Test 1 - Ch 5 Flashcards

1
Q

Poets

A

creatives people - Copywriters, graphic designers, directors

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2
Q

Suits

A

Non creative people - Sales representatives, data analyst, business

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3
Q

Advertising and Promotion Research

A

 Any research that helps in the development, execution or evaluation of advertising and promotion.
 Used to assist in determining market segments
 Plays a key role in helping creatives understand the audience
 Used to make go/no go ad decisions and when to pull ads
 Used to evaluate agency performance

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4
Q

Account Planning

A

 A broader view than traditional research that introduces data earlier in the development process and relies on a wider variety of research techniques.
 Account planners represent the consumer in the advertising process

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5
Q

What Customers Want

A

Using marketing research - Healthtex discovered that customers wanted practical clothing for their children.

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6
Q

Key Issues in Advertising and Promotion Research

A

Reliabiltiy, Validity, Trustworthiness

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7
Q

Reliability

A

The research method produces consistent findings over time.

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8
Q

Validity

A

The information generated is relevant to the research questions being investigated.

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9
Q

Trustworthiness

A

Usually applied to qualitative data; does the data seem to make sense?

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10
Q

The Scope of Advertising and IBP Research

A

• 1. Developmental Advertising and IBP Research (before ads are made)
• 2. Copy Research (as ads are being finished) – the text, no images
• 3. Results-oriented Research (after the ads are running)

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11
Q

IBP Research definition

A

Integrated Brand Promotion

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12
Q

Purposes of Developmental Advertising Research

A

Idea Generation, Concept Testing, Audience Definition & Profiling

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13
Q

Idea Generation

A

An agency is often called on to invent new, meaningful, ways of presenting a brand to a target audience.

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14
Q

Concept Testing

A

Seeks feedback to screen the quality of new ideas or concepts.

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15
Q

Audience Definition & Profiling

A

• Once a target segment has been identified, advertising planning can proceed with developing a message that will be meaningful to the consumers.
• Profiles present the creative staff with a fine-grained picture of the target audience, and its needs, wants, and motivations.
• Creatives need to know as much as they can about the people to whom their ads will speak.

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16
Q

Developmental Advertising Research Methods

A
  1. Focus Groups
  2. Projective Techniques
  3. Association Tests – what do you associate your feelings
  4. Dialogue Balloons -
  5. Story Construction
  6. Sentence and picture completion
  7. Zaltman Metaphor Elicitation Technique (ZMET)
  8. Field Work
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17
Q

Focus Groups

A

Brainstorming session with 6 to 12 customers

18
Q

Projective techniques

A

o Allow consumers to project thoughts and feelings onto neutral stimuli.
o Instead of asking the question directly, redirect the question to a neutral group (do you have bad breath? To -> how many of your friends have bad breath?)

19
Q

Association tests

A

Ask consumers to express thoughts or feelings after hearing a brand or seeing a logo.

20
Q

Field work

A

o Embedded consumption: Learn from the experiences of the consumer through direct observation.
o “Cool Hunts” On the prowl for what is cool.

21
Q

Sources of Information

A

• 1. Internal company sources
• 2. Government data sources
• 3. Commercial sources
• 4. Professional publications
• 5. The Internet – Not reliable or trustworthy

22
Q

Copy Research

A

Research on the actual ads
Used to judge the ads against a standard
Sometimes a source of agency conflict – Poets vs Suits

23
Q

Motives and Expectations in Copy Research

A

 Account team wants assurance that the ad does what it is supposed to do.
 The client wants to see how well a particular ad scores against the average commercial of its type.
 Creatives don’t like message testing because it creates a report card and “artists” resent getting report cards from people in suits.
 Copy-testing research is a good idea most of the time - it can yield important data that management can use to determine the suitability of an ad.

24
Q

Evaluative Criteria in Copy Research 1.“Getting It.”

A

Do targeted consumers understand the ad?

25
Q

Evaluative Criteria in Copy Research 2. Knowledge

A

Tests of recall and recognition

26
Q

Evaluative Criteria in Copy Research 3. Attitude change

A

Determine where a brand stands

27
Q

Evaluative Criteria in Copy Research 4. Feelings and emotions

A

happy, angry, sad, scared

28
Q

Evaluative Criteria in Copy Research 5. Physiological changes

A

Changes in eye movements or respiration. Body changes (pulse rates, breathing, voice, eyes)

29
Q

Evaluative Criteria in Copy Research 6. Behavioral intent

A

Do people say they will buy the product

30
Q

Evaluative Criteria in Copy Research 7. Actual Behavior

A

Did people buy the product?

31
Q

Copy Research Methods 1. Communication Tests

A

Are consumers getting the message?

32
Q

Copy Research Methods 2. Resonance Tests

A

To what extent does the ad ring true?

33
Q

Copy Research Methods 3. Thought Listings

A

Determine the thoughts that occur during exposure.

34
Q

Copy Research Methods 4. Recall Tests

A

How much does the viewer remember from the message?

35
Q

Copy Research Methods 5. Recognition Tests

A

Do people remember seeing an ad or sponsor?

36
Q

Copy Research Methods 6. Attitude Change Studies

A

Measure attitudes before and after exposure

37
Q

Copy Research Methods 7. Frame by Frame tests

A

Tracks emotional responses within an ad

38
Q

Copy Research Methods 8. Physiological Tests

A

Eye tracking, psychogalvanometer, voice response analysis, etc.

39
Q

Copy Research Methods 9. Pilot Testing

A

Split cable, split run, split list

40
Q

Copy Research Methods 10. Direct Response

A

Track consumer inquiries or direct responses

41
Q

Copy Research Methods 11. Single Source Data

A

Use UPC product codes to track behavior from the TV to the checkout counter