantilevered inward until the blocks meet a keystone. (3 stones)

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11
Q

Sphinx

A

A mythical Egyptian beast with the body of a lion and the head of a human.

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12
Q

Doric Order

A

The Doric order is characterized by, among other features, capitals with funnel-shaped echinuses, columns without bases, and a frieze of triglyphs and metopes.

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13
Q

Old Kingdom

A
  • Statuary types expressing the eternal nature of Pharaonic kingship.
  • Construction of the great pyramids at Gizeh.
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14
Q

Twisted Perspective

A

Representation in which part of a figure is shown in profile and another part shown frontally.

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15
Q

Register/ Frieze

A

One of a series of superimposed bands or friezes in a pictorial narrative, or the particular levels on which motifs are placed.

The part of the entablature between the architrave and the cornice; also, any sculptured or painted band in a building.

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16
Q

Hierarchy of scale

A

An artistic convention in which greater size indicates greater importance.

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17
Q

Ionic Order

A

The Ionic order is characterized by, among other features, volutes, capitals, columns with bases, and an uninterrupted frieze.

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18
Q

Middle Kingdom

A
  • After Civil war Mentuhotep II reestablished central rule and founded the middle kingdom.
  • Rock-cut tombs become the preferred Egyptian burial sites.
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19
Q

Composite view

A

Representation in which part of a figure is shown in profile and another part shown frontally.

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20
Q

Ziggurat

A

An ancient Mesopotamian architecture design of a monumental Platform for a temple

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21
Q

Rock cut tomb

A

Started in old kingdom, became popular in the new kingdom replacing the mastaba as a standard for tombs. Rock Cut Tombs are cut into the side of a mountain or rock.

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22
Q

Black Figure

A

Dark figures against a light background of reddish clay with details cut into the surface.

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23
Q

New Kingdom

A
  • Egypt expanded its borders to the Euphrates and south Nubia.
  • Construction of grandiose pylon temples.
  • Akenaton introduces a new religion and new art form.
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24
Q

Neolithic

A
  • Humans will domesticate animals
  • Humans organize into towns, farmers, herders, etc.
  • Art becomes large and permeant
  • Biggest difference between neolithic and Paleolithic is how food is gathered (no more hunter gatherer)
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25
Q

Cave Painting

A

Natural surface, unprepared.

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26
Q

Stele

A

A carved stone slab used to mark graves or commemorate historic occasions.

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27
Q

Cycladic art

A

Small geometric figurines that are believed to be vessels for peoples spirits when they die.

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28
Q

Red Figure

A

Silhouetted red figures against a black background.

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29
Q

Megalith

A

“great stone” A large hewn stone used in the construction of monumental prehistoric structures.

30
Q

Hammurabi

A

First ruler to implement laws for his people.

31
Q

Minoan

A

The prehistoric art of Crete, named after the legendary King Minos of Knossos.

32
Q

Çatal Höyük

A

First wall paintings and landscape paintings.

33
Q

Babylon

A

City of wonders, fabled city in many myths. Is where Ishtar gate comes from.

34
Q

Mycenaean temple

A
  • Concerned with defense
  • Known for architecture
  • Their megeron (most important building) became the structure of greek temple buildings.
35
Q

Panatheniac Precession Frieze

A

Interior frieze of the

36
Q

1-2

A

Figure 1-2 Waterworn pebble resembling a human face, from Makapansgat, South Africa, ca. Reddish brown jasperite, approx. 2 3/8” wide.

37
Q

1-4

A

4 Human with feline head, from Hohlenstein-Stadel, Germany, ca. Mammoth ivory

38
Q

1-8

A

Bison with turned head, fragmentary spearthrower, from La Madeleine, France. Reindeer horn.

39
Q

1-17

A

Fig. 1-17 Landscape with volcanic eruption, watercolor copy of a wall painting from Level VII, Çatal Höyük, Turkey.

40
Q

1-20

A

Figure 1-20 Aerial view of Stonehenge, Salisbury Plain, England, ca. 2550–1600 BCE. Circle is 97’ in diameter; trilithons 24’ high.

