Brainscape's Knowledge GenomeTM


Top Flashcards (Certified)
All Flashcards

Music 213 Diatonic Harmony > Test 2 > Flashcards

Test 2 Flashcards

1
Q

Cadence of V or V7 moving to I (or i)

A

authentic cadence (AC)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

A cadence that ends on a V

A

Half Cadence

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Half cadences are made up of

A

A triad

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

An authentic cadence that ends with a 1 in the melody is a

A

Perfect Authentic Cadence (PAC)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

^ ^
An authentic cadence that ends with a 3 or 5 in the melody

A

Imperfect Authentic Cadence

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

In Tonic-Dominant-Tonic progressions, a triad can be in root or __ position

A

1st inversion (6)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

T-D-T progressions can not be in 2nd inversion (6/4) because I 6/4 is an __

A

Unstable harmony

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Subdominant chords

A

IV and ii6

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

The two most common chord progressions

A

TDT, TSDT

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Chords can be arpeggiated with

A

Chord skips

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Chord skips

A

Leaps from one chord to another

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

The appearance of the same chord tone in 1+ octaves in 2 different voices

A

Doubling

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Chord tones decorated by notes which are not in the harmony

A

Embellishing tones

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

A non-chord tone (NCT) approached by step and left by step in the same direction

A

Passing Tone (PT)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

A NCT approached by step and left by step in the opposite direction

A

Neighbour tone NT

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

A non-chord tone (NCT) approached by step or leap and left with the opposing step or leap

A

Incomplete neighbour (IN)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

A non-chord tone (NCT) approached by step and left by a leap

A

Escape (IN)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

A non-chord tone (NCT) approached by a leap and left by a step

A

Appoggiatura (IN)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

A non-chord tone (NCT) approached by step and left by step

A

Double neighbour

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

A non-chord tone (NCT) approached by the same tone and left by a step down

A

Suspension

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

A non-chord tone (NCT) approached by same tone and left by step up

A

Retardation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

A non-chord tone (NCT) approached by step or leap and left by same tone or a leap

A

Anticipation

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

A non-chord tone (NCT) approached by same tone and left by same tone

A

Pedal point

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

A ___ embellishing tone appears after the arrival of the chord, on a weaker beat or part of the beat

A

Unaccented

25
A ___ embellishing tone occurs at the very start of the chord
Accented
26
A ___ embellishing tone occurs at the very start of the chord
Accented
27
A ___ is an accented embellishing tone approached by common tone from the note of a previous chord and resolves down by step
Suspension
28
In V7 - I progressions where scale degree 7 is the top voice, the___ must be omitted and the __ must be doubled or tripled.
5th, root
29
In V7 - I progressions, when the 5th is omitted from I, you should
Triple the root of the chord
30
A half cadence should arrive on a (V or V7)?
V
31
Which tone can be doubled for I6?
Any
32
Which tone can be doubled for I64?
ONLY the bass
33
Which V chords can V6 go to?
V or V7
34
V6 cannot follow V..
V7
35
Which tones of V6 can be doubled?
Any tones other than the LT (3rd)
36
V65 leads to
I
37
V42 leads to
I6
38
V65 can follow V___
V or V6
39
V65 can go to V__ but not V __
V7, but not V or V6
40
V42 can NOT come before __ V
Root position V
41
V42 should always resolve to
I6
42
V65 and V42 are may also
Embellish tonic harmony
43
No notes in a V65 or V42 are usually__
omitted
44
V43 and viio6 often lead between I and I6 with passion motion in ___
The bass
45
The root of the viio6 triad is the ___ and may not be ___
Leading tone, doubled
46
When V43 moves to I6 the chordal 7th may go
Up a step
47
V64 embellishes
I
48
V42 embellishes
I6
49
Subdominant harmonies within a minor key, which scale degree is not usually doubled?
^ 6
50
Root position dominant chords are often embellished by intervals of a 6th and a 4th above scale degree __ in the bass
^ 5
51
Cadential 6/4 embellishes the ___ harmony
52
Scale degrees of a cadential 6/4
^ ^ ^ 5, 1, 3
53
Cadential 6/4’s delay the arrive of the dominant V chords __
3rd and fifth
54
Cadential 6/4 should be followed by
A root position V or V7
55
In I64-V or V7, the bass can be
Sustained, repeated, or leap an octave
56
To write a VCAD64 in F major.
^ 1) Find 5 this note should be in the bass and be doubled (in the key of F, = C) 2) find the intervals of a 6th and a 4th above : (6th above = A; 4th above = F) 3) 6 and 4 above the bass should move down to 5 and 3 above the bass, while the bass remains on : A and F should move to G and E, respectively, while the bass remains on C.
57
A cad6/4 can follow any chord except
Dominant harmonies
58
A cad has the same notes as a tonic in
2nd inversion

Music 213 Diatonic Harmony (7 decks)

Brainscape helps you reach your goals faster, through stronger study habits.
© 2025 Bold Learning Solutions. Terms and Conditions