Test 2

Question 1

Contrast between light and dark to define shapes, and create depth. the difference between background and foreground is defined by the contrasts between darks and lights

Answer 1

Space

Question 2

the subtle use of light and dark to create new colors. used to define shadows and edges. gives illusion of depth or volume

Answer 2

Shading

Question 3

hues that in theory can not be created from a mixture of other hues, but create other hues themselves.
in pigment
in light

Answer 3

Primary colors
red yellow and blue
red orange green and blue violet

Question 4

Hues created by combining two primary colors.
Pigment:
Light:

Answer 4

Secondary Colors
orange green and violet
yellow magenta and cyan

Question 5

an arrangement of specific colors, used to heighten the reality of an image and create different responses in he artist and viewer. add drama or calm to an image.

Answer 5

Color Schemes

Question 6

a color scheme consisting of shades and tins of on ehue only

Answer 6

monochromatic

Question 7

A color scheme composed of hues that neighbor each other on the color wheel. less contrasting than complimentary schemes. interior design

Answer 7

analogous

Question 8

a circular arrangement of hues based on one of a number of color theories. mixes colors, defines contrasting colors, creates neutral tones. 12 sections

Answer 8

Color wheel

Question 9

the relative purity of a color’s hue, and a function of its relative brightness or dullness, aka _____. low ____ appear more neutral or slightly more grey than the pure hues that make them

Answer 9

Intensity/saturation
saturation
intensity

Question 10

a color or hue modified by addition of another color, resulting in a hue of lower key or value (darker) (black to red results in maroon)

Answer 10

shade

Question 11

a color or hue modified by the addition of another color resulting in a hue of higher key or value. (brighter) (white to red results in pink)

Answer 11

Tint

Question 12

Hues that are opposite one another on the color wheel (red and Green). they intensify each other when beside or on top of the other. When two are mixed, they create neutral versions of their pure form (greys)

Answer 12

Complimentary color scheme

Question 13

Lights are darks.

specific: this ___ is darker than this ____

Answer 13

Value

Question 14

illustrates varieties of grey that fall between pure white and pure black.

Answer 14

Grayscale

Question 15

the modification of perspective to decrease distortion resulting from the apparent visual contraction of an object or figure as it extends backwards from the picture plane at an angle approaching the perpendicular

Answer 15

foreshortening

Question 16

The relative lightness or darkness of a picture or the colors employed in it. refers to a broader area

Answer 16

Key

Question 17

all lines remain parallel. can be used to measure dimensions

Answer 17

axonometric projection

Question 18

in linear perspective, the point on the horizon line where parallel lines appear to converge

Answer 18

Vanishing Point

Question 19

in two dimensions, the areas of an image that represent objects and their appendages as they extend into the space created

Answer 19

positive space

Question 20

in two dimensional works, thi is the space that occurs as a consequence of, or is defined by a positive space or object.

Answer 20

negative space

Question 21

___ ____ is between black and white and creates a sharper image

Answer 21

high contrast

Question 22

white on white creates a dull image because of its ____ ____

Answer 22

low contrast

Question 23

can be viewed from any angle the viewer wishes. art becomes part of the surrounding space

Answer 23

three dimensional space

Question 24

Michaelangelo’s

Answer 24

David, crucifixion

Question 25

in this space, artists have a variety of ways to create the illusion of depth and the creation of space within a picture plane

Answer 25

Two dimensional space

Question 26

an area of closely spaced parallel lines employed in drawing and engraving to create the effect of shading or modeling

Answer 26

hatching

Question 27

two or more sets of roughly parallel and overlapping lines, set at an angle to one another in order to create a sense of three dimensional modeled space

Answer 27

cross hatching

Question 28

a system for depicting three dimensional space on a two dimensional surface that depends on two prinicples

Answer 28

linear perspective

Question 29

line that represents as far as the eye can see, from a given point of view

Answer 29

horizon line

Question 30

version of linear perspective in which there are two vanishing points in the composition. depicts edges.

Answer 30

Two point perspective

Question 31

technique employed in landscape painting, designed to suggest three dimensional space in the two dimensional space of the picture plane. creating the illusion of depth by simply changing the value and color as the landscape recedes into the distance

Answer 31

Atmospheric Perspective

Question 32

colors in the yellow-orange to red range are called

Answer 32

warm colors

Question 33

three dimensional texture you can feel

Answer 33

actual texture

Question 34

textures that look rough or smooth but are only drawn or painted on the surface of an image or object

Answer 34

visual texture

Question 35

“To rub” creating an image from laying a piece of paper over an actual texture and rubbing o it with graphite or charcoal to pick it up. 3D texture can be created by dragging textured objects through layer of wet paint

Answer 35

frottage

Question 36

Leonardo Da Vinci

Answer 36

shading called chiaroscuro. would build up dark areas show light areas by erasing

Question 37

two artists who were contemporaries that openly argued about the virtues of painting over sculpture. ___ was attracted by the grotesque. in many of his drawings he included models that are not beautiful but old or even deformed. ____ was more interested in beauty and the invention of ideal beauty in stone and other media

Answer 37

Leonardo

michelangelo

Question 38

combination of primary and secondary colors

Answer 38

tertiary colors

Question 39

Relating colors to each other in a composition

Answer 39

Unity

Question 40

Repeating design

Answer 40

pattern

Question 41

balance emphasis, focal point, scale, proportioning, repetitions are used to describe the way a designer arranges and modifies the elements in a design

Answer 41

Principles of Design

Question 42

artist whose ambitious woodcuts revolutionized the potential of that medium. copper engravings

Answer 42

Albrecht Durer

Question 43

arrangement of elements in a work so that it is pleasing to the eye

Answer 43

balance

Question 44

the center of interest or activity in a work of art.

Answer 44

focal point

Question 45

imaginary or theoretical spacial plane corresponding to the actual surface of the image. in painting this would be th eboundaries of the canvas

Answer 45

picture plane

Question 46

the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature and these effects are frequently emulated by artists.

Answer 46

Stippling