Test 1 Flashcards

1
Q

Genre Conventions

A

The rules of character, setting, and narrative that films belonging to a certain type of film generally obey

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2
Q

Avant-garde film

A

Films that are not pursuing commercial success but artistic convention

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3
Q

Closure

A

a characteristic of conventional narrative form, where the conclusion of the film wraps up all the loose ends in a form of resolution

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4
Q

Composition

A

the visual arrangement of objects, actors, and space within the frame

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5
Q

Motif

A

any narrative, visual, or sound element that is repeated and thereby acquires and reflects its significance to the story, the characters, or themes of the film

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6
Q

Voice over

A

a direct vocal address to the audience

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7
Q

Parallels

A

a similarity established between two characters or situations that invites comparison

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8
Q

shot

A

the building block of a scene; and uninterrupted sequence of frames

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9
Q

Turning Points

A

a narrative moment that signals an important shift of some kind in character or situation

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10
Q

Fade-out

A

a shot transition where shot A slowly disappears as the screen becomes black before shot B appears

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11
Q

Intertextual references

A

a narrative, visual, or sound element that refers viewers to other works of art

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12
Q

compilation film

A

a film composed entirely of footage from other films

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13
Q

product placement

A

an agreement between filmmakers and those who licence the use of commercial products to have those items appear on film

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14
Q

descriptive claim

A

a neutral account of the basic plot and style of a film, part of a film, or a group of films

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15
Q

plot summary

A

a brief chronological description of the basic events and characters in a film

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16
Q

evaluative claim

A

a statement that asserts a judgement that a given film is good or bad

17
Q

classical

A

a style associated with Hollywood filmmaking of the studio and post studio eras

18
Q

Realist

A

a style that focuses on characters, place, and spontaneity that digressiveness of life

19
Q

Formalist

A

a self-consciously interventionalist approach that explores ideas, abstraction, and aesthetics rather than focusing on storytelling or everyday life

20
Q

Chiaroscuro

A

The artful use of light and dark areas in the composition in black and white filmmaking

21
Q

Interpretive claim

A

a statement that presents an argument about a film’s meaning and significance

22
Q

Tracking Shots

A

a technique of moving the camera, on a dolly, along a speciality built track