41
Q

2-4

A

Figure 2-4 Female head (Inanna?), from Uruk (modern Warka), Iraq, ca.. Marble,

42
Q

2-5

A

Figure 2-5 Presentation of offerings to Inanna (Warka Vase), from Uruk (modern Warka), Iraq, ca. 3200–3000 BCE. Alabaster.

43
Q

2-10

A

Figure 2-10 Sound box of the bull-headed harp from tomb 789 (“King’s Grave”), Royal Cemetery, Ur (modern Tell Muqayyar), Iraq, . Wood, lapis lazuli, and shell.

44
Q

2-18

A

Figure 2-18 Stele with law code of Hammurabi, from Susa, Iran, BCE. Basalt

45
Q

2-24

A

Figure 2-24 Ishtar Gate (restored), Babylon, Iraq,

46
Q

3-7

A

Figure 3-7 Great Pyramids, Gizeh, Egypt, Fourth Dynasty. From bottom: Pyramids of Menkaure,; Khafre, ca. E; and Khufu.

47
Q

3-10

A

Figure 3-10 Great Sphinx (with Pyramid of Khafre in the background at left), Gizeh, Egypt, Fourth Dynasty, Sandstone.

48
Q

3-13

A

Figure 3-13 Seated scribe, from Saqqara, Egypt, Fourth Dynasty, Painted limestone.

49
Q

3-17

A

Figure 3-17 Rock-cut tombs BH 3-5, Beni Hasan, Egypt, 12th Dynasty,

50
Q

3-23

A

Figure 3-23 Interior of the temple of Ramses II, Abu Simbel, Egypt, 19th Dynasty, Sandstone.

51
Q

3-30

A

Figure 3-30 Akhenaton, from the temple of Aton, Karnak, Egypt, 18th Dynasty, Sandstone.

52
Q

4-2

A

Figure 4-2 Figurine of a woman, from Syros (Cyclades), Greece, Marble.

53
Q

4-3

A

Figure 4-3 Male lyre player, from Keros (Cyclades), Greece, Marble,

54
Q

4-8

A

Figure 4-8 Bull-leaping, from the palace at Knossos (Crete), Greece, Fresco.

55
Q

4-9

A

Figure 4-9 Landscape with swallows (Spring Fresco), from Room Delta 2, Akrotiri, Thera (Cyclades), Fresco.

56
Q

4-12

A

Figure 4-12 Snake Goddess, from the palace at Knossos (Crete), Greece, Faience,

57
Q

4-17

A

Figure 4-17 Three methods of spanning a passageway: (a) post and lintel, (b) corbeled arch, (c) arch.

58
Q

5-2

A

Figure 5-2 Geometric krater, from the Dipylon cemetery, Athens, Greece.

59
Q

5-7

A

Figure 5-7 Kouros, ca. 600 BCE. Marble.

60
Q

5-9

A

Figure 5-9 Kroisos, from Anavysos, Greece, ca. 530 BCE. Marble.

61
Q

5-13

A

Figure 5-13 Elevations of the Doric and Ionic orders.

62
Q

5-43

A

5-43 Restored view of the Acropolis, Athens, Greece (John Burge). (1) Parthenon, (2) Propylaia, (3) pinakotheke, (4) Erechtheion, (5) Temple of Athena Nike.

63
Q

5-45

A

Figure 5-54 Caryatids of the south porch of the Erechtheion, Acropolis, Athens, Greece, ca. 421–405 BCE. Marble, 7’ 7” high.

64
Q

5-54

A

Figure 5-54 Caryatids of the south porch of the Erechtheion, Acropolis, Athens, Greece, ca. 421–405 BCE. Marble, 7’ 7” high.

65
Q

5-82

A

Figure 5-82 Nike alighting on a warship (Nike of Samothrace), from Samothrace, Greece, ca. 190 BCE. Marble.

66
Q

5-89

A

Figure 5-89 Laocoön and his sons, from Rome, Italy, early first century, Marble.

67
Q

Atlantid

A

Male statue that replaces a column.

68
Q

Caryantid

A

Female statue that replaces a column.

69
Q

Paleolithic

A

First organized period

70
Q

Came through Mesopotamia through trade.

A

Gilgamesh Motif

71
Q

Winged bull with human head.

A

Lamassu