Test 2 Flashcards

1
Q

Who invented the first mic? When? How does it work?

A

Berliner, 1877, intended for telephones. An electric acoustic device that converts to acoustical

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2
Q

Who invented the first capacitance mic? When? How does it work?

A

E.C Wente, 1916, 1st condensor. 2 thin plates, 1 move, 1 is fixed with charge applied. The acoustic pressure changes the capacitance

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3
Q

Who invented the first moving coil mic? When? How does it work?

A

E.C Wente, 1928, better bandwidth. It moves through the magnetic field in response to the sound waves hitting the diaphragm, and it produces voltage proportional to sound

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4
Q

Who invented the ribbon mic? When? How does it work?

A

Harry Olsen, 1932. It uses a medal ribbon attached to a fixed magnet, ribbon then vibrates from the pressure of the sound waves so voltage is generated

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5
Q

Phantom Power

A

Convenient power source for condenser microphones

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6
Q

What does linear mean?

A

Having an output that varies in direct proportion to the input

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7
Q

2 switches that exist on some mics? Explain

A

Bass Roll Off- reduces less frequency

Pad- cuts the volume

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8
Q

Polar pattern

A

A microphones sensitivity with respect to direction and frequency

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9
Q

3 different polar patterns

A

Omni- all around
Bi directional- front and back
Cardiod- front (heart shaped)

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10
Q

Microphones frequency response

A

Range of frequency a mic can produce

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11
Q

3 types of stereo mixing

A

Spaced Pair- 2 identical mics spaced 3-30ft from each other
Deca Tree- uses 3 omni mics, placed in T 8-20in apart
Coincident (X/Y)- 2 identical mics, capsules aligned 90-135 degrees

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12
Q

Pros and Cons of close and distant microphone techniques

A

Distant- >3ft from source, high probability of phase cancellations, room tone/ambiance
Close-<3ft from source, adds presence and gives isolation to the sound, few phase cancellations

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13
Q

ORTF

A

2 identical mics, near coincident that are at an angle of 110 degrees

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14
Q

M/S

A

mid-side

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15
Q

3:1 Rule

A

Each microphone must be at least 3 times farther apart from the source

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16
Q

On axis vs. off axis

A

On- talking directly in front of the mic

Off- off center of the mic

17
Q

What part of the mic give its sound?

A

The element

18
Q

3 types of loudspeakers

A
Moving coil (most common)
Ribbon
Electrostatic
19
Q

Frequency response

A

Measure of an audio systems ability to reproduce a range of frequencies with the same loudness

20
Q

Distortion

A

Signal in a reproduced sound that wasn’t part of the original

21
Q

Polar Response

A

How a loudspeaker focuses sound at a listening position

22
Q

Far field vs. Near field

A

Far- larger and full range, but in wall and several feet from the listener
Near-maller and limited range, set on stands and console bridges, near listener

23
Q

Headphone Monitoring

A

Eliminates influence of room acoustics on what you hear

24
Q

High vs. Low frequencies

A

Low is larger and travels further, high is opposite

25
Q

Signal flow

A

When patch audio takes through a system

26
Q

Overdub

A

Adding instruments that were not present during the original performance

27
Q

Block diagram

A

The use of signals to describe the signal flow

28
Q

Pan pot

A

Allows a creation of stereo imaging (L & R speakers to give the image- drums in one, guitar in other)

29
Q

Insert vs. Send return

A

Insert- seral, compression and EQ, will go with signal flow

Send- parallel, reverb, adds another chain to signal flow

30
Q

What is the first revered chamber patent date?

A

1935

31
Q

How did the focus of making a music recording change in the 1940’s?

A

Changed from capturing to creativity

32
Q

Who developed stereo recording and the stereo disk?

A

Alan Blumlein of EMI

33
Q

What are the playing speeds of LPs?

A

33 1/3, 45, 78 RPM