Chord Progressions

Question 1

When 7th chords are all in root position, 7ths and 3rd tones should continuously ___

Answer 1

Alternate

Question 2

stepwise bass in I64 =

Answer 2

passing function

Question 3

When IV progresses to I or I6 it must be in __ position

Answer 3

Root position

Question 4

In I - IV - I progressions, scale degree 1 is usually __ in one of the upper voices

Answer 4

Sustained

Question 5

If a I-IV-I is not sustaining scale degree one, it may be___ SDs 3-4-3 or 5-6-5

Answer 5

harmonizing

Question 6

When IV progresses to I, the melody usually moves __ a step or stays on the ___

Answer 6

Down, tonic

Question 7

IV - I progressions usually appear at the ___ of a phrase, but may also appear after a ___, resulting in a ___, confirming the previous cadence

Answer 7

Beginning, PAC, plagal cadence

Question 8

In minor keys, ii diminished should be in ___ position

Answer 8

iio6

Question 9

Most common ii chord inversion which leads to a V

Answer 9

Ii65

Question 10

In I-ii7 and I-IV7 progressions, you have to omit the ___ and double the ___ to avoid parallel 5ths

Answer 10

5th, root

Question 11

Moving btw IV-ii or ii-IV is most common?

Answer 11

IV-ii

Question 12

7th chords (ie. ii7 and IV7), cannot lead to a ___

Answer 12

Triad

Question 13

A phyrgian cadence ends with ___-___ in minor keys

Answer 13

Iv6-V

Question 14

An alternative from going directly from I - IV is going from I -__ - IV

Answer 14

vi

Question 15

I can go from I - vi - I6 with __ motion in the bass

Answer 15

Descending 3rd

Question 16

Vi can go to ii or___

Answer 16

IV6

Question 17

In vi - ii, ii should be in ___ position

Answer 17

Root

Question 18

In vi-IV6 the bass ____

Answer 18

Remains stationary

Question 19

Vi USUALLY leads to a ___ harmony, but may also move to a ___, though less common

Answer 19

Subdominant, dominant

Question 20

V or V7__ can also lead to

Answer 20

Vi

Question 21

When V or V7 moves to vi it is a ___ cadence

Answer 21

Deceptive